Tag Archives: Marta Domingo
E.T.A. Hoffmann (1776-1822), who in homage to Mozart changed his third name to that of Amadeus, was a writer, music critic, painter, graphic artist and lawyer—a man of many talents who lacked the most important gift of all: how to find happiness.
When Hoffmann was two years old, his father abandoned his mother, who returned to live with her parents. He was surrounded by a depressed mother who was always sick, an unmarried aunt and a retired uncle—this was hardly an ideal environment for a happy childhood. A restless boy, he grew up rebellious and nonconformist. To escape this oppressive reality, Hoffmann developed an enormous fantasy life, from which he fashioned his own surreal world. He became an extraordinary exponent of supernatural, bizarre and almost diabolical tales.
Though very successful as a writer, he never overcame the frustration of not being the musician he had dreamed of becoming. Nor was he ever successful in finding the stability he searched so much for in his private life. A very unstable man, he always fell in love with the wrong woman at the wrong time, knocking on the forbidden doors of madness, alcohol or artificial paradises.
We’re all about Puccini these days with Madame Butterfly opening next month and La Boheme in May. Those two are arguably his most celebrated, but have you experienced the intriguing show that is La Rondine? Starkly different from the dramatic operas with which Puccini made his mark on the musical world, La Rondine is a comic opera that strives to bridge the gap between Puccini’s vision of opera and more lighthearted operetta (a difficult thing to do during the grim World War I time period in which it premiered). Although it differs from standard Puccini repertoire, it’s still a must listen before diving in to our very Puccini spring.