Tag Archives: John Neumeier

Five Things You May Not Know About LA Opera’s Orpheus and Eurydice

The French version of Christoph Willibald Gluck’s Orpheus and Eurydice (Orphée et Eurydice) may have premiered in 1774, but John Neumeier’s take on this classical masterpiece takes a myriad of liberties to update the setting. 

On March 10, LA Opera continues its 2017/18 season with Gluck’s heartbreaking opera, in partnership with the Joffrey Ballet. Neumeier’s production has already been hailed as “achingly beautiful” (Chicago Tribune) and “brilliantly reimagined” (Opera News). Not sure of what to expect? Here are a few things you may not already know about LA Opera’s upcoming production of Orpheus and Eurydice.

Scenes from John Neumeier's production of "Orpheus and Eurydice" at Lyric Opera of Chicago (Photo: Todd Rosenberg)

Scenes from John Neumeier’s production of “Orpheus and Eurydice” at Lyric Opera of Chicago (Photo: Todd Rosenberg)

… Continue reading

Posted in Did You Know? | Tagged , , , | Comments Off on Five Things You May Not Know About LA Opera’s Orpheus and Eurydice

Six Questions for John Neumeier

John Neumeier is director, choreographer, set designer, costume designer and lighting designer for LA Opera’s new production of Orpheus and Eurydice (performed here in its 1774 French revision as Orphée et Eurydice). His staging comes to Los Angeles after performances earlier this season at Lyric Opera of Chicago, and it will be presented next season by a third co-producer, the Hamburg State Opera, featuring the Hamburg Ballet, where Mr. Neumeier is director and chief choreographer. During rehearsals for the Chicago performances, he spoke with Roger Pines, dramaturg of Lyric Opera of Chicago.

Director and choreographer John Neumeier works with dancers from The Joffrey Ballet in Chicago (Photo: Andrew Cioffi)

Director and choreographer John Neumeier works with dancers from The Joffrey Ballet in Chicago (Photo: Andrew Cioffi)

… Continue reading

Posted in Behind the Scenes, Faces of the Opera | Tagged , , , | 2 Comments