Three Operas, Two Film Directors, One Iconic Opening Night

“As long as people feel emotion, fall in and out of love, experience joy and pain, this music will live on because no other composer combines truth and beauty or makes you laugh and cry, like Puccini.” – William Friedkin

Suor Angelica (2008); Photo: Robert Millard

Suor Angelica (2008); Photo: Robert Millard

From its inception, LA Opera has cultivated a strong bond with film. This is a partnership that continues to prove successful. Herbert Ross, Peter Sellars, Gary Marshall, Maximilian Schell, Franco Zeffirelli, and even Julie Taymor have produced productions for the company. (Ross’ iconic 1993 production of Puccini’s La Boheme has been a crowd favorite for over 20 years and returns this June with the final two performances conducted by Gustavo Dudamel.) Yet, the 2008 season opener, a presentation of Puccini’s three one-act Operas, Il Tritico was a truly cinematic experience. Oscar-winning film titan, Woody Allen (Midnight in Paris, Match Point, Annie Hall) made his opera directing debut with Gianni Schicchi (which recently returned to open our current season) and William Friedkin (The Exorcist) masterfully tackled Il Tabarro and Suor Angelica.

<em>Il Tabarro</em> (2008); Photo: Robert Millard

Il Tabarro (2008); Photo: Robert Millard

Il Tabarro follows the love triangle of Giorgetta, her much older husband, Michele, and her lover, Luigi, while Suor Angelia is the story of Sister Angelia, a nun, longing for word of her illegitimate son. Gianni Schicchi is the story of a family’s squabble over the inheritance of their dead patriarch.

Can’t get enough of Puccini or Gianni Schicchi? We’ve collected a few articles below for you to check out.

From Allen To Zeffirelli: Gianni Schicchi & Pagliacci On The Silver and Small Screens

Two of the most famous arias to be used in film are “O mio babbino caro” from Puccini’s Gianni Schicchi and “Vesti la giubba” from Leoncavallo’s Pagliacci. The former is a persuasive aria, which Lauretta uses to convince her father Gianni Schicchi to stop fighting with the family of Rinuccio, the man she loves, while the latter is sung by Canio in Pagliacci after he discovers his wife’s infidelity. Both arias have been included in a plethora of films and television shows for decades.

Momo Casablanca: Gianni Schicchi’s Character Star

Of the many stars hustling around the stage in Gianni Schicchi – the frenetic first half of a double bill with Pagliacci – there’s only one cast member who remains on stage the whole time. That’s character actor Momo Casablanca, who portrays the significant role of Buoso Donati in Puccini’s comedic opera. The opera centers on Buoso’s greedy relatives, waiting to see what he has left them in his will. That’s right – Buoso Donati is already deceased when the curtain rises.

For information about and tickets to our current season, click here, and make sure to check back on January 26 to see what we have in store for our 2016/2017 season.


#LAO30Images is a year–long photo series, showcasing the most engaging photos from the company’s history in honor of our 30th Anniversary Season. To see all of our images click here.


LA Opera is a 501(c)3 non-profit organization dedicated to the greater good.
This entry was posted in LAO 30 and tagged , , , , , , , . Bookmark the permalink.