Tag Archives: Theater
Walk into a room and mention you’re heading to the opera. I bet you’ll get some confused looks and head scratching. For me, the response is typically, “You – an opera fan?” So try it and don’t be surprised if you hear some of these.
But you don’t look like an opera fan, what gives?
What does an opera fan look like? I thought I knew, but when I look around the Dorothy Chandler Pavilion (LA Opera’s home) during a performance, I see all sorts of people. Parents with their teenagers, hipsters on first dates, girlfriends on outings, couples young and old on a regular night out, groups celebrating special milestones, others dressed in costumes to emulate the production. You name it; you’ll see it in the theater and on the red carpet out front.
“My dream is to become a little old lady opera director.”
– Anne Bogart
Norma is arguably Vincenzo Bellini’s masterpiece. It’s a vocal fireworks of an opera, where singers utilize every tactic in their vocal range to express the deepest of emotions: love. Director Anne Bogart and designer Neil Patel understand this implicitly. Their Norma is a version that removes the frippery, “the spectacle of the mis en scene” and in turn fuels the vocal energy at the core of Bellini’s storytelling.
This is a style of theater that Bogart advocates as the Co-Artistic Director of the famed New York theater institution, SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992.
In Norma, Bogart brings her minimalist vision and unique acting technique to the operatic world. It’s a medium that serves Bogart’s vision well. She believes that “the kernel at the heart of the theatrical experience is terror,” but in theater the struggle is “how do we create a moment that creates that ancient terror while also having some restraint?”