Tag Archives: Opera
Mark Your Calendars. We’re presenting a free, live simulcast of Verdi’s Don Carlo starring Plácido Domingo and conducted by James Conlon, will be broadcast live in high-definition from the Dorothy Chandler Pavilion to the big screen at El Cariso Community Regional Park in Sylmar and at Santa Monica Pier on Saturday, Sept. 22, 2018.
LA Opera’s Simulcast is one of our newest and most expansive programs, sharing the first opera of the season with thousands of Angelenos — in three diverse geographic locations and all at the same time.
Through the generous commitment of Los Angeles County and the Board of Supervisors, LA Opera will continue its simulcasts on Sept. 22, 2018 with Verdi’s Don Carlo, live at the Dorothy Chandler Pavilion, and live broadcasts at El Cariso Community Regional Park in Sylmar and at the Santa Monica Pier.
LA Opera has several education and community programs offering teachers and students, offering them a taste of the many careers students can pursue in the future. Opera Prep is one of those programs. It offers teachers the opportunity to bring their students to the opera, as well as introduce them to some of the most talented professionals in the arts world. … Continue reading
Grammy Award-winner Susan Graham is a legend.
For decades, the mezzo-soprano has been one of opera’s greatest stars. She’s shared her voice with audiences worldwide and mastered an astonishing range of repertoire from classics like the title character in Monteverdi’s The Coronation of Poppea (unforgettable at LA Opera in 2006) to Sister Helen Prejean in Jake Heggie’s Dead Man Walking (a role written for her). This season, she adds another great role to her expanding resume: Artistic Advisor to LA Opera’s Domingo-Colburn-Stein young artists.
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Share The peerless stage director Sir Peter Hall (November 22, 1930 – September 11, 2017) was the founder of the Royal Shakespeare Company, a former director of the National Theatre in London, and had a thriving career in the world’s … Continue reading
Share On September 9, we open the 17/18 season with Carmen. If you’ve been following along on Snapchat and Instagram Stories, you’ve seen some of our behind-the-scenes fun: rehearsals, set building, and even flamenco dancing. As we wrap up rehearsals … Continue reading
Shawnet Sweets, our resident opera junkie is at it again.
In addition to work and all her other adventures, Shawnet is a camper. During a recent critter-interrupted camping trip, Shawnet discovered that some of her favorite arias startled and shooed her uninvited visitors away. Those visitors were bears.
Just in time for the final weekend of summer, she’s shared her “Bear-Scare Aria Playlist” with us.
Forget the traditional banging of pots and pans. If you’re headed to the wilderness to cap off the summer this Labor Day Weekend, be sure to take these tunes along. You’ll enjoy them and it might keep those pesky bears away.
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Picture this: It’s the end of the workday and you’re trudging through Union Station to catch the train or bus home. Out of the corner of your eye, you see someone dancing flamenco. What? Flamenco dancers in the station? Suddenly, your evening commute is transformed into something greater.
On Thursday August 31 (5:00pm), in partnership with Metro we’re bringing opera to Union Station to add some excitement to your evening commute. From 5-7pm, catch Metro Arts: LA Opera at Union Station and experience a taste of Carmen, inspired by our upcoming production. (Hint: That means great singers performing music from Carmen and other performers dancing flamenco.)
Laurie Peebler first joined LA Opera as a dancer.
She performed in all four operas of Wagner’s Ring Cycle spanning our company’s 2008/2009 and 2009/2010 seasons. Prior to joining LAO, Peebler’s performance background was focused on classical theater and small dance productions.
“I considered myself a Shakespeare nerd with movement experience when I auditioned for The Ring beside a mix of actors, dancers, stunt performers, circus artists and puppeteers,” Peebler explains. “The director led us through physical storytelling exercises that uniquely suited my skill set. I booked the job, my first time working in the world of opera, and it changed my life.”
After working on the Ring Cycle, Peebler went on to be featured in LA Opera’s La Cenerentola as well.
Then personal developments led to a shift in professional priorities.
“I became a mom and wanted more control over my schedule,” says Peebler. “At the same time, I hoped to stay connected to this amazing company and to feed my love of performing.”
That’s when Peebler traded late night rehearsals and day-long auditioning for working with kids as part of our Secondary In-School Opera (SISO) program.
Our Newcomer Open House
If you’ve never seen an opera, at least not one at LA Opera, and wonder what makes it so special, here’s your chance to see, hear and experience what’s in store this season. On Sunday, August 20, we’re opening out doors at the Dorothy Chandler Pavilion and invite you to our Newcomer Open House.
Hear a recital of selections from the coming season performed by our talented members of the Domingo-Colburn-Stein Young Artist Program, grab a bite, sip some wine or a cocktail and learn more about the makings of an opera production.
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Georges Bizet’s last opera has struck deeply into the soul of Western Civilization.
Its music is universally loved and its meaning constantly analyzed, debated and reinterpreted. As a protagonist, Carmen is unique. Contrary to many mythological characters who served as operatic subjects, she transcended her stage existence and then evolved into an archetype, a popular and modern myth. Unlike Don Juan, Faust and numerous Greek, Roman and Nordic mythological characters adapted for the opera stage, Carmen had little prehistory. But like Mozart’s Don Giovanni, her obvious male counterpart, she became immortal thanks to the genius of a composer. The protagonist of a short story by Prosper Mérimée, she was perfectly realized the moment Bizet set her to music.
