Tag Archives: Orpheus and Eurydice

Read What Audiences Are Saying About Orpheus and Eurydice!

John Neumeier’s haunting new production of Gluck’s Orpheus and Eurydice has been been called “exquisite” (LA Times) and “an achingly beautiful dream of a show” (Chicago Tribune). But what does the public think? Check out what audiences are saying about LA Opera’s Orpheus and Eurydice!

Dancers from the Joffrey Ballet, in LA Opera's 2018 production of "Orpheus and Eurydice." (Photo: Ken Howard)

Dancers from the Joffrey Ballet, in LA Opera’s 2018 production of Orpheus and Eurydice. (Photo: Ken Howard)

… Continue reading

Posted in Audience Reactions | Tagged , , | 3 Comments

Six Questions for Victoria Jaiani of the Joffrey Ballet

Joffrey dancer Victoria Jaiani knows a thing or two about ballet — she’s been training in the art since age 10. Since joining the Joffrey Ballet in 2003, she’s gone on to perform roles such as Giselle (Giselle), Juliet (Romeo and Juliet), Terpsichore (Apollo) and many more.

Though she’s well-seasoned in ballet, Jaiani is new to the world of opera. Currently appearing in Orpheus and Eurydice, she had the opportunity to answer our questions on working with opera singers, as well as her insight on the daily life of a ballerina.

Victoria Jaiani and Temur Suluashvili , two dancers from the Joffrey Ballet, as Orpheus and Eurydice in the "Imaginery Ballet" that concludes LA Opera's 2018 production of "Orpheus and Eurydice." (Photo: Ken Howard)

Victoria Jaiani and Temur Suluashvili , two dancers from the Joffrey Ballet, as Orpheus and Eurydice in the “Imaginary Ballet” that concludes LA Opera’s 2018 production of Orpheus and Eurydice. (Photo: Ken Howard)

… Continue reading

Posted in Faces of the Opera | Tagged , , | 1 Comment

Take a Peek Inside Rehearsals with The Joffrey Ballet!

On March 10, LA Opera premieres John Neumeier’s new staging of Gluck’s Orpheus and Eurydice in partnership with The Joffrey Ballet. Coincidentally, the Joffrey also opens its production of Krzysztof Pastor’s “critically-acclaimed” re-telling of Romeo & Juliet the same week at The Music Center.

Fabrice Calmels and Jeraldine Mendoza, two dancers from the Joffrey Ballet, in LA Opera's 2018 production of "Orpheus and Eurydice." (Photo: Ken Howard)

Fabrice Calmels and Jeraldine Mendoza, two dancers from the Joffrey Ballet, in LA Opera’s 2018 production of Orpheus and Eurydice. (Photo: Ken Howard)

… Continue reading

Posted in Behind the Scenes | Tagged , , | 2 Comments

Lisette Oropesa Talks Eurydice, Gilda and Strong Female Characters

For a lyric-coloratura soprano like Lisette Oropesa, it can be easy to be pigeonholed into the many mistreated ingenue roles that dominate the repertoire. But Oropesa has broken that mold. At only 34 years old, she already has a wide array of repertoire. From Baroque to bel canto to new music, she has sung it all.

This season, Oropesa returns to the Dorothy Chandler Pavilion stage in two back-to-back roles. On March 10, she makes her role debut as Eurydice in John Neumeier’s new staging of Gluck’s Orpheus and Eurydice. In May, she assumes the role of Gilda in the first three performances of Verdi’s Rigoletto.

Lisette Oropesa as Eurydice (with Maxim Mironov, rear left, as Orpheus) in LA Opera's 2018 production of "Orpheus and Eurydice." (Photo: Ken Howard)

Lisette Oropesa as Eurydice (with Maxim Mironov, rear left, as Orpheus) in LA Opera’s 2018 production of Orpheus and Eurydice. (Photo: Ken Howard)

… Continue reading

Posted in Faces of the Opera | Tagged , | 1 Comment

Myth and Recovery, Music and Rebellion: A Note from Music Director James Conlon on Orpheus and Eurydice

“But Lot’s wife looked back as she lingered behind him, and she became a pillar of salt.”
Genesis 19:17, Luke 17:32

“Then he turned to her. It was too soon; she was still in the cavern. He saw her in the dim light, and he held out his arms to clasp her; but on the instant she was gone.
The Myth of Orpheus and Eurydice (from Edith Hamilton’s Mythology)

The act of looking back, with its rewards and perils, reveals, conceals, mystifies and clarifies. It can be a source of inspiration or of loss and regret. It is an inducement to creativity or a temptation to indulge our regressive tendencies.

James Conlon, Richard Seaver Music Director of LA Opera (Photo: Robert Millard)

James Conlon, Richard Seaver Music Director of LA Opera (Photo: Robert Millard)

… Continue reading

Posted in About Our Shows, Did You Know? | Tagged , , | 2 Comments

Five Things You May Not Know About LA Opera’s Orpheus and Eurydice

The French version of Christoph Willibald Gluck’s Orpheus and Eurydice (Orphée et Eurydice) may have premiered in 1774, but John Neumeier’s take on this classical masterpiece takes a myriad of liberties to update the setting. 

