Tag Archives: REDCAT
Mezzo-soprano Amanda Crider loves performing contemporary works. That’s probably why she holds operas such as Persona close to her heart. In the two years since she premiered the piece, her own life experiences have added grit to her understanding of the troubled nurse Alma, and she looks forward to elevating her interpretation in Los Angeles.
How do movies and opera relate? To some, a conclusive answer may not be obvious — each art differs exponentially in many aspects. But when you take away the blatant differences, such as the respective emphases on music and the spoken word, there are commonalities that bring the two together. What opera and film share, along with most all performing arts, is the attention to human emotion.
NEWS: We’re thrilled and honored that Mukhtar Mai – whose historic bravery inspired “Thumbprint” – is traveling from Pakistan to witness her story told and join us for the talkbacks after each performance. If you don’t have a ticket yet, this is your chance to be part of this powerful moment.
A story set in Pakistan about a woman who rises from tragedy to empower others like her is the basis of Thumbprint – LA Opera’s next Off Grand presentation. We spent some time with Kamala Sankaram, who composed and also stars in Thumbprint, and got to know what led her to the story of Mukhtar Mai.
Kamala Sankaram’s life has always been filled with music. She started studying piano at age six and spent hours listening to classical music, traditional Hindustani music, and Broadway music. As an adult, she fell in love with the complexity of the music in opera, and would ultimately pursue a career first as a singer and later as a composer.
Last week, David Lang’s anatomy theater had its world premiere at REDCAT as part of LA Opera’s Off Grand series. The grisly and intense work has garnered a great deal of acclaim not only for the edginess of the production (with a staged public execution followed by a dissection), but also for the questions it raises about the nature of evil and where evil truly lives within each of us. If you’ve missed the anatomy theater love these past couple weeks, we’ve collected a bunch of articles and videos for you to get a sense of what makes the show so visceral.
Get To Know anatomy theater
Based on actual 18th-century texts, anatomy theater follows the story of Sarah Osborne, an English murderess, who is tried, executed, and publicly dissected before a paying audience of fascinated onlookers. Gritty, emotional, and inventive, the opera features several villainous characters, but none more vulnerable than Osborne, who is masterfully brought to life (and death) by mezzo-soprano Peabody Southwell.
Bass-baritone Robert Osborne is a veteran performer of contemporary opera, known for tackling challenging roles from the title character in Harry Partch’s Oedipus to François Mignon in the Robert Wilson-directed Zinnias. Currently, he performs the role of Baron Peel, the anatomist, in the world premiere of David Lang’s anatomy theater. During rehearsals, we sat down with Osborne to discuss his work in anatomy theater and what makes Baron Peel tick.
Santa Monica Pier is one of Los Angeles’ largest tourist attractions. Groups of people flock west to experience the beach, ride the ferris wheel, and pose in front of the sign signaling the end of Route 66. This past Saturday, tourists and Angelenos alike came to Santa Monica for one reason: opera.
LA Opera hosted its second annual, live HD simulcast called Opera at the Beach on Saturday. This year, an estimated 4,000 people were treated to performances of Giacomo Puccini’s Gianni Schicchi and Ruggero Leoncavallo’s Pagliacci. People arrived early to claim their spot in front of the large screen, participate in opera trivia, and listen to music from LA Opera’s upcoming season, including Beth Morrison Projects’ Song from the Uproar and Jake Heggie’s Moby-Dick. Guests who purchased tickets to the Wine Terrace, sponsored by Los Angeles magazine enjoyed tasting various wines and meeting the wineries responsible for creating some of the best drinks southern California has to offer.
In the aftermath of a war that ravaged America, a family clings to their existence; teenaged Lisa holds onto the hope of a better world as her family spirals into the depths of starvation and despair. When a stranger – a man who acts like and thinks of himself as a dog – arrives on her doorstep, they are forced to confront what it means to be human and what they will do to survive.
The above summary may sound like the logline of a post-apocalyptic thriller, but it is not a film.
It’s a multi-media opera.
LA Opera presented Dog Days in June at REDCAT as part of the Off Grand initiative, which brings thrilling contemporary chamber opera to LAO audiences. It was the west coast premiere of the opera, developed and produced by Beth Morrison Projects in New York. Inventive, thrillingly evocative of the human condition, and visceral, Dog Days has garnered a great deal of interest in the burgeoning indie opera scene.
Now, LA Opera and Beth Morrison have joined forces again to present two of Beth Morrison Projects’ (BMP) operas this season at REDCAT: Song from the Uproar and Anatomy Theater. Combining live musical performance and original film, Song from the Uproar (October 8-11), tells the incredible story of Isabelle Eberhardt (1877-1904), a young woman who left her life in Switzerland behind for an unfettered existence in the North African desert. Anatomy Theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers. Through the miracle of opera, she sings through it all.