Who is Carmen and what does she represent?
Ask a dozen opera lovers, and there will be a dozen answers. Evil temptress, femme fatale, erotic demon, 19th-century Eve for some; victim of racism, gender inequality and social injustice, symbol of emancipation and feminine empowerment for others.
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I’d been refreshing my email constantly for days on end, anxiously waiting for the email holding my fate. I auditioned for Opera Camp about a month earlier, and had been waiting for the results ever since. I’d found out about the program when I’d auditioned for Noah’s Flood months before. Patience however, was slowly edging its way out of my grasp. Then, suddenly I saw it:
Congratulations! We would like to inform you that you have been accepted and cast for our 16/17 Opera Camp!!!!
And so it began.
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Are you heading down to San Diego for Comic-Con and looking for something to wear? Here’s a list of opera costumes that will leave you Comic-Con ready.
1. This costume from Grendel looks straight out of Game of Thrones.
2. Armored soldiers from Aida — who’s to say these aren’t right out of Game of Thrones or Outlander?
3. Any of the Pagliacci clowns — whether you’re dressing as a riff on the Joker or Harley Quinn from Suicide Squad, or a classic homage to Killer Klowns From Outer Space everyone (meaning no one) loves a creepy clown.
What do Burning Man and LA Opera have in common?
When she’s not leading campers or community members in opera productions at LA Opera, Romero is a co-founder and co-artistic director of aLma.MaddR, a Los Angeles-based interdisciplinary arts collective. The collective’s latest project is a sound installation for an international collaboration called Aluna that will be staged at this year’s Burning Man.
These two gigs aren’t mutually exclusive.
Romero shares that one actually informs the other in the way she makes art. Her community outreach work has helped Romero understand how to use art to connect diverse communities.
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LA Opera establishes six-year paid internship
When most people think of interns, they think of enthusiastic college juniors and seniors experiencing the office environment for the first time before being thrust into the workforce. At LA Opera, we do hire college interns – but we also hire high school interns through an innovative new program meant to forge the next generation of diverse arts leaders: LA Opera Leadership Academy.
LA Opera Leadership Academy is not your ordinary internship.
Why? It can last six years.
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LA Opera President and CEO Christopher Koelsch participated in discussions at the inaugural Classical Evolution/Revolution Conference about how companies can find and keep new audiences for music.
The panel also included Yael Greenberg, Music Consultant, Kickstarter, and was moderated by Graham Parker, President of Universal Music Classics, USA.
LA Opera’s 16/17 season is almost over. But, you don’t have to wait until September (and the opening of Carmen on September 9th). Here are a few ways to get your opera fix this summer.
Hear LA Opera’s Artists Around Town
Mozart: Truth Through Beauty
LA Opera’s artist-in-residence Matthew Aucoin, joined by the rising stars of the company’s Domingo-Colburn-Stein Young Artist program, presents a musical exploration of Mozart’s unique artistic trajectory.
Opera has some of the gutsiest heroines that you don’t want to mess with who have killer arias –anthems as empowering awe-inspiring as your favorite Beyoncé, Alicia Keys, and Katy Perry songs.
Before seeing our upcoming production of Tosca –whose title character is one gutsy heroine – check out our list of music that gets you in that girl power spirit.
Tosca’s Act III aria (“Il tuo sangue o il mio amore”) – Tosca by Giacomo Puccini (opens at LA Opera on April 22)
Tosca will do anything for Cavaradossi, the man she loves – even resort to murder. In Act III, Tosca tells Cavaradossi exactly what she had to do to save his life. It’s one of the most climactic moments in the opera and showcases just how gutsy Tosca can be.
Have you ever wondered – “How’d they do that?” Opera brings stories to life, and the magic you see on stage is often the result of incredible ingenuity on the part of our behind-the-scenes artisans. We’ve rounded up a few of our favorite objects used in productions—old and new, both onstage and off—to give you a glimpse at what’s involved in staging the operas you love.
Can you guess what these objects are for? (The answers are below, but no cheating!)
- The torches we use onstage have a name that references a crucial safety feature. What are these props called?
- Dead Man’s Torch
- Burnless Bunsen
- Touchable Torch
Back in 1984, Los Angeles hosted the Olympics Arts Festival. During the Los Angeles Olympics, the Opera Association co-produced three operas with London’s Royal Opera (Turandot, starring Domingo as Calaf, as well as Peter Grimes and The Magic Flute), which not only helped establish the city as an international arts destination, but also helped raise funds for the soon-to-rise opera company.
So, you could say, LA Opera was born out of the Olympics.
We’re thinking about this history as we prepare to watch tonight’s opening ceremony for the Rio Olympics. But, we’re also thinking of some of the things opera and the Olympics have in common.
The 1984 Olympics is not the only time that opera and the Olympics have collided. Throughout the years, many famous opera singers have sung at various summer and winter olympics, including Plácido Domingo. Remember when he sang alongside Song Zuying in Beijing in 2008?