Tag Archives: Candide

From the Opera Stage to a Recital Tour: Getting to Know Young Artist Taylor Raven

Although mezzo-soprano Taylor Raven has only been a member of LA Opera’s Domingo-Colburn-Stein Young Artist Program for a year, she’s already made her company debut as the  Vanderdendur in Candide. As the treacherous ship captain who double crosses Candide, she chewed up the stage. Later this month, she appears with Artist in Residence Matthew Aucoin and the other Domingo-Colburn-Stein YAPs on-tour in “Verdi: Bel Canto and Beyond.”

Domingo-Colburn-Stein Young Artist Taylor Raven (center) as the Venderdendur in LA Opera's 2018 production of Candide (Photo: Ken Howard)

Domingo-Colburn-Stein Young Artist Taylor Raven (center) as the Vanderdendur in LA Opera’s 2018 production of Candide (Photo: Ken Howard)

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Erin Morley Talks Candide, #MeToo and The Pursuit of Happiness

Soprano Erin Morley takes her job as a performer very seriously. That’s why she spends so much time dissecting the roles she sings to get to their true grit. Even an operetta like Candide, which is seemingly whimsical and lighthearted, has plenty of dark themes at its core that are relatable in today’s society.

Erin Morley as Cunegonde in LA Opera's 2018 production of "Candide." (Photo: Ken Howard)

Erin Morley as Cunegonde in LA Opera’s 2018 production of Candide. (Photo: Ken Howard)

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Read What Audiences Are Saying About Candide!

On January 27, we opened the second half of our 2017/18 season with Leonard Bernstein’s comedic operetta Candide. Interested in attending and want to know what people thought? Read below to read just some of the many audience reactions from the show!

Kelsey Grammer as Voltaire and Jack Swanson as Candide in LA Opera's 2018 production of "Candide." (Photo: Ken Howard)

Kelsey Grammer as Voltaire and Jack Swanson as Candide in LA Opera’s 2018 production of Candide. (Photo: Ken Howard)

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Four Questions with ‘Candide’ Director Francesca Zambello

Renowned director Francesca Zambello brings her fanciful production of Candide to Los Angeles for the first time. First seen at the Glimmerglass Festival in 2015, with subsequent performances in Bordeaux and Toulouse, Zambello’s staging has been praised by Opera Today as “likely the best of all possible Candides.” And though the production is new to the company, Zambello is no stranger to Los Angeles: this is her seventh production with LA Opera.

American director Francesca Zambello

American director Francesca Zambello

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Candide: A Note from Music Director James Conlon

“I am thrice homeless, as a native of Bohemia in Austria, as an Austrian among Germans, and as a Jew throughout the world. Everywhere an intruder, never welcomed.”—Gustav Mahler

What does that famous quote have to do with Candide, Voltaire and Leonard Bernstein? This year the world celebrates the Bernstein centenary. For those of us who grew up in New York in the fifties and sixties, he was our inspiration. Looking back at this giant, who seemed to be the embodiment of music—classical, jazz and popular—it is hard to believe that one man could be and do all he was and did: conductor, composer, pianist, lecturer and educator all rolled into one.

Jack Swanson (Candide) in a rehearsal with Music Director James Conlon for LA Opera's 2018 production of "Candide." (Photo: Ken Howard)

Jack Swanson (Candide) in a rehearsal with Music Director James Conlon for LA Opera’s 2018 production of “Candide.” (Photo: Ken Howard)

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Inside the Costume Shop: Candide

One of the aspects that make LA Opera productions so grand is the hardworking staff at our costume shop. Located in between the Fashion District and Boyle Heights in Los Angeles, LA Opera’s Costume Shop not only houses pieces from our current productions, but also contains archived garments from shows throughout our 32-year history.

In anticipation of Candide, here is an exclusive look at what our costumers are working on as we prepare to open on Jan. 27.

