Tag Archives: Maria Ewing

#LAO30Images Roundup

We are in the midst of our 30th Anniversary Season. This is a milestone year for a company that has grown to become the fourth largest opera company in the nation, lauded for both its unique artistic vision and innovation. Earlier this year, we introduced our #LAO30Images series. This year-long photo series, showcases photos from our most engaging productions that portray our extensive visual history. Throughout the season, we’ve been sharing images in batches of 30, based on larger themes.

In case you’ve missed the #LAO30Images fun, check out our year-end roundup.


OTELLO (1986)

Plácido Domingo in Otello (1986); Photo: Frederic Ohringer

Plácido Domingo in Otello (1986); Photo: Frederic Ohringer

“The theme [of Otello] is eternal and current: The Soldier, shoved into peacetime, proves to be defenseless and helpless in the face of the attacks of everyday life, the persecutions of injured vanity. In ancient tragedy, the heroes fell because of the gods. With Shakespeare and Verdi, it is the envy of men which destroys the outsider.” – Götz Friedrich, director of inaugural season opener, Otello.

SALOME (1986)

Maria Ewing and Michael Devlin in Salome (1986); Photo: Frederic Ohringer

Maria Ewing and Michael Devlin in Salome (1986); Photo: Frederic Ohringer

“All the characters in the opera are obsessed, often to the brink of madness. Obsessions make men blind, unable to understand other points of view or to admit the balancing power of reason. And such obsessions finally lead to violence [in Salome]. Salome’s passions lead directly to her death. She is crushed like an infectious insect. We can only approve of her end, while perhaps reflecting that all of us have the possibility of aberrant sexual behavior inside us. It is the obverse of true passion.” – Sir Peter Hall, director of 1986’s Salome

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