Tag Archives: Domingo-Colburn-Stein Young Artist Program
What do you get when you combine a bullfighter, a bandit and one of the most celebrated opera singers in history? LA Opera’s upcoming production of El Gato Montés: The Wildcat. This show really has it all: passionate melodies, flamenco dancers and drama that rivals your favorite reality TV shows.
Want to learn more? We’ve compiled what the most exciting parts of El Gato Montés: The Wildcat. Take a look for yourself below!
What happens when you cross a love triangle, a noblewoman hungry for power, and the city of Rome in flames? LA Opera’s first-ever production of The Clemency of Titus, that’s what. Combine that with a stellar cast of fast-rising singers, some of whom who already have long histories with the company, and you have a show that’s well-worth the wait. Take a peek at The Clemency of Titus below with the five most exciting highlights from the show.
On Nov. 17, Doug Fitch’s production of Humperdinck’s Hansel and Gretel returns to the LA Opera stage for the first time since 2006. From the mythical forest creatures that grace the stage, to an iconic role debut from Susan Graham, the spooky adventures of Hansel and Gretel come to life in this fantastical production. Before you go, here are some highlights to get you excited!
Every singer has a niche in which they feel most comfortable singing. Some thrive in early or baroque music, while others in the works of Italian masters like Verdi or Puccini. But for baritone Theo Hoffman, it’s the modern stylings of Philip Glass that he’s fallen into naturally, and have allowed him to shine in the past few seasons.
Forty young singers representing 24 nations competed at this year’s edition of Operalia, the international vocal competition founded by Plácido Domingo and sponsored by Rolex. The winners were announced after the Sept. 1 finals, which took place at the Teatro Nacional de São Carlos in Lisbon.
Tenor Joshua Guerrero has lived more lives in his 30s than most people do in 80 years. He spent his early years split between two cities, worked a plethora of jobs in different fields before he eventually pursued opera as his main career. The former Domingo-Colburn-Stein Young Artist has since sung at opera houses all over the world, including English National Opera, The Glyndebourne Festival and, most recently, Santa Fe Opera. Though his innate talent and hard work has led him to where he is today, he credits much of his success to his time at LA Opera.
No singer’s path to stardom is a straight line — some experience twists and turns in life that eventually lead them to the stage. They may even have their sights set on a completely different career, but possess a natural talent that is so potent they’ll have no choice but to pursue for a career in opera. This was exactly the case for tenor Ben Bliss.
Soprano Summer Hassan graduated from LA Opera’s Domingo-Colburn-Stein Young Artist program last year, but she’s kept in touch with us since she’s departed from Los Angeles. Fresh off-the-heels of her performances as Virginia Otis in LA Opera’s recent production of Gordon Getty’s Scare Pair: Usher House/The Canterville Ghost, Hassan is heading back home to Philadelphia before embarking on one of the most exciting endeavors of her career: competing in Plácido Domingo’s Operalia competition.
Plácido Domingo, LA Opera’s Eli and Edythe Broad General Director, announced today that he has chosen the performers who will join LA Opera’s Domingo-Colburn-Stein Young Artist Program in the 2018/19 season. The artists were chosen from 650 applicants, 200 live auditions and, ultimately, 28 final candidates.
Although mezzo-soprano Taylor Raven has only been a member of LA Opera’s Domingo-Colburn-Stein Young Artist Program for a year, she’s already made her company debut as the Vanderdendur in Candide. As the treacherous ship captain who double crosses Candide, she chewed up the stage. Later this month, she appears with Artist in Residence Matthew Aucoin and the other Domingo-Colburn-Stein YAPs on-tour in “Verdi: Bel Canto and Beyond.”
Timed to coincide with LA Opera’s production of Verdi’s classic Rigoletto, this concert program focuses on the emergence of Verdi, Italy’s quintessential composer, out of the bel canto greats that preceded him. This concert features LA Opera’s Domingo-Colburn-Stein Young Artists, with music and program arranged by LA Opera Artist-In-Residence Matthew Aucoin.
Soprano Liv Redpath may have her sights set on a singing career, but opera isn’t her only passion. This member of the Domingo-Colburn-Stein Young Artist Program is keen on maintaining a myriad of interests beyond the stage, most notably her love of literature.
Soprano Lauren Michelle did not have an easy road to success. In fact, for many years she struggled to even be heard. But out of all the things this California native has proven, it’s that she’s a hard worker. And her perseverance has finally paid off. She’s not only sung on domestic stages in St. Louis and Washington, D.C., but has traveled all over the world — from Italy to Austria to Wales — singing for the some of the top names in the business.
Her triumphs have now led her to LA Opera, where she is currently covering Leïla in Bizet’s The Pearl Fishers. For the inaugural post for our Cover Story series, which features profiles on the principal covers (or understudies) for our mainstage productions, Michelle had a chance to sit down with the company to discuss the long, winding road that has landed her back on her home turf, and how Maestro Plácido Domingo proved to be her biggest advocate.
Grammy Award-winner Susan Graham is a legend.
For decades, the mezzo-soprano has been one of opera’s greatest stars. She’s shared her voice with audiences worldwide and mastered an astonishing range of repertoire from classics like the title character in Monteverdi’s The Coronation of Poppea (unforgettable at LA Opera in 2006) to Sister Helen Prejean in Jake Heggie’s Dead Man Walking (a role written for her). This season, she adds another great role to her expanding resume: Artistic Advisor to LA Opera’s Domingo-Colburn-Stein young artists.