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

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Behind the Masterpiece: Everything You Need to Know About Candide

One of the greatest works in Western literature, Voltaire’s 1759 satirical novel Candide, or Optimism follows its eponymous hero on a whirlwind tour throughout much of the known world. Bernstein’s 1956 musicalization of the novel followed almost as many twists and turns on its journey from Broadway to the opera house.

On Jan. 27, we resume our 2017-18 season with Bernstein’s masterpiece. Before you go, here is everything you need to know about Candide.

A still from the original 1956 production of Bernstein's Candide. (From left to right: Max Adrian, Louis Edmonds, Barbara Cook and Robert Rounseville).

A still from the original 1956 production of Bernstein’s Candide. (From left to right: Max Adrian, Louis Edmonds, Barbara Cook and Robert Rounseville).

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Five Highlights from LA Opera’s Candide to Look Forward To

On Jan. 27, LA Opera returns for the second half of its 2017-18 season with Leonard Bernstein’s classic operetta Candide. With the premiere only weeks away, here are five highlights to look forward to in the lavish production.

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

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Five Holiday Cocktails Based On Your Favorite Operas

The holidays are right around the corner and LA Opera wants to help you celebrate! In anticipation for the upcoming festivities, here is a list of five opera-themed cocktails to serve at your next holiday party!

LA Opera’s 2014 production of La Traviata (Photo: Craig T Mathew/LA Opera)

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Candide: An Operetta for Everyone

What can be said about composer and conductor Leonard Bernstein that hasn’t already been said before? As one of the most prolific figures of the 20th century, the virtuoso has been deemed as “one of the most prodigiously talented and successful musicians in American history” by The New York Times. However, for those deeply familiar with his life and work, he’s affectionately known simply as “Lenny.”

Plácido Domingo and Leonard Bernstein (Nov. 14, 1986)

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Liv Redpath Discusses How the Humanities Influenced Her Artistry

Soprano Liv Redpath may have her sights set on a singing career, but opera isn’t her only passion. This member of the Domingo-Colburn-Stein Young Artist Program is keen on maintaining a myriad of interests beyond the stage, most notably her love of literature.

Soprano Liv Redpath

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Five Highlights From The Second Half of Our 2017-18 Season

On Nov. 19, we wrapped up our last production of the year with Verdi’s Nabucco. Though we’ll be taking a brief hiatus from the stage until the new year, there is still much to be excited about in the second half of our season! With both company premieres and established revivals underway, there is something for everyone — especially if you have folks to shop for.

Can’t wait until January to get your opera fix? We can’t either. Here are five reasons to look forward to the rest of our season!

Photos by: Steve Cohn/Steve Cohn Photography

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Living the Suit Life

Head Tailor Laina Babb posing with suits she's made for LA Opera productions

Head Tailor Laina Babb posing with suits she’s made for LA Opera productions

When Laina Babb learned to sew at age six, she never imagined it would lead her to the opera. She’s made her love of sewing into a career, first training and then apprenticing as a tailor. Now, as LA Opera’s Head Tailor, Babb manages a team of up to six tailors (depending on the show). Together they craft all the men’s suits used in the company’s productions. That means she’s had a hand in making pretty much every suit you can imagine – elaborate French Revolution-style suits for The Ghosts of Versailles, 1960s Italian suits for the Woody Allen directed Gianni Schicchi, and even a flashy, taffeta suit worn in Porgy and Bess.

From Learning to Sew To Working at LA Opera

Long before Babb worked at LA Opera, she was just a little girl learning to sew as part of the 4-H program in her hometown of Lockwood, California. In this program, children complete hands-on projects that will serve their communities, as part of a larger goal to empower young people and teach them leadership.

Babb took her sewing skills with her to high school, where she made costumes in the theater department. Working in costumes in high school spawned her desire to turn a love of sewing and costumes into a career in theater.

