Tag Archives: Program Notes

Maestro James Conlon on Don Carlo

Maestro James Conlon returns to the orchestra pit at LA Opera for Verdi’s Don Carlo on Sept. 22. Read his notes and thoughts on Verdi’s masterpiece as he prepares for the performance!

Maestro James Conlon with Bass Ferruccio Furlanetto during LA Opera's 2006 production of Don Carlo (Photo: Robert Millard)

Maestro James Conlon with Bass Ferruccio Furlanetto during LA Opera’s 2006 production of Don Carlo (Photo: Robert Millard)

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Nabucco: A Note from Music Director James Conlon

Nabucco is the first manifestation of Giuseppe Verdi’s genius. It was his third opera, and its immense success established him at 28 years of age as a powerful force in Italian theater and music. He was never, even posthumously, to lose that status. Even with rocky moments and the inevitable ups and downs of an artistic life, he was to become and remain Italy’s preeminent composer of the 19th century and arguably of its entire history. Though thoroughly Italian (sometimes obstinately so in the face of the foreign influences from the north of Europe), his music transcended its native land and its composer’s humble origins to install itself throughout the world.

LOS ANGELES, CA. Sep. 6, 2016. LA Opera’s production of ‘Macbeth’ at Dorothy Chandler Pavilion. (Photo Credit: Lawrence K. Ho)

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