Tag Archives: Arya Roshanian
Soprano Melody Moore believes in female empowerment — perhaps that’s why she’s so drawn to the Lady Macbeths and Floria Toscas of the operatic stage. Luckily, these are the types of roles she’s been polishing since her earliest days as a budding singer, meticulously analyzing each and every leading lady throughout her development. But Moore is all grown up now, and on May 13 she once again steps into the title role of Puccini’s Tosca at LA Opera, under the baton of Maestro Grant Gershon.
With her fifth production of Puccini’s masterpiece underway, Moore doesn’t let repetition affect her artistic integrity. In her own words, it’s a role that changes as she matures, and her understanding of the character has zig-zagged across the mood board.
Mezzo-soprano Kate Lindsey had two passions growing up: soccer and singing. Though a series of life events eventually led her to pursue classical music, her time spent as the only girl on sports teams worked in her favor, carrying over lessons from her time as “one of the boys” into her celebrated career. On April 15, Lindsey finishes another run of her signature role, Nicklausse, in LA Opera’s production of Offenbach’s The Tales of Hoffmann, alongside Vittorio Grigolo and Diana Damrau.
Though opera-goers have established Lindsey as one of today’s leading interpreters of trouser roles, she never set out wanting to become a singer — instead, she feels that music found her, and that’s ultimately what drew her in.
Brian Michael Moore has lived a fuller life in 24 years than most people do in a lifetime — in barely a quarter of a century, the young tenor has beaten cancer twice, lived in multiple states and has shared the stage with some of the world’s most esteemed musicians. Currently in his first season as a Domingo-Colburn-Stein Young Artist, Moore has already been seen in the company’s productions of Wonderful Town and Salome. This month and next, he’s playing Nathanaël in Offenbach’s The Tales of Hoffmann and sharing the stage with opera superstars Vittorio Grigolo and Diana Damrau.
Prior to his time in Los Angeles, the Cincinnati native attributes his musical beginnings to his parents, who enrolled him in piano lessons as a small child. Though neither of them “were that musical,” as Moore states, classical music was a big part of his childhood development. While balancing school and sports, his first taste of the limelight came in the seventh grade, after he was cast in the ensemble of his school’s production of Oliver! — however, the opportunity was over for him before it even began.
“I was never told when rehearsals would start or where they were, so I just never showed up,” Moore laughs. “And then they performed it and I thought ‘Well, I guess I could have been in that.’”
Though his stage career began rocky, Moore eventually became serious about pursuing singing professionally. He participated in his school’s musical the following year, singing in the Barbershop Quartet in “The Music Man.” And after taking the advice from his middle school musical director, he began taking formal voice lessons the summer before he entered high school, where he was first exposed to classical singing.