Babb enrolled at Chapman University to study technical theater. During her four years at Chapman, she took multiple costume classes, but the technical side of costuming – of building them and solving all a director’s staging challenges – kept calling.
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What’s In Store For 2017/18

LA Opera’s 2017/2018 season opens September 9

Our 2016/17 season may have come to an end, but 2017/18 is just around the corner. Next season has something for everyone from the classic gems to the avant-garde. Get to know the season below and don’t forget to buy your tickets early for the best seats.

CARMEN (September 9-October 1)

Ana María Martínez as Carmen; Photo: Lynn Lane, courtesy of Houston Grand Opera

Ana María Martínez as the title character in Carmen; Photo: Lynn Lane, courtesy of Houston Grand Opera

On September 9, we open with Georges Bizet’s Carmen. Ana María Martínez stars as opera’s most famous femme fatale. Nobody—not even a lover—can tame Carmen, who bursts into life onstage with an intoxicating whirl of thrilling choreography, vivid orchestrations and heart-stopping drama. Bizet’s unforgettable score is an endless parade of one great melody after the other, from the languid allure of Carmen’s sensual songs to the macho boasts of the dashing bullfighter.

THE PEARL FISHERS (October 7-28)

A scene from The Metropolitan Opera's production of The Pearl Fishers (2015); Photo: Ken Howard

A scene from The Metropolitan Opera’s production of The Pearl Fishers (2015); Photo: Ken Howard

A beautifully detailed staging, complete with stunning special effects, brings a rare and exotic story to life. Soprano Nino Machaidze, one of LA Opera’s favorite leading ladies, returns as a veiled priestess with a hidden past, pursued by two lifelong friends and romantic rivals. The complicated triangle pushes forbidden love into a final struggle for life and death, until a nearly forgotten secret saves the day.  Internationally acclaimed tenor Javier Camarena makes his company debut as Nadir.

The ravishing score, an early treasure by the composer of Carmen, features a rapturous duet for the two rivals that has become one of opera’s all-time greatest hits.

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Get To Know the 2017/2018 Season

We’ve just announced the 2017/2018 season and it’s all about the new. Five of the six mainstage productions are new to Los Angeles and two of them are company premieres. There will also be two major concerts – the first celebrating the 50th anniversary of Plácido Domingo’s first appearance at the Dorothy Chandler Pavilion and the second featuring Audra McDonald.

Can’t wait for the excitement to begin? Take a look below and get to know all the 17/18 season has in store for Los Angeles.

MAINSTAGE PRODUCTIONS
(presented at the Dorothy Chandler Pavilion)

Ana María Martínez returns as the famous opera femme fatale in Carmen

(Sep 9–Oct 1, 2017; production new to L.A.) — Georges Bizet

James Conlon conducts a cast that also features Alexander Vinogradov as Escamillo and Amanda Woodbury as Micaëla. The production is directed and choreographed by Rob Ashford, winner of Tony, Emmy and Olivier Awards.

After seeing Carmen, experience The Pearl Fishers another Bizet gem

(Oct 7–28, 2017; company premiere) — Georges Bizet
Plácido Domingo and Grant Gershon will each conduct performances of a rarely performed treasure, directed by Penny Woolcock. Nino Machaidze returns as Leïla, her seventh leading role in Los Angeles, with superstar tenor Javier Camarena making his company debut as Nadir. The cast also includes Alfredo Daza as Zurga and Nicholas Brownlee as Nourabad.

Plácido Domingo and James Conlon unite for Nabucco

(Oct 14–Nov 19, 2017; production new to L.A.) — Giuseppe Verdi
Plácido Domingo sings the title role of the monumental opera that made Verdi famous, conducted by James Conlon. Directed by Thaddeus Strassberger, the production also features Liudmyla Monastyrska in her LAO debut as Abigaille, with Morris Robinson as Zaccaria, Mario Chang as Ismaele and Nancy Fabiola Herrera as Fenena.

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