Tag Archives: Diane Eisenman

In the Pit: Olivia Tsui

Olivia Tsui; Photo: Gary Eisenberg

Olivia Tsui; Photo: Gary Eisenberg

A proud member of the first violin section in Los Angeles Opera Orchestra for a quarter century, Olivia Tsui has been successfully pursuing her career ever since completing her violin studies at the Central Conservatory of Music in Beijing.

Her westward journey began in 1986, when Olivia arrived in the U.S. to continue her studies at the Cleveland Institute of Music, followed by USC where she studied under Alice Schönfeld. Quickly becoming active in the Los Angeles music scene, she joined the LA Opera (LAO) Orchestra in 1992, followed by appearances with other local orchestras and chamber groups.
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In the Pit: David Washburn

David Washburn

David Washburn

The story of how David Washburn found the trumpet has become a family legend.

David’s father, an engineering professor, played cornet. He eventually gave that cornet to a friend. One evening, while the Washburns were visiting this friend, someone brought out the cornet. Little David gave it a go. After one lesson, his father’s friend exclaimed: “You’d better get him a trumpet!”

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In the Pit: Jennifer Johnson – Passion and Perseverance

Jennifer Johnson

Jennifer Johnson

“I love the oboe for its many colors and expressiveness. On very rare occasions, when the reed and the instrument are working just right, the instrument becomes an extension of myself. I feel vulnerable, yet I stay in the moment as nerves and distractions disappear. It is an incredible experience!”

The oboe itself is finicky. A screw can come loose, a crack can form, a pad can break off or an adjustment may shift. During performances, Jennifer keeps a tool bag under her chair with screwdrivers and superglue for just those occasions.

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In the Pit: Roberto Cani, Concertmaster

Roberto Cani; Photo: Robert Millard

Roberto Cani; Photo: Robert Millard

Experiencing a violinist on stage performing the Tchaikovsky Violin Concerto in Milan, Italy, 7-year-old Roberto Cani determined then and there he would someday play that concerto. Attending Milan Conservatory, he practiced diligently to fulfill his dream. It was there that he remembers meeting Plácido Domingo, who was recording Otello but still took time out to greet young Roberto.

Moving to Moscow at age 20, he studied violin at the Gnessin Institute. He also traveled throughout Europe as a concert soloist, his repertoire including the Tchaikovsky Concerto, which he still enjoys playing. During the Paganini Competition, which he won, Abram Shtern heard Roberto perform and invited him to become his student. Roberto followed Mr. Shtern to Los Angeles in December 1992. Eventually receiving an Artist Diploma from the University of Southern California, Roberto continued to perform concerts in Europe and also served as guest concertmaster at La Scala, the London Philharmonic, and the Radio and Television Orchestra in Milan.

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