Tag Archives: Comedy

Opera Meets Improv

There’s something about the entertainment industry that begs for people to be larger than life – some could say that this is especially true of those who perform opera for a living. There’s just something about that grand voice and flamboyant stage presence that makes opera resplendent.

Another art form that has that same grandness is improv comedy. Wasn’t quite what you were expecting to hear was it?! But, improv comedy has been around just as long as opera has – especially in the form of entertainment. And, it requires the same over-the-top, striking stage presence that opera requires – but, instead of taking your breath away with those glass-shattering high notes, improv comedy sets out to give you those deep belly laughs that leave you with a six-pack when the night is done. Or at least feeling like you’re well on your way to developing a six-pack.

Sometime in the company’s history, someone had the bright idea (read: best idea ever!) to have opera and improv comedy join forces. What could possibly be funnier than seeing an opera star comedically navigate their way through Don José pining over Carmen with an aria about Facebook stalking the love of his life?

We can’t guarantee that’s exactly what you’ll get, but you will get some stunning singing and laughs to boot when our Domingo-Colburn-Stein Young Artists head to the legendary Groundlings Theatre on May 15 and 16 to show off their opera and comedy skills. Under the guide of teacher Phyllis Katz – the Young Artists took months of classes to exercise their funny bone before hitting the stage. Although, Katz herself is no stranger to opera singers — in the seven years since she began working with young artists, Katz has developed an individual approach to teaching opera singers, covering everything from basic improv skills to character work.

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4 Reasons to See The Abduction from the Seraglio Next Month

A scene from James Robinson's "Orient Express" production of The Abduction from the Seraglio; Photo: George Hixson / Houston Grand Opera

A scene from James Robinson’s “Orient Express” production of The Abduction from the Seraglio; Photo: George Hixson / Houston Grand Opera

Ever since last season’s production of Mozart’s The Magic Flute, we’ve been eagerly waiting to stage another one of Mozart’s work at LA Opera. Next month, we get to do just that! Mozart’s The Abduction from the Seraglio opens on January 28 and here are five reasons to see this riotous opera.

Did we mention that it’s Mozart?

Mozart’s effervescent score is sure to thrill audiences—even though Emperor Joseph II asked that Mozart cut a few notes from the piece when it was first presented to him. (Check out that moment and the finale of Abduction as depicted in the Miloš Forman biopic Amadeus below.)

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#TBT: Cosí fan tutte, A Mozart Comedy

Così fan tutte (2011); Photo: Robert Millard

Così fan tutte (2011); Photo: Robert Millard

Mozart is the king of comedy. His Così fan tutte is a comedic battle of the sexes in the style of Shakespeare’s Taming of the Shrew. In September 2011, LA Opera presented Così fan tutte for the first time in 15 years. The story begins when two young men go undercover to test the fidelity of their fiancées. Not to be outdone, the women put up a good fight against false seduction, but will they prove faithful? Filled with ravishingly beautiful music and sparkling wit, Così fan tutte features a funny, clever plot that was bracing and politically incorrect, even in Mozart’s day.


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