Tag Archives: Carmen
The holidays are right around the corner and LA Opera wants to help you celebrate! In anticipation for the upcoming festivities, here is a list of five opera-themed cocktails to serve at your next holiday party!
Martinez, currently starring in Carmen, worked with four singers from University of Southern California’s Thornton School of Music on Friday afternoon.
An operatic diva is constantly on the go. From rehearsals to coachings to performances, it can be difficult to balance a professional life with the personal. Though it is certainly a skill one can stabilize, it’s important not to burn out or to wear all hats at the same time. That’s the message soprano Ana Maria Martinez conveyed to a group of university students on Friday afternoon.
Share Opera under the stars Yes, it’s fall, but only in Los Angeles can you take advantage of the Southern California weather, grab a blanket and a picnic and experience opera under the stars. This Saturday, you can do just … Continue reading
Since “graduating” from our Domingo-Colburn-Stein Young Artist Program in 2014, soprano Amanda Woodbury has become one of opera’s rising stars. She’s sung Musetta in La bohème here at LA Opera, Konstanze in The Abduction from the Seraglio at Dayton Opera and Des Moines Metro Opera, and multiple roles at the Metropolitan Opera, including a star turn as Juliette in Roméo et Juliette and Leïla in The Pearl Fishers. Now, Woodbury returns to sing Micaëla in Carmen, the role with which she made her professional here in 2013.
Before our last orchestra tech, we caught up with Woodbury to discuss how she fell into opera and how her performance of Micaëla has evolved.
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Share On September 9, we open the 17/18 season with Carmen. If you’ve been following along on Snapchat and Instagram Stories, you’ve seen some of our behind-the-scenes fun: rehearsals, set building, and even flamenco dancing. As we wrap up rehearsals … Continue reading
Rehearsals for our 17/18 season opening production of Carmen are in full swing.
In addition to hearing wonderful singers perform the opera’s many hits like “Habanera,” we get to watch talented dancers tell Carmen’s story through flamenco.
These dancers are led by Spanish choreographer Nuria Castejón, whose career as a dancer (working for acclaimed Ballet Nacional de España and Compania Antonio Gades) evolved into a long-standing career as an opera, theater, and film choreographer. While Castejón has worked on many plays and as Penelope Cruz’s dance advisor on the Pedro Almodóvar film Volver, opera holds a special place in her heart.
“I adore opera,” says Castejón. “My parents were actors and lyric singers. They did a lot of operetta and zarzuela – sometimes even working with Plácido Domingo’s mother.”
Castejón brings this love of opera to every production she choreographs.
This includes classics like The Barber of Seville, Luisa Fernanda (with which she made her LA Opera debut in 2007) and now to Carmen.
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In just a few short weeks – on September 9, we’ll kick off our 17/18 season with Carmen. It’s one of the greatest operas – filled with passion and drama and promises to thrill opera-lovers and newbies alike.
Wondering why you should see it? Wonder no more. We’ve rounded up just a few reasons why it’s a must-see.
You know the music.
Whether it’s in a commercial or your favorite TV show, chances are you’ve probably heard one or all three of those pieces from Carmen. Knowing the tune or words to a song makes every live experience that much better – be it a concert or musical theater. Opera is no different. And since you know these songs – you’ll love this show.
Check out the use of “Habanera” in the Pixar film Up.
Twenty Years of Singing in Los Angeles
One of the world’s most acclaimed opera stars, soprano Ana María Martínez first graced the Dorothy Chandler Pavilion stage in 1997 singing Mimi in Puccini’s La Bohème. This was not long after she took a top prize in Plácido Domingo’s Operalia competition. Since then, she has sung five roles in six LA Opera productions—Violetta in La Traviata, Mimi (in two different seasons), Amelia in Simon Boccanegra, Nedda in Pagliacci, and Cio-Cio-San in Madama Butterfly. In September, she will mark her 20th anniversary in L.A. by making another LA Opera role debut as the fiery Carmen in Bizet’s eponymous opera.
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Our Newcomer Open House
If you’ve never seen an opera, at least not one at LA Opera, and wonder what makes it so special, here’s your chance to see, hear and experience what’s in store this season. On Sunday, August 20, we’re opening out doors at the Dorothy Chandler Pavilion and invite you to our Newcomer Open House.
Hear a recital of selections from the coming season performed by our talented members of the Domingo-Colburn-Stein Young Artist Program, grab a bite, sip some wine or a cocktail and learn more about the makings of an opera production.
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Look up most major opera composers on IMDb and you’ll get a list with hundreds of credits. Georges Bizet –famous composer of Carmen– is no exception. Music from Carmen can be heard in a variety of works, including the Pixar film Up. Carmen has also inspired several film adaptions, including the Academy-award nominated 1954 Carmen Jones.
We’ve rounded up some uses of Carmen on the silver and small screens to check out before seeing our production on September 9.
