Tag Archives: American Composer

Iconic Productions: Los Angeles Does Wagner’s Ring Cycle

“Producing a new Ring is the ultimate accomplishment for an opera company and it brings to the city a great sense of civic pride.” Plácido Domingo on staging Los Angeles’ first-ever Ring Cycle

Sieglinde (Anja Kempe) and Siegmund (Placido Domingo) in <em>Die Walkure</em> (2008); <span id="lbCaption">Monika Rittershaus</span>

Sieglinde (Anja Kempe) and Siegmund (Placido Domingo) in Die Walkure (2008); Monika Rittershaus

Staging Richard Wagner’s Der Ring des Nibelungen is the mark of any great opera house. Since becoming Artistic Director in 2001 (and since then General Director), Plácido Domingo sought to produce a Ring cycle. Led by a generous donation from The Eli and Edythe Broad Foundation, Domingo’s dream became a reality, when the company staged all four operas in the cycle (Das Rheingold, Die Walküre, Siegfried and Götterdämmerung) over the course of two seasons – 2008/2009 and 2009/2010, with complete cycles presented in the summer of 2010.

Wagner’s Ring cycle follows a cast of gods and humans in their ultimate quest for power and search for love over the course of four operas. Music Director James Conlon puts it well:

“Wagner, among so many other things, sought to create works that would unite the accomplishments of Shakespeare and Beethoven. The Ring can be viewed as a four-part symphony, with each movement culminating in the expression of a different aspect of love. Das Rheingold is the expository movement. Die Walküre is the slower, expressive lyric movement. Siegfried is the scherzo: the first act witty, sharply bristling with demonic and Beethoven energy. Götterdämmerung is the apocalyptic finale.”

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The Month of the American Composer

Composer of Operas

Jake Heggie

When most people think of October, visions of fall and Halloween come to mind. Here at LA Opera, this October has been “The Month of the American Composer.” Three of our events involved some of the most important American composers of our age – Missy Mazzoli, Philip Glass, and Jake Heggie – working at the height of their powers. To celebrate how vital opera is to our nation culturally, we’ve curated a few articles below where you can learn more about each composer and listen to some of their masterful music.

Jake Heggie, The Man Behind Moby-Dick

Composer Jake Heggie Brings Moby-Dick to the Dorothy Chandler Pavilion – via Los Angeles Magazine

Herman Melville’s Moby-Dick, the classic tale of one man’s pursuit of an elusive white whale, has over the years been turned into films and television miniseries. Now, it has been turned into an opera. Jake Heggie, whose Dead Man Walking was performed earlier this year at the Broad Stage, is the composer of the show, which opens Saturday night at the Dorothy Chandler Pavilion.

Jake Heggie On Why Opera Is Here To Stay – via Los Angeles Times

Don’t tell Jake Heggie that opera is a dying art form. The composer of the opera Dead Man Walking “thinks it’s alive and kicking — he even uses an unprintable term to describe a recent batch of articles declaring that “Opera is dead.” And while his passionate words in defense of the operatic form are convincing, the trajectory of his own career is perhaps his best argument.

Music Monday: Moby-Dick Overture – via LA Opera Blog

This weekend, Moby-Dick opens at LA Opera. Melville’s tale of obsession, the nature of good and evil, and the search for the elusive, titular, white whale is set to an evocative score by famed American composer, Jake Heggie (Dead Man Walking). When Heggie describes tackling the mammoth tale, he speaks of finally finding the music of Moby’s universe in four simple chords. These chords capture the spirit and yearning inherent in Melville’s story and resurface throughout the rest of the score, in a haunting fashion.


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