Maestro Conlon is very excited about conducting the upcoming production, Moby-Dick, opening October 31st. Check out why he loves Jake Heggie’s opera and why he thinks you should see it too.
Moby-Dick is a classic American tale that’s wonderful to experience live. Yet, to enjoy Moby-Dick fully, take a look behind-the-scenes to see how the production has come together.
Shipbuilding is an ancient profession that predates the period of recorded time. It’s an old art form that created vessels allowing the earliest humans to conquer rivers and oceans, in search of both food and adventure. Upon these ships, sailors created their own microcosm of reality upon the high seas.
Recreating a ship on stage can take many forms. A ship can be represented by actors physically moving their bodies to form a boat on stage, or it can be a giant prop that the story’s action revolves around. An image of a ship can even be projected on a scrim on stage to represent what’s not physically on stage. In Robert Brill’s grand set design for Moby-Dick, the ship consumes the entire stage. The Pequod, as the whaling ship is called, can be seen from various sides depending on the act and there are multiple parts to make this ship seem very real to singers and audience members alike.
For LA Opera’s production of Moby Dick this season, the whaling ship, better known as The Pequod, will consume the stage. The deck of the ship will be the floor of the stage, while an intricate surplus of ropes and masts fill the air above. “There’s a whole spider web of rigging we’re setting up to hold everything in place for this show,” says Lisa Coto, LA Opera’s Props Coordinator. “The cyc plays a huge role in this show as well.”
Melville’s tale of obsession, the nature of good and evil, and the search for the elusive, titular, white whale is set to an evocative score by famed American composer, Jake Heggie (Dead Man Walking). When Heggie describes tackling the mammoth tale, he speaks of finally finding the music of Moby’s universe in four simple chords. These chords capture the spirit and yearning inherent in Melville’s story and resurface throughout the rest of the score, in a haunting fashion.
This Halloween, Jay Hunter Morris reprises his role as Captain Ahab in Jake Heggie’s Moby-Dick. It will be the first time he’s performed the opera in Los Angeles, coming fresh from a year of tremendous roles in The Flying Dutchman and Cold Mountain. Here’s our Jay Hunter Morris Edition of Questions.LA Opera is a 501(c)3 non-profit organization dedicated to the greater good.