Tag Archives: 2018/19

François Couperin: De la lumière aux ténèbres (“From Light to Darkness”)

The following post was written by Bénédicte Hertz, librarian and musicologist of Les Talens Lyriques, in anticipation for the ensemble’s performance of the music of François Couperin on Thursday, Oct. 11 at Zipper Concert Hall.

Founder of Les Talens Lyriques

Founder of Les Talens Lyriques

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Five Highlights from LA Opera’s Satyagraha!

On Oct. 20, LA Opera completes Glass’ ‘Portrait Trilogy’ with SatyagrahaSince 2013, the company has staged Einstein on the Beach, Dracula: The Music and Film and, most recently, Akhnaten. In anticipation for opening night, here are five highlights to look forward to from the production!

A scene from the Metropolitan Opera's 2011 production of Satyagraha, directed by Phelim McDermott. (Photo credit: Ken Howard / Metropolitan Opera)

A scene from the Metropolitan Opera’s 2011 production of Satyagraha, directed by Phelim McDermott. (Photo credit: Ken Howard / Metropolitan Opera)

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Ana María Martínez Discusses Elisabeth de Valois in Verdi’s Don Carlo

Ana María Martínez is an artist that likes to draw outside of the lines. In her two decades as a professional singer, the repertoire she sings is an eclectic mix that ranges across multiple eras of opera. From roles like Carmen to Cio-Cio San in Madama Butterfly, Martínez’s breadth of work as a singer is enhanced by her superb acting skills.

Ana Maria Martinez as Elisabeth de Valois in LA Opera's 2018 production of "Don Carlo." (Photo: Cory Weaver / LA Opera)

Ana Maria Martinez as Elisabeth de Valois in LA Opera’s 2018 production of Don Carlo. (Photo: Cory Weaver / LA Opera)

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Three Easy Don Carlo Inspired Cocktail Recipes

By now, you all probably know what huge lushes we are here at the opera house — and we love sharing cocktail recipes with those who may enjoy a drink or two as much as we do. With Verdi’s Don Carlo currently playing on the stage, what better way to celebrate a new opera season than with some show-inspired cocktails on the opera menu?!

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Four Facts About Les Talens Lyriques!

Les Talens Lyriques is one of the premiere French Baroque ensembles of the world. Since it was established in 1991, they’ve performed across Europe, Asia and the United States. On Oct. 11, the group finally comes to Los Angeles in a special, one-night-only concert at Zipper Hall at the Colburn School. Before you go, here are four facts to know about the group and the performance!

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Read What Audiences Are Saying About Don Carlo!

LA Opera opened it’s 2018/19 season last week with Verdi’s quintessential Don Carlo. Critics have already been raving about the production and its stars, calling it “absolutely gorgeous” (Broadway World) and hailed Plácido Domingo “the greatest opera star of our time, and surely the most beloved.” (LA Times)

Though the critics have been enthusiastic, what do audiences think? Read below for some audience reactions to LA Opera’s Don Carlo!

A scene from LA Opera's 2018 production of "Don Carlo." (Photo: Cory Weaver / LA Opera)

A scene from LA Opera’s 2018 production of “Don Carlo.” (Photo: Cory Weaver / LA Opera)

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Maestro James Conlon on Don Carlo

Maestro James Conlon returns to the orchestra pit at LA Opera for Verdi’s Don Carlo on Sept. 22. Read his notes and thoughts on Verdi’s masterpiece as he prepares for the performance!

Maestro James Conlon with Bass Ferruccio Furlanetto during LA Opera's 2006 production of Don Carlo (Photo: Robert Millard)

Maestro James Conlon with Bass Ferruccio Furlanetto during LA Opera’s 2006 production of Don Carlo (Photo: Robert Millard)

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Call for Entries – Artists and Designers – You’re Invited!

LA Opera is hosting a contest for currently enrolled college students in Southern California!

You are invited to submit artwork for LA Opera’s spring production of Mozart’s The Clemency of Titus! The winning submission will be featured on the cover of the show’s performance program and displayed at the home of LA Opera, the Dorothy Chandler Pavilion.

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From Stage to Screen: The Making of LA Opera’s Simulcast

In less than two weeks, Angelenos will enjoy the epic tale of Don Carlo live as we take the magic of LA Opera from the stage at the Dorothy Chandler Pavilion to audiences at the Santa Monica Pier and El Cariso Community Park in Sylmar. 

Audiences enjoying LA Opera's free, live simulcast of Bizet's Carmen at Exposition Park in 2017 (Photo: Forest Casey)

Audiences enjoying LA Opera’s free, live simulcast of Bizet’s Carmen at Exposition Park in 2017 (Photo: Forest Casey)

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Seven Things About Don Carlo To Look Forward To!

On Sept. 22, LA Opera opens its 2018-19 season with Verdi’s timeless classic Don Carlo. With rich orchestrations, thundering choruses and an endless flow of rapturous melodies, one of Verdi’s grandest and greatest works is an enthralling tale of morality and mortality.

Rehearsals are already well underway for the performance, and the artists and staff are busy preparing for opening night. Here are seven facts about LA Opera’s upcoming revival of Don Carlo to look forward to!

