Tag Archives: Herbert Ross

Directing La Bohème

La Bohème (2012): Photo: Robert Millard

La Bohème (2012): Photo: Robert Millard

In May 2012, Peter Kazaras sat in the Dorothy Chandler Pavilion, surrounded by his UCLA students, observing a dress rehearsal of Puccini’s La Bohème at LA Opera. During a break, Kazaras asked his students, “When is this production set?” The students hesitated. He continued, “Where is the production set?” They responded, “Paris!” Yet, they still couldn’t determine the time period. Kazaras smiled, pointing out the half-formed Eiffel Tower structure in the background of Act I. He watched the lightbulbs go off, as his students suddenly realized that it must be set in the 1880s, when the Eiffel Tower was under construction. It was in this moment that all Kazaras’s teachings about the importance of design came full circle for his students. Kazaras beamed with pride.

Four years later, Kazaras once again comes face to face with this production – this time in the director’s chair.

Kazaras, who has recently directed La Bohème at both Washington National Opera and Dallas Opera, knows the piece well. However, LA Opera’s production, originally conceived by film director Herbert Ross in 1993, presents its own set of challenges. “It’s like being given a legal brief that you have to study thoroughly so that you can really understand the facts,” says Kazaras, alluding to his earlier profession as a lawyer. This is because Kazaras has inherited some key elements of the production (ie. set, props and costumes) Ross. Kazaras’s challenge is working with Ross’s gigantic and impressive set, while still adding his own directorial stamp on the show.

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5 Things You May Not Know About LA Opera’s La Boheme

Since film director Herbert Ross (Steel Magnolias, The Turning Point) first envisioned LA Opera’s production of Puccini’s La Boheme in 1993, it’s been staged frequently, wowing Los Angeles audiences time and time again. Before the return of La Boheme in May, here are five things you may not know about LA Opera’s iconic production.

Herbert Ross added a subtle cinematic take to La Boheme.

Ross looked at the opera through the lens of an experienced filmmaker. For example, Acts I and IV take place in a garret, the loft space inhabited by the four bohemian men. Most productions only show the interior of the garret. Ross recognized that it would be much more dynamic to have the garret be but one piece of an entire rooftop setting. In our production, audience members not only focus on the singers, but also what’s going behind them, around them, within the environment of the set. This cinematic staging brought the beauty of Paris to life.

La Boheme (2012); Photo: Robert Millard

La Boheme (2012); Photo: Robert Millard

 The Bohemians’ garret is inspired by an actual building in Paris.

The Bohemian’s garret is inspired by the Bateau-Lavoir, a run-down building in Paris where Picasso (and other painters in the period) lived and worked during the early years of their careers.

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Iconic Productions: La Bohème

“Having worked in many art forms, I find opera is the most challenging of all, because it is a fusion of all the arts.” – Herbert Ross (Steel Magnolias, The Turning Point) on his first operatic directing experience staging La Bohème at LA Opera in 1992.

Kallen Esperian as Mimi in <em>La Boheme</em> (1993); Photo Credit: Ken Howard

Kallen Esperian as Mimi in La Boheme (1993); Photo Credit: Ken Howard

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