In Up, Carl Frederickson, following the death of his wife Ellie, fulfills his lifelong dream of moving to Paradise Falls, but unbeknownst to him, eight-year-old Russell has tagged along. “Habanera” from Carmen is used early in the film, showcasing the monotony of Carl’s life without his wife.
LA Opera’s 2017/2018 season opens September 9
Our 2016/17 season may have come to an end, but 2017/18 is just around the corner. Next season has something for everyone from the classic gems to the avant-garde. Get to know the season below and don’t forget to buy your tickets early for the best seats.
CARMEN (September 9-October 1)
On September 9, we open with Georges Bizet’s Carmen. Ana María Martínez stars as opera’s most famous femme fatale. Nobody—not even a lover—can tame Carmen, who bursts into life onstage with an intoxicating whirl of thrilling choreography, vivid orchestrations and heart-stopping drama. Bizet’s unforgettable score is an endless parade of one great melody after the other, from the languid allure of Carmen’s sensual songs to the macho boasts of the dashing bullfighter.
THE PEARL FISHERS (October 7-28)
A beautifully detailed staging, complete with stunning special effects, brings a rare and exotic story to life. Soprano Nino Machaidze, one of LA Opera’s favorite leading ladies, returns as a veiled priestess with a hidden past, pursued by two lifelong friends and romantic rivals. The complicated triangle pushes forbidden love into a final struggle for life and death, until a nearly forgotten secret saves the day. Internationally acclaimed tenor Javier Camarena makes his company debut as Nadir.
The ravishing score, an early treasure by the composer of Carmen, features a rapturous duet for the two rivals that has become one of opera’s all-time greatest hits.
It’s finally summertime. What better way to celebrate than creating a killer summer playlist?
Here are some opera tunes to add to your summer jams playlist.
“Summertime” – Porgy and Bess by George Gershwin
This classic makes living in the heat of summer easy. Whether you’re listening to the original opera version, the celebrated Louis Armstrong and Ella Fitzgerald album, or this sample by Sublime, there’s no better piece of music to add to your summer playlist. Watch Audra McDonald (who returns to LA Opera in concert next season) perform the aria here.
If you’re reading this, you’ve probably been to a few operas, maybe more, and have experienced the magic of the performance and all that comes with it.
But, if you’re buying tickets to shows one at a time you might be missing out on savings and the opportunity to really enjoy all that comes with an evening at the opera.
Consider becoming a subscriber. Why, you ask?
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First, there was Richard Simmons. Then, we had Billy Banks Tae Bo. Next, came Pilates and every kind of yoga you can imagine. Way back in the day, there was Jazzercise.
Now, there’s Opera-cise.
Just this morning, LA Opera has released a workout DVD called “Sweatin’ to the Opera.” From Puccini to Bizet, get into tip top shape, while listening to some of opera’s greatest hits. Get your blood pumping and your metabolism soaring, while you strike poses inspired by the staging in LA Opera’s iconic productions, and workout alongside some of LA Opera’s favorite singers.
The Opera-cize Craze is about to take off. Whether you’re looking for a beach body, a six-pack or just to burn off some steam, there’s a workout for you. Here’s a peek at some of the poses that will surely get you that perfect physique.
Get Your Tales of Hoffmann on with our Doll Arms Press
Perfect for building boulder shoulders
While we’re onstage rehearsing for our upcoming productions, our education and community engagement team has been preparing to launch another special program – Open Door Days.
Open Door Days is a light-hearted introduction to the “big ideas” of opera. This new program, which begins today, offers the opportunity to explore opera’s most beloved music and get a behind-the-scenes look at how an opera house works.
This includes learning about supertitles.
Just like we do during our mainstage shows, we help the audience follow the story by translating the sung text into English. During an interactive performance at Open Door Days, our trio of intrepid singers explain and demonstrate how supertitles work during the aria “Votre toast, je peux vous le rendre” from the opera Carmen, more popularly known as The Toreador Song.
We’ve just announced the 2017/2018 season and it’s all about the new. Five of the six mainstage productions are new to Los Angeles and two of them are company premieres. There will also be two major concerts – the first celebrating the 50th anniversary of Plácido Domingo’s first appearance at the Dorothy Chandler Pavilion and the second featuring Audra McDonald.
Can’t wait for the excitement to begin? Take a look below and get to know all the 17/18 season has in store for Los Angeles.
(presented at the Dorothy Chandler Pavilion)
Ana María Martínez returns as the famous opera femme fatale in Carmen
(Sep 9–Oct 1, 2017; production new to L.A.) — Georges Bizet
James Conlon conducts a cast that also features Alexander Vinogradov as Escamillo and Amanda Woodbury as Micaëla. The production is directed and choreographed by Rob Ashford, winner of Tony, Emmy and Olivier Awards.
After seeing Carmen, experience The Pearl Fishers another Bizet gem
(Oct 7–28, 2017; company premiere) — Georges Bizet
Plácido Domingo and Grant Gershon will each conduct performances of a rarely performed treasure, directed by Penny Woolcock. Nino Machaidze returns as Leïla, her seventh leading role in Los Angeles, with superstar tenor Javier Camarena making his company debut as Nadir. The cast also includes Alfredo Daza as Zurga and Nicholas Brownlee as Nourabad.
