Tag Archives: Morris Robinson
Morris Robinson left a potential career in football to pursue his dream of becoming a singer, making a name for himself with his resonant bass voice, towering stature and commanding stage presence. His appearances as the Grand Inquisitor in Don Carlo and as Parsi Rustomji in Satyagraha mark his seventh and eighth roles in Los Angeles, after previous performances here in Rigoletto, Nabucco and The Abduction from the Seraglio, to name a few.
LA Opera chatted with Robinson recently about his upcoming roles at LA Opera and his previous path to football stardom.
The Abduction from the Seraglio takes the stage two more time this month. In case you’ve missed the Roaring Twenties, Orient Express, and Mozart fun, we’ve collected a bunch of articles for you to check out below.
Get To Know The Abduction from the Seraglio
Maestro James Conlon, who is celebrating his 10th season as LA Opera’s Richard Seaver Music Director, discusses Mozart’s The Abduction from the Seraglio.
On January 28, Morris Robinson returns to LA Opera as Osmin in Mozart’s The Abduction from the Seraglio. The talented bass has sung in the world’s greatest opera houses in the last decade, but he did not always dream about a career in opera.
In this edition of our collaboration with Living with A Genius, hear Robinson discuss Osmin and what led him to become an opera singer.
Norma is the go-to opera to hear what the masterful, operatic voice can do. Yet, there’s so much more to this show than the voices. There’s an interesting directorial vision thanks to Anne Bogart, a classic take on the bel canto movement, and cast members that truly define what it means to be a great opera singer. In case you’ve missed the Norma love these past few weeks, we’ve collected a bunch of articles and videos for you to check out and see why Norma is so captivating.
Get To Know Norma
Norma is more than just a love story. It’s also an opera about the cross between the political and the personal , all showcased in the title character’s struggles.
Norma is arguably Vincenzo Bellini’s masterpiece. It’s a vocal fireworks of an opera, where singers utilize every tactic in their vocal range to express the deepest of emotions: love. Director Anne Bogart and designer Neil Patel understand this implicitly. Their Norma is a version that removes the frippery, “the spectacle of the mis en scene” and in turn fuels the vocal energy at the core of Bellini’s storytelling.
Vincenzo Bellini’s Norma is arguably the ultimate girl power opera, with a fiery and dramatic plot that’s sure to be a crowd pleaser. To help everyone get in an empowering mood, we’ve put together a list of our top 10 girl-power anthems for you to listen to until the opening night of Norma this Saturday. Here’s a list of 10 stellar girl power songs.
As I write this, Angela Meade, Jamie Barton, and Russell Thomas are on-stage rehearsing a scene from our upcoming production of Bellini’s Norma. It’s the end of Act I and Norma (Meade) has just discovered the affair between the man she loves, Pollione (Thomas), and Adalgisa (Barton), a younger priestess. If you think the story’s dramatic, you should hear their voices! Unbelievable voices – let’s call them vocal fireworks because of their equally explosive and yet restrained nature – are at the center of Norma. It’s compelling to witness.