Tag Archives: Diana Damrau
LA Opera is hosting a special concert on April 1 and here are some reasons why this concert is not-to-be-missed.
Domingo, Domingo, Domingo
When Plácido Domingo is your general director, you get the benefits of his artistic vision, his influence and his talent. For this one-night only concert, Maestro Domingo has brought together some of the worlds most acclaimed opera singers – Sondra Radvanovsky, Diana Damrau and Nicolas Testé. He’s also invited back many celebrated alumni of the Domingo-Colburn-Stein Young Artist program, including Joshua Guerrero, So Young Park and Brenton Ryan. They’ll sing together and alongside the very talented artists currently in the distinguished program. And as if singing weren’t enough, when he’s not singing, he’ll conduct the LA Opera Orchestra. (When he is singing, Resident Conductor Grant Gershon will take the reins.)
The world of opera is filled with famous duets – some romantic, some reflective, some heroic. Here’s what we’re excited about: Plácido Domingo and Sondra Radvanovsky singing the recognition scene from Simon Boccanegra and the beloved Merry Widow duet (“Lippen schweigen”); Domingo joining with tenor Joshua Guerrero for the gorgeous Pearl Fishers duet; as well as Diana Damrau and Nicolas Testé performing the seductive “Là ci darem la mano” from Don Giovanni. … Continue reading
The Magic Flute opens this Saturday and that means you’ll be able to hear one of the most famous – and extravagant – arias in opera history, “Der Hölle Rache” (aka the “Queen of the Night Aria”). Sung during Act II of the opera, this aria is a pivotal moment in the relationship between the Queen of Night and her daughter, Pamina. The Queen orders Pamina to kill the Queen’s rival, Sarastro, on pain of cursing and forsaking Pamina if she does not comply. It requires disciplined and killer vocal range, as it spans two octaves (hello incredibly low notes and incredibly high notes – all within one aria). Check out Diana Damrau (who will tackle all four heroines in next season’s The Tales of Hoffmann) take on the aria below.
Excited for The Magic Flute? Learn more below.
CADENZA (19 Scrabble points) – Italian – A cadenza is an elaborate section (sometimes improvised) towards the end of an aria that allows the singer to really showcase what their voice can do, like the below “Flute Cadenza” in Gaetano Donizetti’s Lucia di Lammermoor.
Interestingly enough, Donizetti never wrote such a section into his original score for Lucia. The section was added to showcase Nellie Melba’s coloratura singing during an 1889 performance at The Paris Opera. Other famous singers (Maria Callas, Joan Sutherland, and Beverly Sills) added their own flavor when playing Lucia. Check out Diana Damrau (who will play all four heroines in our 16/17 production of Tales of Hoffmann) tackling Lucia’s entire mad scene below, including the famous cadenza.
Can’t get enough Diana Damrau? Get to know Diana Damrau in the articles that follow and get in the Damrau spirit.
We’ve finally announced the 2016/2017 season and it’s going to be a big one. There are six mainstage operas, a semi-staged concert, and stellar off-grand productions to enjoy starting September 17.
Can’t wait for the excitement to begin? Take a look below and get to know all the 16/17 season has in store for Los Angeles.
Plácido Domingo and James Conlon unite to open season with Verdi’s Macbeth
The season opens with a new production of Verdi’s Macbeth (September 17 through October 16, 2016), starring Plácido Domingo in the title role and conducted by James Conlon. Ekaterina Semenchuk will perform the role of the treacherous Lady Macbeth. LA Opera’s first production of Macbeth since 1987 will be staged by Darko Tresnjak, director of the 2015 hit The Ghosts of Versailles.