Tag Archives: 2018/19

Summertime At The Opera: What Are We Up To? — Part III

Though there’s nothing on our main stage, the summer months provide our team the crucial time for planning and prep that the season simply doesn’t always allow. Over the last few weeks, we’ve shared about each department’s summer prep activities in anticipation of our season opening with Verdi’s Don Carlo on Sept. 22. We’ve already gone to almost every department at LA Opera asking what each team does while the stage is dark during the summer. In this final installment of our series, learn about what our Costume and Development departments worked on over the summer!

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Summertime At The Opera: What Are We Up To? — Part II

A few weeks ago, we talked about what our staff is up to during the breezy summer months at LA Opera. With the stage dark until September, the team is hard at work getting things in order for the 2018/19 season.

LA Opera's 2015 production of Pagliacci (Photo: Craig T. Mathew/LA Opera)

LA Opera’s 2015 production of Pagliacci (Photo: Craig T. Mathew/LA Opera)

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Summertime At The Opera: What Are We Up To? — Part I

Summer is a peaceful time on the LA Opera stage — but though the stage is quiet, the offices remain abuzz! With the house empty for the next two and a half months, we use this time wisely to prepare for next season’s productions.

A scene from William Friedkin 2004 production of Strauss' Ariadne auf Naxos at LA Opera

A scene from William Friedkin 2004 production of Strauss’ Ariadne auf Naxos at LA Opera

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Love Our Annual Simulcast? Thank LA County.

LA Opera’s Simulcast is one of our newest and most expansive programs, sharing the first opera of the season with thousands of Angelenos — in three diverse geographic locations and all at the same time.

Through the generous commitment of Los Angeles County and the Board of Supervisors, LA Opera will continue its simulcasts on Sept. 22, 2018 with Verdi’s Don Carlo, live at the Dorothy Chandler Pavilion, and live broadcasts at El Cariso Community Regional Park in Sylmar and at the Santa Monica Pier.

Opera at the Park in Exposition Park (2017)

Opera at the Park in Exposition Park (2017)

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Where Will Your Favorite LA Opera Artists Be This Summer?

Ever wonder where your favorite LA Opera artists go when the season is over? Well, they travel the world! From Santa Fe to Salzburg, these singers have a busy summer ahead performing on stages around the globe. Read below to see where some of them are traveling before returning to Los Angeles!

Placido Domingo (left) and James Conlon (third from left) confer at a rehearsal for "Nabucco," joined by assistant conductor Louis Loraseb and Mr. Conlon's musical assistant, Ignazio Terrasi (photo: Ken Howard)

Placido Domingo (left) and James Conlon (third from left) confer at a rehearsal for “Nabucco,” joined by assistant conductor Louis Loraseb and Mr. Conlon’s musical assistant, Ignazio Terrasi (photo: Ken Howard)

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Introducing the 2018/19 Domingo-Colburn-Stein Young Artists!

Plácido Domingo, LA Opera’s Eli and Edythe Broad General Director, announced today that he has chosen the performers who will join LA Opera’s Domingo-Colburn-Stein Young Artist Program in the 2018/19 season. The artists were chosen from 650 applicants, 200 live auditions and, ultimately, 28 final candidates.

The 2018/19 Domingo-Colburn-Stein Young Artists

The 2018/19 Domingo-Colburn-Stein Young Artists

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The Clemency of Titus: How Mozart Inspired an LA Opera Employee’s Critical Understanding of Opera

Vengeance. Betrayal. Love. And mercy. These are all ingredients that make for a tantalizing storyline. Opera is known to possess all of these exciting qualities, not to mention impeccable music that matches the fervor of the drama. Mozart’s The Clemency of Titus is no exception  since it’s 1791 premiere in Prague, the opera has since been staged all over the world at nearly all of the top opera houses. It’s not hard to see why this exciting production deals with how far one person is willing to go for power. And that’s what attracted Arya Roshanian, Content Specialist at LA Opera, to it in the first place.

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Contemporary Opera’s Future at LA Opera

LA Opera has a long history of presenting new and unfamiliar contemporary opera on its stage. It is within the company’s mission to “produce world-class opera that preserves, promotes, and advances the art form while embodying the diversity, pioneering spirit, and artistic sensibility unique to Los Angeles”. Under the umbrella of the Contemporary Opera Initiative is Off Grand, a series of performances that take place in venues beyond the mainstage with a focus on experimental chamber work.

Thumbprint (2017); Photo: Larry Ho

LA Opera Off Grand and Beth Morrison Project’s production of Thumbprint (2017) (Photo: Larry Ho)

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A History of Contemporary Opera in Los Angeles

Modern and contemporary work is not new to LA Opera audiences. Since its inception, the new and innovative have been an integral part of LA Opera’s history.

The New Yorker‘s Alex Ross recently said of LA Opera, “No American company of LA Opera’s size…is more committed to new and unusual work.”

Persona (Photo Credit: Lawrence K. Ho)

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LA Opera Newborn Subscription Package!

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Highlights From LA Opera’s 2018/19 Season!

In September, LA Opera opens its 2018-19 season! The exciting lineup includes both world and company premieres, as well as works regularly seen on the stage of the Dorothy Chandler Pavilion. Can’t wait until then? Here are five highlights to look forward to next fall!

Artwork by Keith Rainville (LA Opera)

Artwork by Keith Rainville (LA Opera)

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