Mezzo-soprano Sasha Cooke has made a name for herself in contemporary music, singing world premieres at some of the most prestigious opera houses in the world, such as English National Opera, San Francisco Opera and Santa Fe Opera. But the American mezzo returns to her standard operatic roots making her LA Opera debut this month as Hansel in Humperdinck’s charming yet spooky opera Hansel and Gretel.
Over the past two years, 50 adventuresome students from Zoo Magnet High School helped create a new opera. Next week, they will perform the show for the first time. Inspired by the creative process and the adrenaline rush of performing, these teens—even the ones who originally may have resisted the idea of enjoying opera—are now embracing their power as artists and storytellers.
On Nov. 17, Doug Fitch’s production of Humperdinck’s Hansel and Gretel returns to the LA Opera stage for the first time since 2006. From the mythical forest creatures that grace the stage, to an iconic role debut from Susan Graham, the spooky adventures of Hansel and Gretel come to life in this fantastical production. Before you go, here are some highlights to get you excited!
Last week, LA Opera opened it’s production of Philip Glass’ quintessential Satyagraha to rave reviews. Phelim McDermott’s fantastical production has already been hailed as “exquisite …[Satyagraha] is better still and a landmark for the company” (LA Times) and “a rich visual spectacle” (Broadway World).
Though the critics have been enthusiastic, what do audiences think? Read below for some audience reactions to LA Opera’s Satyagraha!
Every singer has a niche in which they feel most comfortable singing. Some thrive in early or baroque music, while others in the works of Italian masters like Verdi or Puccini. But for baritone Theo Hoffman, it’s the modern stylings of Philip Glass that he’s fallen into naturally, and have allowed him to shine in the past few seasons.
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On Oct. 20, LA Opera completes Glass’ ‘Portrait Trilogy’ with Satyagraha. Since 2013, the company has staged Einstein on the Beach, Dracula: The Music and Film and, most recently, Akhnaten. In anticipation for opening night, here are five highlights to look forward to from the production!
Ana María Martínez is an artist that likes to draw outside of the lines. In her two decades as a professional singer, the repertoire she sings is an eclectic mix that ranges across multiple eras of opera. From roles like Carmen to Cio-Cio San in Madama Butterfly, Martínez’s breadth of work as a singer is enhanced by her superb acting skills.
By now, you all probably know what huge lushes we are here at the opera house — and we love sharing cocktail recipes with those who may enjoy a drink or two as much as we do. With Verdi’s Don Carlo currently playing on the stage, what better way to celebrate a new opera season than with some show-inspired cocktails on the opera menu?!
Les Talens Lyriques is one of the premiere French Baroque ensembles of the world. Since it was established in 1991, they’ve performed across Europe, Asia and the United States. On Oct. 11, the group finally comes to Los Angeles in a special, one-night-only concert at Zipper Hall at the Colburn School. Before you go, here are four facts to know about the group and the performance!
LA Opera opened it’s 2018/19 season last week with Verdi’s quintessential Don Carlo. Critics have already been raving about the production and its stars, calling it “absolutely gorgeous” (Broadway World) and hailed Plácido Domingo “the greatest opera star of our time, and surely the most beloved.” (LA Times)
Though the critics have been enthusiastic, what do audiences think? Read below for some audience reactions to LA Opera’s Don Carlo!
LA Opera is hosting a contest for currently enrolled college students in Southern California!
You are invited to submit artwork for LA Opera’s spring production of Mozart’s The Clemency of Titus! The winning submission will be featured on the cover of the show’s performance program and displayed at the home of LA Opera, the Dorothy Chandler Pavilion.