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Since “graduating” from our Domingo-Colburn-Stein Young Artist Program in 2014, soprano Amanda Woodbury has become one of opera’s rising stars. She’s sung Musetta in La bohème here at LA Opera, Konstanze in The Abduction from the Seraglio at Dayton Opera and Des Moines Metro Opera, and multiple roles at the Metropolitan Opera, including a star turn as Juliette in Roméo et Juliette and Leïla in The Pearl Fishers. Now, Woodbury returns to sing Micaëla in Carmen, the role with which she made her professional here in 2013.
Before our last orchestra tech, we caught up with Woodbury to discuss how she fell into opera and how her performance of Micaëla has evolved.
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Our Newcomer Open House
If you’ve never seen an opera, at least not one at LA Opera, and wonder what makes it so special, here’s your chance to see, hear and experience what’s in store this season. On Sunday, August 20, we’re opening out doors at the Dorothy Chandler Pavilion and invite you to our Newcomer Open House.
Hear a recital of selections from the coming season performed by our talented members of the Domingo-Colburn-Stein Young Artist Program, grab a bite, sip some wine or a cocktail and learn more about the makings of an opera production.
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So Young Park is no stranger to Los Angeles operagoers.
Since 2014, Park has appeared in multiple LA Opera productions and concerts. The coloratura soprano first set foot on the Dorothy Chandler Pavilion stage as Barbarina in The Marriage of Figaro and has since wowed audiences in leading roles including the Queen of the Night in The Magic Flute, Blondchen in The Abduction from the Seraglio and Olympia in The Tales of Hoffmann.
“As Olympia, the mechanical doll that Hoffmann is tricked into believing is his love, So Young Park…sang spectacularly.” – Los Angeles Times
On July 24, the Domingo-Colburn-Stein alumna will compete in Operalia, Plácido Domingo’s annual opera competition, and sharing her high notes with the world.
Next month, LA Opera presents Mozart: Truth Through Beauty, a recital tour featuring artist-in-residence Matthew Aucoin as he and the rising stars of the company’s Domingo-Colburn-Stein Young Artist Program explore Mozart’s unique artistic trajectory.
Why Mozart? Mozart is arguably the world’s most popular composer. Even if you’re unfamiliar with the music in its entirety, you’ve likely heard some of his music on TV, in film, or even in a viral commercial. Mozart is also one of the most misunderstood composers. He is often portrayed as a faintly-annoying child prodigy to whom everything came easy (much to the chagrin of his peers as portrayed in the award-winning film Amadeus). In reality, Mozart was a serious questing artist who spent his few adult years transforming his youthful brilliance into music of sublime simplicity.
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Brian Michael Moore has lived a fuller life in 24 years than most people do in a lifetime — in barely a quarter of a century, the young tenor has beaten cancer twice, lived in multiple states and has shared the stage with some of the world’s most esteemed musicians. Currently in his first season as a Domingo-Colburn-Stein Young Artist, Moore has already been seen in the company’s productions of Wonderful Town and Salome. This month and next, he’s playing Nathanaël in Offenbach’s The Tales of Hoffmann and sharing the stage with opera superstars Vittorio Grigolo and Diana Damrau.
Prior to his time in Los Angeles, the Cincinnati native attributes his musical beginnings to his parents, who enrolled him in piano lessons as a small child. Though neither of them “were that musical,” as Moore states, classical music was a big part of his childhood development. While balancing school and sports, his first taste of the limelight came in the seventh grade, after he was cast in the ensemble of his school’s production of Oliver! — however, the opportunity was over for him before it even began.
“I was never told when rehearsals would start or where they were, so I just never showed up,” Moore laughs. “And then they performed it and I thought ‘Well, I guess I could have been in that.’”
Though his stage career began rocky, Moore eventually became serious about pursuing singing professionally. He participated in his school’s musical the following year, singing in the Barbershop Quartet in “The Music Man.” And after taking the advice from his middle school musical director, he began taking formal voice lessons the summer before he entered high school, where he was first exposed to classical singing.
LA Opera is hosting a special concert on April 1 and here are some reasons why this concert is not-to-be-missed.
Domingo, Domingo, Domingo
When Plácido Domingo is your general director, you get the benefits of his artistic vision, his influence and his talent. For this one-night only concert, Maestro Domingo has brought together some of the worlds most acclaimed opera singers – Sondra Radvanovsky, Diana Damrau and Nicolas Testé. He’s also invited back many celebrated alumni of the Domingo-Colburn-Stein Young Artist program, including Joshua Guerrero, So Young Park and Brenton Ryan. They’ll sing together and alongside the very talented artists currently in the distinguished program. And as if singing weren’t enough, when he’s not singing, he’ll conduct the LA Opera Orchestra. (When he is singing, Resident Conductor Grant Gershon will take the reins.)
The world of opera is filled with famous duets – some romantic, some reflective, some heroic. Here’s what we’re excited about: Plácido Domingo and Sondra Radvanovsky singing the recognition scene from Simon Boccanegra and the beloved Merry Widow duet (“Lippen schweigen”); Domingo joining with tenor Joshua Guerrero for the gorgeous Pearl Fishers duet; as well as Diana Damrau and Nicolas Testé performing the seductive “Là ci darem la mano” from Don Giovanni. … Continue reading