Tag Archives: Matthew Aucoin

LA Opera Artist-In-Residence Matthew Aucoin Receives 2018 MacArthur Fellowship

LA Opera Artist-in-Residence Matthew Aucoin was named as a 2018 MacArthur Fellow by the John D. and Catherine T. MacArthur Foundation on Thursday morning.

LA Opera Artist in Residence Matthew Aucoin

LA Opera Artist in Residence Matthew Aucoin

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Matthew Aucoin On His Opera ‘Crossing’

Matthew Aucoin, LA Opera’s Artist in Residence, is the composer, librettist and conductor of Crossing. Below are his program notes for his upcoming concert performance of Crossing at the Wallis Annenberg Center for the Performing Arts on May 25 & 26.

Artist in Residence Matthew Aucoin in rehearsals for Crossing with tenor Brenton Ryan and baritone Rod Gilfry (Photo: Arya Roshanian/LA Opera)

Artist in Residence Matthew Aucoin in rehearsals for Crossing with tenor Brenton Ryan, baritone Rod Gilfry and pianist Jeremy Frank. (Photo: Arya Roshanian/LA Opera)

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Read What Audiences Are Saying About Rigoletto!

On May 12, LA Opera saw the return of Mark Lamos’ lavish production of Giuseppe Verdi’s Rigoletto. KXLU has described it as “… a mesmerizing, powerfully sung and acted Rigoletto,” while Broadway World writes that Juan Jesus Rodriguez in the title role “is thunder itself for all three acts. In both singing and acting, he masterfully plays all the agonizing transitions of the character …”

The critics may love this timeless Verdi classic, but what does the public think? Read below for audience reactions to LA Opera’s Rigoletto!

Arturo Chacon-Cruz as the Duke of Mantua and Juan Jesus Rodriguez as Rigoletto in LA Opera's 2018 production of "Rigoletto." (Photo: Ken Howard / LA Opera)

Arturo Chacon-Cruz as the Duke of Mantua and Juan Jesus Rodriguez as Rigoletto in LA Opera’s 2018 production of Rigoletto. (Photo: Ken Howard / LA Opera)

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Matthew Aucoin on Rigoletto

Matthew Aucoin, LA Opera’s Artist in Residence, is the conductor of Rigoletto.

Rigoletto is a thunderbolt, a once-in-a-lifetime occurrence—even for Verdi. It’s so familiar to opera audiences, however, that we might forget what an explosive, revolutionary piece it is, much the same way that overexposure to Beethoven’s Ninth Symphony has the tendency to blind us to that piece’s strangeness and messiness. Rigoletto crosses a threshold in operatic history; it contains a kind of quantum leap. It is here that Verdi, whose music had so far wrestled with two seemingly contradictory impulses—his gift for glorious, long-spun melodies in the mold of the bel canto tradition and a keen dramatic instinct that gave his music a rough-edged, distinctly un-bel canto quality—finally united these two tendencies.

Artist in Residence Matthew Aucoin in rehearsals

Artist in Residence Matthew Aucoin in rehearsals

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Verdi: Bel Canto and Beyond – Domingo-Colburn-Stein YAPs in Concert

Timed to coincide with LA Opera’s production of Verdi’s classic Rigoletto, this concert program focuses on the emergence of Verdi, Italy’s quintessential composer, out of the bel canto greats that preceded him. This concert features LA Opera’s Domingo-Colburn-Stein Young Artists, with music and program arranged by LA Opera Artist-In-Residence Matthew Aucoin.


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Mozart: Truth Through Beauty

Matthew Aucoin (right) works with Summer Hassan, a member of the Domingo-Colburn-Stein Young Artist Program

Matthew Aucoin (right) works with Summer Hassan, a member of the Domingo-Colburn-Stein Young Artist Program

Next month, LA Opera presents Mozart: Truth Through Beauty, a recital tour featuring artist-in-residence Matthew Aucoin as he and the rising stars of the company’s Domingo-Colburn-Stein Young Artist Program explore Mozart’s unique artistic trajectory.

Why Mozart? Mozart is arguably the world’s most popular composer. Even if you’re unfamiliar with the music in its entirety, you’ve likely heard some of his music on TV, in film, or even in a viral commercial. Mozart is also one of the most misunderstood composers. He is often portrayed as a faintly-annoying child prodigy to whom everything came easy (much to the chagrin of his peers as portrayed in the award-winning film Amadeus). In reality, Mozart was a serious questing artist who spent his few adult years transforming his youthful brilliance into music of sublime simplicity.
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Hear Matthew Aucoin’s Thoughts on Akhnaten

Matthew Aucoin (right) and Summer Hassan (left); Photo: Ben Gibbs

Matthew Aucoin (right) and Summer Hassan (left); Photo: Ben Gibbs

This fall has been very busy for Matthew Aucoin – LA Opera’s new artist-in-residence. Not only did he compose, conduct, curate and perform in October’s wildly popular Nosferatu: A Symphony of Horror (held at The Theater at Ace Hotel), he also made his LA Opera mainstage debut conducting Philip Glass’s Akhnaten. In the below excerpt of a podcast hosted by Living with A Genius’s Omar Crook, Aucoin talks about how he tackled the challenging Glass opera.

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Get To Know the 2016/17 Season!

LA Opera's 2016/17 Season

LA Opera’s 2016/17 Season

We’ve finally announced the 2016/2017 season and it’s going to be a big one. There are six mainstage operas, a semi-staged concert, and stellar off-grand productions to enjoy starting September 17.

https://youtu.be/8_2vNJr-GO4

Can’t wait for the excitement to begin? Take a look below and get to know all the 16/17 season has in store for Los Angeles.

Plácido Domingo and James Conlon unite to open season with Verdi’s Macbeth
The season opens with a new production of Verdi’s Macbeth (September 17 through October 16, 2016), starring Plácido Domingo in the title role and conducted by James Conlon. Ekaterina Semenchuk will perform the role of the treacherous Lady Macbeth. LA Opera’s first production of Macbeth since 1987 will be staged by Darko Tresnjak, director of the 2015 hit The Ghosts of Versailles.

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