Tag Archives: Nabucco

Notes on the ‘Nabucco’ Scenic Design from Director Thaddeus Strassberger

A formative part of my training as an opera director and designer was spent at the Accademia Teatro alla Scala. This “temple of opera”—as both a building and a company of artists—has existed largely unchanged since 1776 and has produced hundreds of world premieres, including many of Verdi’s operas.

Scenic artist Paolino Libralato works on the Nabucco set (Photo: Thaddeus Strassberger)

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Nabucco and Verdi’s Creative Identity

A scene from Washington National Opera's Nabucco (2012); Photo: Scott Suchman

A scene from Washington National Opera’s Nabucco (2012); Photo: Scott Suchman

Giuseppe Verdi regarded Nabucco, his third work to reach the stage, as the catalyst that set the rest of his career in motion.

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What Opera Should I See First? Here’s a list.

You’ve read the rave reviews, watched the season trailer, and seen your friends’ Instagrams at the Dorothy Chandler Pavilion. Now, you want to experience a night at the opera. The only problem is – there are a lot of choices and you don’t know which opera to see first.

We’re here to help. Below are a few great starter operas, some of which are coming to LA Opera this season.


Ana María Martínez as Carmen; Photo: Lynn Lane, courtesy of Houston Grand Opera

Ana María Martínez as the title character in Carmen; Photo: Lynn Lane, courtesy of Houston Grand Opera

There’s a reason why everybody loves Carmen. It’s about an independent, wild, and fierce woman from the south of Spain, who has no shortage of admirers. This realistic, action-packed story has become one of the most popular operas in the world. That’s because of its Spanish flair, grand music, and tragic love triangle. Also, whether you’re a Westworld fan or you like The Muppets, we know you’ve heard the music from Carmen before (“Habanera”).

You’re already familiar with Carmen, so why not make it your first opera experience this September?

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What’s In Store For 2017/18

LA Opera’s 2017/2018 season opens September 9

Our 2016/17 season may have come to an end, but 2017/18 is just around the corner. Next season has something for everyone from the classic gems to the avant-garde. Get to know the season below and don’t forget to buy your tickets early for the best seats.

CARMEN (September 9-October 1)

Ana María Martínez as Carmen; Photo: Lynn Lane, courtesy of Houston Grand Opera

Ana María Martínez as the title character in Carmen; Photo: Lynn Lane, courtesy of Houston Grand Opera

On September 9, we open with Georges Bizet’s Carmen. Ana María Martínez stars as opera’s most famous femme fatale. Nobody—not even a lover—can tame Carmen, who bursts into life onstage with an intoxicating whirl of thrilling choreography, vivid orchestrations and heart-stopping drama. Bizet’s unforgettable score is an endless parade of one great melody after the other, from the languid allure of Carmen’s sensual songs to the macho boasts of the dashing bullfighter.

THE PEARL FISHERS (October 7-28)

A scene from The Metropolitan Opera's production of The Pearl Fishers (2015); Photo: Ken Howard

A scene from The Metropolitan Opera’s production of The Pearl Fishers (2015); Photo: Ken Howard

A beautifully detailed staging, complete with stunning special effects, brings a rare and exotic story to life. Soprano Nino Machaidze, one of LA Opera’s favorite leading ladies, returns as a veiled priestess with a hidden past, pursued by two lifelong friends and romantic rivals. The complicated triangle pushes forbidden love into a final struggle for life and death, until a nearly forgotten secret saves the day.  Internationally acclaimed tenor Javier Camarena makes his company debut as Nadir.

The ravishing score, an early treasure by the composer of Carmen, features a rapturous duet for the two rivals that has become one of opera’s all-time greatest hits.

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Get To Know the 2017/2018 Season

We’ve just announced the 2017/2018 season and it’s all about the new. Five of the six mainstage productions are new to Los Angeles and two of them are company premieres. There will also be two major concerts – the first celebrating the 50th anniversary of Plácido Domingo’s first appearance at the Dorothy Chandler Pavilion and the second featuring Audra McDonald.

Can’t wait for the excitement to begin? Take a look below and get to know all the 17/18 season has in store for Los Angeles.

(presented at the Dorothy Chandler Pavilion)

Ana María Martínez returns as the famous opera femme fatale in Carmen

(Sep 9–Oct 1, 2017; production new to L.A.) — Georges Bizet

James Conlon conducts a cast that also features Alexander Vinogradov as Escamillo and Amanda Woodbury as Micaëla. The production is directed and choreographed by Rob Ashford, winner of Tony, Emmy and Olivier Awards.

After seeing Carmen, experience The Pearl Fishers another Bizet gem

(Oct 7–28, 2017; company premiere) — Georges Bizet
Plácido Domingo and Grant Gershon will each conduct performances of a rarely performed treasure, directed by Penny Woolcock. Nino Machaidze returns as Leïla, her seventh leading role in Los Angeles, with superstar tenor Javier Camarena making his company debut as Nadir. The cast also includes Alfredo Daza as Zurga and Nicholas Brownlee as Nourabad.

Plácido Domingo and James Conlon unite for Nabucco

(Oct 14–Nov 19, 2017; production new to L.A.) — Giuseppe Verdi
Plácido Domingo sings the title role of the monumental opera that made Verdi famous, conducted by James Conlon. Directed by Thaddeus Strassberger, the production also features Liudmyla Monastyrska in her LAO debut as Abigaille, with Morris Robinson as Zaccaria, Mario Chang as Ismaele and Nancy Fabiola Herrera as Fenena.

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Music Monday: Nabucco

<em>Nabucco</em> (2002): Photo: Robert Millard

Nabucco (2002): Photo: Robert Millard

To say that Nabucco put Giuseppe Verdi on the map is a vast understatement. The opera – a telling of the Biblical story of Jewish oppression by the Babylonians – saved his career. After his first opera, King for a Day, failed miserably (and also after he lost his wife and two children), Verdi was ready to give up composing. But La Scala manager Bartolomeo Merelli slipped him the libretto for Nabucco. Once Verdi read the lyrics to “Va pensiero,” he knew that this would be his next project. Nabucco became one of Verdi’s most famous operas, reigniting his career as a composer capable of creating rapturous, nationalistic sound, so vastly different from the more melodic Bellini or frenetic Donizetti. In 1901, at Verdi’s funeral, crowds of mourners sang “Va pensiero,” in his honor.

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