LA Opera experienced many firsts in 2018. From Emmy Award-winning artists making their debuts to stunningly powerful world premieres on our Off Grand stage, we are proud of our accomplishments over the last 12 months.
The LA Opera family thanks you for making our 2018 so successful. As we wind down for the holidays, take a look at some highlights throughout this monumental year.
The winter holidays are all about spending time with family and friends. Activities like decorating the Christmas tree, lighting the menorah and binging holiday movies pretty much sum up the season. To avoid holiday cabin fever, we’ve rounded up five events around LA that are perfect for the family.
**DEADLINE EXTENDED to MONDAY, DECEMBER 17**
LA Opera is hosting a contest for currently enrolled college students in Southern California!
You are invited to submit artwork for LA Opera’s spring production of Mozart’s The Clemency of Titus! The winning submission will be featured on the cover of the show’s performance program and displayed at the home of LA Opera, the Dorothy Chandler Pavilion.
Ellen Reid’s latest opera “p r i s m” tackles a very serious and significant subject that is especially relevant today. It tells the story of an ill girl, Bibi, and her doting mother, Lumee, who live locked away from the world. The libretto, written by Roxie Perkins, also explores the elasticity of memory after trauma, and the lengths one will go to to “feel better.”
LA Opera wouldn’t exist without its supporters. As a 501(c)3 nonprofit organization, with ticket sales covering only about 40% of our budget, donors make it possible to present world-class opera in Los Angeles. But how exactly are charitable dollars used?
Last week, LA Opera had its opening night of Humperdinck’s beloved opera Hansel and Gretel. Hailed by LA Times as “a fantasy world audiences will be happy to join” and “a visual treat for the young and a delectable musical entree for adults.” by Broadway World, critics are enchanted by this fantastical production.
But what does the public think? Scroll down to read some audience reactions to LA Opera’s Hansel and Gretel!
Give a ten-year-old math student a tape measure and she might grow up to become the next great set designer. LA Opera’s Education and Community Engagement Department knows that a lifelong fascination with the arts can take root one inch, one shoe box or one classroom at a time.
Mezzo-soprano Sasha Cooke has made a name for herself in contemporary music, singing world premieres at some of the most prestigious opera houses in the world, such as English National Opera, San Francisco Opera and Santa Fe Opera. But the American mezzo returns to her standard operatic roots making her LA Opera debut this month as Hansel in Humperdinck’s charming yet spooky opera Hansel and Gretel.
Over the past two years, 50 adventuresome students from Zoo Magnet High School helped create a new opera. Next week, they will perform the show for the first time. Inspired by the creative process and the adrenaline rush of performing, these teens—even the ones who originally may have resisted the idea of enjoying opera—are now embracing their power as artists and storytellers.
On Nov. 17, Doug Fitch’s production of Humperdinck’s Hansel and Gretel returns to the LA Opera stage for the first time since 2006. From the mythical forest creatures that grace the stage, to an iconic role debut from Susan Graham, the spooky adventures of Hansel and Gretel come to life in this fantastical production. Before you go, here are some highlights to get you excited!
Last week, LA Opera opened it’s production of Philip Glass’ quintessential Satyagraha to rave reviews. Phelim McDermott’s fantastical production has already been hailed as “exquisite …[Satyagraha] is better still and a landmark for the company” (LA Times) and “a rich visual spectacle” (Broadway World).
Though the critics have been enthusiastic, what do audiences think? Read below for some audience reactions to LA Opera’s Satyagraha!
Every singer has a niche in which they feel most comfortable singing. Some thrive in early or baroque music, while others in the works of Italian masters like Verdi or Puccini. But for baritone Theo Hoffman, it’s the modern stylings of Philip Glass that he’s fallen into naturally, and have allowed him to shine in the past few seasons.
As a non-profit dedicated to the greater good, everything we do — on stage and throughout the community—is made possible by the generous support of people like you. Make a charitable contribution of $50 or more today, and you’ll be automatically entered for a chance to win our Plácido Domingo Awards Sweepstakes!