Plácido Domingo and James Conlon unite for Nabucco
(Oct 14–Nov 19, 2017; production new to L.A.) — Giuseppe Verdi
Plácido Domingo sings the title role of the monumental opera that made Verdi famous, conducted by James Conlon. Directed by Thaddeus Strassberger, the production also features Liudmyla Monastyrska in her LAO debut as Abigaille, with Morris Robinson as Zaccaria, Mario Chang as Ismaele and Nancy Fabiola Herrera as Fenena.
Opera is filled with stories of betrayal, murder, and love that push characters to emotional extremes. Heroines (and anti-heroines) are often the characters most caught up in the drama. They love passionately, sacrifice greatly, and kill relentlessly. We’ve created a list of ten multifaceted women, who aren’t afraid to lean in and stir the plot; they’re bold, brave and influential, even if it leads to their untimely death. See some of these fierce ladies at LA Opera this season and next season.
In Verdi’s Macbeth (based on the Shakespeare play), Lady Macbeth takes fierce to a whole new level. After learning of her husband’s victory in battle, she urges him to kill the king and take the crown. Macbeth does so, only to be filled with remorse. It is Lady Macbeth who completes the killing and frames two guards for the king’s murder. She wants power and social standing and will stop at nothing to achieve this. Verdi expands the role of “Lady M” in his opera, giving her character even more agency, and making her the epitome of an opera anti-heroine not to mess with. She might murder you, if you do!
Is Brünnhilde the strongest women in the entire opera repertory? She is after all the central character in Richard Wagner’s monumental Ring cycle, appearing in three of the four Ring operas. A complex and compelling woman with a fascinating character arc, she is defined by her bravery and intelligence. She grasps what is happening in the world with keener perception than her father (Wotan, king of the gods) or her husband (the mighty-but-unintellectual hero Siegfried) and she is unafraid to take action to do what she thinks is necessary. Like many other Wagner heroines, she makes the ultimate sacrifice for love, but Brünnhilde’s martyrdom has the greatest impact: hers redeems the entire world.
I remember the night I was getting ready to see my sister perform in the children’s chorus in LA Opera’s production of Georges Bizet’s Carmen. I was nine years old and it was my first opera. As I stressed over what to wear, I kept imagining what it would be like when I opened the doors to the Dorothy Chandler: Hundreds of sophisticated adults in expensive outfits sipping champagne and discussing the show, and meanwhile I’d be sitting there feeling under dressed, under prepared, and terribly confused as to what they were even talking about.
This is the time of year when things get spooky – horrific even! It’s also that time when people scour various pop up Halloween stores in search of the perfect costume. Here at LA Opera, we don’t have your typical witches (Hocus Pocus, anyone?), vampires (Dracula), and ghosts (do you see dead people Sixth Sense style?). While these are all good options, consider taking your costume to an operatic level with these 9 opera Halloween costumes.
The Countess in Tchaikovsky’s The Queen of Spades is a force to be reckoned with, dead or alive. With her obsession about keeping the secret of what makes her constantly win at cards, the Countess is more fun and regal than other aristocrats (looking at you, Cleopatra!).
Dressing up as Don Giovanni, the title character in Mozart’s Don Giovanni is guaranteed to charm.
There are thousands of great operas to experience, but figuring out where to begin can be a little intimidating. However, opera newbies might be surprised to learn that they’re more familiar with opera than they think. Ever seen an episode of Looney Tunes or Tom and Jerry? Many television shows, Broadway productions and even films are based on or inspired by some of the most popular operas to ever hit the stage.
Here’s a list of ten operas that would be great for any opera newbie to check out, most of which can be seen at LA Opera this season.
Moby-Dick – It’s a classic read and will be a classic opera performance for any newbie to watch. Sung in English, Moby-Dick is easier to follow musically and newbies will also be wowed by set designer Robert Brill’s creations, which bring the high seas to life on stage. Read more about a unique stage prop called a cyc, and the Moby-Dick ship set here.
La Boheme – For the Broadway junkies out there, this is the opera that sparked the musical Rent. It also served as the inspiration for Moulin Rouge (along with La Traviata) making the plot familiar and easy to follow for first-timers.
Aida – The elaborate costumes and set design give any opera newbie enough incentive to watch this beautiful opera. The story takes place in Egypt and focuses around the enslaved Ethiopian princess, Aida. The large pyramid sets and Egyptian attire, much like Pagliacci, show how much planning and work goes into making one of these shows come to life.
Madame Butterfly – Madame Butterfly is a romantic tragedy with an easy to follow story line and gorgeous music. The set is simple, beautiful and elegant and is sure to impress anyone who sees.
The Barber of Seville – Opera fan or not, there’s a good chance you’ve heard of The Barber of Seville. With famous tunes (check out this overture) and a few good laughs, it’s sure to be a lively performance and a great show for opera newbies.