A scene from LA Opera's production of "Don Carlo." (Photo credit: Robert Millard / LA Opera)

A scene from LA Opera’s production of Don Carlo. (Photo credit: Robert Millard / LA Opera)

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Inside the Costume Shop: Don Carlo

This gallery contains 3 photos.

Share Our 2018/19 season is a little less than a month away and the Dorothy Chandler Pavilion is buzzing with excitement; the set is loading in, the corridors are once again filled with opera singing, and we took our regular … Continue reading

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Summertime At The Opera: What Are We Up To? — Part III

Though there’s nothing on our main stage, the summer months provide our team the crucial time for planning and prep that the season simply doesn’t always allow. Over the last few weeks, we’ve shared about each department’s summer prep activities in anticipation of our season opening with Verdi’s Don Carlo on Sept. 22. We’ve already gone to almost every department at LA Opera asking what each team does while the stage is dark during the summer. In this final installment of our series, learn about what our Costume and Development departments worked on over the summer!

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Summertime At The Opera: What Are We Up To? — Part II

A few weeks ago, we talked about what our staff is up to during the breezy summer months at LA Opera. With the stage dark until September, the team is hard at work getting things in order for the 2018/19 season.

LA Opera's 2015 production of Pagliacci (Photo: Craig T. Mathew/LA Opera)

LA Opera’s 2015 production of Pagliacci (Photo: Craig T. Mathew/LA Opera)

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Summertime At The Opera: What Are We Up To? — Part I

Summer is a peaceful time on the LA Opera stage — but though the stage is quiet, the offices remain abuzz! With the house empty for the next two and a half months, we use this time wisely to prepare for next season’s productions.

A scene from William Friedkin 2004 production of Strauss' Ariadne auf Naxos at LA Opera

A scene from William Friedkin 2004 production of Strauss’ Ariadne auf Naxos at LA Opera

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Love Our Annual Simulcast? Thank LA County.

LA Opera’s Simulcast is one of our newest and most expansive programs, sharing the first opera of the season with thousands of Angelenos — in three diverse geographic locations and all at the same time.

Through the generous commitment of Los Angeles County and the Board of Supervisors, LA Opera will continue its simulcasts on Sept. 22, 2018 with Verdi’s Don Carlo, live at the Dorothy Chandler Pavilion, and live broadcasts at El Cariso Community Regional Park in Sylmar and at the Santa Monica Pier.

Opera at the Park in Exposition Park (2017)

Opera at the Park in Exposition Park (2017)

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Where Will Your Favorite LA Opera Artists Be This Summer?

Ever wonder where your favorite LA Opera artists go when the season is over? Well, they travel the world! From Santa Fe to Salzburg, these singers have a busy summer ahead performing on stages around the globe. Read below to see where some of them are traveling before returning to Los Angeles!

Placido Domingo (left) and James Conlon (third from left) confer at a rehearsal for "Nabucco," joined by assistant conductor Louis Loraseb and Mr. Conlon's musical assistant, Ignazio Terrasi (photo: Ken Howard)

Placido Domingo (left) and James Conlon (third from left) confer at a rehearsal for “Nabucco,” joined by assistant conductor Louis Loraseb and Mr. Conlon’s musical assistant, Ignazio Terrasi (photo: Ken Howard)

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Introducing the 2018/19 Domingo-Colburn-Stein Young Artists!

Plácido Domingo, LA Opera’s Eli and Edythe Broad General Director, announced today that he has chosen the performers who will join LA Opera’s Domingo-Colburn-Stein Young Artist Program in the 2018/19 season. The artists were chosen from 650 applicants, 200 live auditions and, ultimately, 28 final candidates.

The 2018/19 Domingo-Colburn-Stein Young Artists

The 2018/19 Domingo-Colburn-Stein Young Artists

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The Clemency of Titus: How Mozart Inspired an LA Opera Employee’s Critical Understanding of Opera

Vengeance. Betrayal. Love. And mercy. These are all ingredients that make for a tantalizing storyline. Opera is known to possess all of these exciting qualities, not to mention impeccable music that matches the fervor of the drama. Mozart’s The Clemency of Titus is no exception  since it’s 1791 premiere in Prague, the opera has since been staged all over the world at nearly all of the top opera houses. It’s not hard to see why this exciting production deals with how far one person is willing to go for power. And that’s what attracted Arya Roshanian, Content Specialist at LA Opera, to it in the first place.

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Contemporary Opera’s Future at LA Opera

LA Opera has a long history of presenting new and unfamiliar contemporary opera on its stage. It is within the company’s mission to “produce world-class opera that preserves, promotes, and advances the art form while embodying the diversity, pioneering spirit, and artistic sensibility unique to Los Angeles”. Under the umbrella of the Contemporary Opera Initiative is Off Grand, a series of performances that take place in venues beyond the mainstage with a focus on experimental chamber work.

Thumbprint (2017); Photo: Larry Ho

LA Opera Off Grand and Beth Morrison Project’s production of Thumbprint (2017) (Photo: Larry Ho)

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A History of Contemporary Opera in Los Angeles

Modern and contemporary work is not new to LA Opera audiences. Since its inception, the new and innovative have been an integral part of LA Opera’s history.

The New Yorker‘s Alex Ross recently said of LA Opera, “No American company of LA Opera’s size…is more committed to new and unusual work.”

Persona (Photo Credit: Lawrence K. Ho)

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