On March 10, LA Opera continues its 2017/18 season with Gluck’s heartbreaking opera, in partnership with the Joffrey Ballet. Neumeier’s production has already been hailed as “achingly beautiful” (Chicago Tribune) and “brilliantly reimagined” (Opera News). Not sure of what to expect? Here are a few things you may not already know about LA Opera’s upcoming production of Orpheus and Eurydice.

Scenes from John Neumeier's production of "Orpheus and Eurydice" at Lyric Opera of Chicago (Photo: Todd Rosenberg)

Scenes from John Neumeier’s production of “Orpheus and Eurydice” at Lyric Opera of Chicago (Photo: Todd Rosenberg)

… Continue reading

Posted in Did You Know? | Tagged , , , | Comments Off on Five Things You May Not Know About LA Opera’s Orpheus and Eurydice

Six Questions for John Neumeier

John Neumeier is director, choreographer, set designer, costume designer and lighting designer for LA Opera’s new production of Orpheus and Eurydice (performed here in its 1774 French revision as Orphée et Eurydice). His staging comes to Los Angeles after performances earlier this season at Lyric Opera of Chicago, and it will be presented next season by a third co-producer, the Hamburg State Opera, featuring the Hamburg Ballet, where Mr. Neumeier is director and chief choreographer. During rehearsals for the Chicago performances, he spoke with Roger Pines, dramaturg of Lyric Opera of Chicago.

Director and choreographer John Neumeier works with dancers from The Joffrey Ballet in Chicago (Photo: Andrew Cioffi)

Director and choreographer John Neumeier works with dancers from The Joffrey Ballet in Chicago (Photo: Andrew Cioffi)

… Continue reading

Posted in Behind the Scenes, Faces of the Opera | Tagged , , , | 2 Comments

Liv Redpath Discusses How the Humanities Influenced Her Artistry

Soprano Liv Redpath may have her sights set on a singing career, but opera isn’t her only passion. This member of the Domingo-Colburn-Stein Young Artist Program is keen on maintaining a myriad of interests beyond the stage, most notably her love of literature.

Soprano Liv Redpath

… Continue reading

Posted in Faces of the Opera | Tagged , , , , | 1 Comment

Five Highlights From The Second Half of Our 2017-18 Season

On Nov. 19, we wrapped up our last production of the year with Verdi’s Nabucco. Though we’ll be taking a brief hiatus from the stage until the new year, there is still much to be excited about in the second half of our season! With both company premieres and established revivals underway, there is something for everyone — especially if you have folks to shop for.

Can’t wait until January to get your opera fix? We can’t either. Here are five reasons to look forward to the rest of our season!

Photos by: Steve Cohn/Steve Cohn Photography

… Continue reading

Posted in About Our Shows | Tagged , , , , , , , | 1 Comment

Get To Know the 2017/2018 Season

We’ve just announced the 2017/2018 season and it’s all about the new. Five of the six mainstage productions are new to Los Angeles and two of them are company premieres. There will also be two major concerts – the first celebrating the 50th anniversary of Plácido Domingo’s first appearance at the Dorothy Chandler Pavilion and the second featuring Audra McDonald.

Can’t wait for the excitement to begin? Take a look below and get to know all the 17/18 season has in store for Los Angeles.

MAINSTAGE PRODUCTIONS
(presented at the Dorothy Chandler Pavilion)

Ana María Martínez returns as the famous opera femme fatale in Carmen

(Sep 9–Oct 1, 2017; production new to L.A.) — Georges Bizet

James Conlon conducts a cast that also features Alexander Vinogradov as Escamillo and Amanda Woodbury as Micaëla. The production is directed and choreographed by Rob Ashford, winner of Tony, Emmy and Olivier Awards.

After seeing Carmen, experience The Pearl Fishers another Bizet gem

(Oct 7–28, 2017; company premiere) — Georges Bizet
Plácido Domingo and Grant Gershon will each conduct performances of a rarely performed treasure, directed by Penny Woolcock. Nino Machaidze returns as Leïla, her seventh leading role in Los Angeles, with superstar tenor Javier Camarena making his company debut as Nadir. The cast also includes Alfredo Daza as Zurga and Nicholas Brownlee as Nourabad.

Plácido Domingo and James Conlon unite for Nabucco

(Oct 14–Nov 19, 2017; production new to L.A.) — Giuseppe Verdi
Plácido Domingo sings the title role of the monumental opera that made Verdi famous, conducted by James Conlon. Directed by Thaddeus Strassberger, the production also features Liudmyla Monastyrska in her LAO debut as Abigaille, with Morris Robinson as Zaccaria, Mario Chang as Ismaele and Nancy Fabiola Herrera as Fenena.

… Continue reading

Posted in About Our Shows | Tagged , , , , , , , , | Comments Off on Get To Know the 2017/2018 Season