Tag Archives: The Barber of Seville

Iconic Productions: The Ghosts of Versailles

The Ghosts of Versailles exemplifies LA Opera’s ongoing commitment to the most important operas of our time.”

Plácido Domingo

The west coast premiere of John Corigliano’s The Ghosts of Versailles in February 2015 was one of the most exciting – and iconic – productions to grace the LA Opera stage in recent seasons. Originally staged by the Metropolitan Opera in 1991, The Ghosts of Versailles is an opera-within-an-opera that counterpoises the fiction of Mozart and Beaumarchais (author of The Barber of Seville and The Marriage of Figaro) with the Reign of Terror to create a richly multilayered meditation on the need for, and costs of personal and social change.

Trapped in the spirit world, the ghost of Marie Antoinette bitterly reflects on her final suffering. Her favorite playwright tries to entertain the melancholy queen with the continuing adventures of his beloved characters from The Barber of Seville and The Marriage of Figaro. But sneaky Figaro refuses to play by the script, breaking free from the opera-within-the-opera in a surprise bid for a better life. The opera turns history on its head as love attempts to alter the course of destiny.

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Let’s Talk Bel Canto Baby


Lucia di Lammermoor. The Elixir of Love. Norma. What’s one major thing these masterpiece operas have in common? They are all part of the “bel canto” tradition of early 19th-century Italian opera. “Bel canto” directly translates into “beautiful singing,” but the movement is so much more than the beautiful arias that define it.

Norma; Photo: Craig T. Mathew

Norma; Photo: Ken Howard

The titans of bel canto – Vincenzo Bellini, Gaetano Donizetti and Gioachino Rossini – composed music that requires performers to have a number of vocal skills at their command: full, rich and even vocal tone; smooth, fluid musical phrasing; and tremendous vocal agility (the ability to sing a lot of fast-moving notes in a single phrase). These abilities come more naturally to some singers than to others, but even for those gifted singers who were born for bel canto, it still takes a lot of hard work in the rehearsal room to make it sound effortless. The words we use to describe bel canto may sound like gibberish if you don’t study voice, but I can promise you that the difference is quite clear. Check out Maria Callas performing “Casta diva” from Norma below and then contrast it with a non-bel canto piece: Birgit Nilsson singing “Allein, weh ganz, allein” (an early 20th-century German aria with vastly different vocal challenges) from Richard Strauss’s Elektra.



Still hungry for more information on bel canto? We’ve collected some great reference material to give you a taste of the bel canto movement below, including our top 5 bel canto operas to know.

Bel Canto: Audiences Love It, but What Is It? – via The New York Times

New York Times Chief Music Critic Anthony Tommasini discusses the history of the bel canto we know and love.

Talk Like an Opera Geek: Savoring The Bel Canto Sound – via NPR Music

It’s easy for opera fans to toss around the term “bel canto.” It’s much harder to actually define it. Literally, bel canto means “beautiful singing” in Italian, but it’s so open-ended that it’s come to mean anything from the lyrical trend in Roman cantatas from the 1640s to any particularly lovely snippet of vocalizing from any era. And then there’s the inverse of bel canto — “can belto” — a handy put-down to be flung at any singer who just stands and barks.

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10 Great Starter Operas

There are thousands of great operas to experience, but figuring out where to begin can be a little intimidating. However, opera newbies might be surprised to learn that they’re more familiar with opera than they think. Ever seen an episode of Looney Tunes or Tom and Jerry? Many television shows, Broadway productions and even films are based on or inspired by some of the most popular operas to ever hit the stage.

Here’s a list of ten operas that would be great for any opera newbie to check out, most of which can be seen at LA Opera this season.

Moby-Dick – It’s a classic read and will be a classic opera performance for any newbie to watch. Sung in English, Moby-Dick is easier to follow musically and newbies will also be wowed by set designer Robert Brill’s creations, which bring the high seas to life on stage. Read more about a unique stage prop called a cyc, and the Moby-Dick ship set here.

La Boheme – For the Broadway junkies out there, this is the opera that sparked the musical Rent. It also served as the inspiration for Moulin Rouge (along with La Traviata) making the plot familiar and easy to follow for first-timers.

Aida – The elaborate costumes and set design give any opera newbie enough incentive to watch this beautiful opera. The story takes place in Egypt and focuses around the enslaved Ethiopian princess, Aida. The large pyramid sets and Egyptian attire, much like Pagliacci, show how much planning and work goes into making one of these shows come to life.

Ana María Martínez as Cio-Cio-San in Santa Fe Opera's Madama Butterfly

Ana María Martínez as Cio-Cio-San in Santa Fe Opera’s Madama Butterfly

Madame ButterflyMadame Butterfly is a romantic tragedy with an easy to follow story line and gorgeous music. The set is simple, beautiful and elegant and is sure to impress anyone who sees.

The Barber of Seville – Opera fan or not, there’s a good chance you’ve heard of The Barber of Seville. With famous tunes (check out this overture) and a few good laughs, it’s sure to be a lively performance and a great show for opera newbies.

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