Tag Archives: Washington National Opera
Soprano Angela Meade, who made her LA Opera debut in 2012 as Donna Anna in Don Giovanni, returns as Bellini’s Norma, a role that catapulted her to prominence when she first performed it in concert at the Caramoor International Music Festival in 2010. She has subsequently performed in productions of Norma at the Metropolitan Opera and Washington National Opera. Shortly after rehearsals began in October, we sat down with her to get her take on this famously challenging role.
Let’s talk about Norma. It’s a big, giant, iconic work.
Indeed. Let’s call it Mount Everest.
Many opera lovers associate Norma with Maria Callas and a whole host of other great singers.
I’ve listened to all of them and, of course, I find great inspiration in many of them. But I try to make it just Angela’s interpretation, rather than anybody else’s.
Between performances, auditions and competitions, how many times do you think you’ve sung the entrance aria, “Casta diva”?
A bajillion. I really don’t know! I did a total of about 60 competitions, and I probably sang it for all of them, and I’ve also sung it in concerts, private functions and other things, not to mention within the role itself and, of course, rehearsals for performing the role. I’m sure it’s well over 250 times, probably more than that. I should have kept a tally of it.
Many different types of singers have sung Norma.
It has ranged from lyric coloraturas to mezzos. It’s different for everybody, as it should be.
Angela Meade singing “Casta Diva” for the Giordani Foundation Gala in 2009
It seems like you weren’t intimidated by the role.
I guess I never gave it much thought. When I first started singing “Casta diva,” I didn’t realize the sort of implications that went along with singing the role. I think plenty of people around me did, but I thought it was a beautiful aria. Clearly, I was only seeing the tip of the iceberg.