The Magic Flute has started enchanting audiences with its silent film inspired magic. In case you’ve missed the Flute love these past few weeks (or want to learn more before seeing the show), we’ve collected a bunch of articles and videos for you to check out and see why The Magic Flute is a must-see this opera season.
Get To Know The Magic Flute
There is usually a pretty standard way of rehearsing opera. The director has a concept for the production – a vision that has been in play with designers and production staff years ahead of the first rehearsal. When singers do arrive, they spend time with the director, reaching a compromise on character choices, and perfecting their knowledge of the music. Sometimes bits of music are cut out; other times bits of music are added. This whole process starts in rehearsal rooms then moves onto stage within a matter of weeks. The rehearsal process for The Magic Flute is entirely different. Learn more.
Barrie Kosky, Susanne Andrade, and Paul Barritt’s production of The Magic Flute is heavily inspired by the silent film era and the spirit of the roaring twenties. In Kosky’s words, “Papageno is suggestive of Buster Keaton, while Monostatos is a bit Nosferatu, and Pamina perhaps a bit reminiscent of Louise Brooks.” There are a plethora of silent films to check out before seeing The Magic Flute, as the silent film era was a rich time for the industry. Filmmakers explored the artistry of the cinematic medium, creating new stories and adapting classic – even operatic – works for a new audience (King Vidor’s excellent 1926 La Boheme film is definitely worth a movie night). Before you step into the world of The Magic Flute, here are a few silent films to watch to get you in the 1920s spirit.
The Magic Flute is a roaring-twenties set vision. It has the beauty of a classic Louise Brooks film (like Pandora’s Box) , but live. Here, the production team – Suzanne Andrade, Barrie Kosky, and Paul Barritt – talk about the concept behind their vision for Mozart’s fantasy opera.
Learn more about the numbers behind The Magic Flute, including the 677 digital animation cues.
The Queen of the Night’s second aria is the arguably the most recognized piece of operatic music. Yet, there’s something so refreshing about Papageno’s Aria (“Ein Mädchen oder Weibchen” or “A Little Wife”) in Mozart’s The Magic Flute. Papageno sings his aria towards the end of Act II, after Pamina has fallen in love with Tamino. He longs for a little wife of his own to keep him company (which he says is better than wine, according to an English translation used in 1984’s hit film, Amadeus).
The Magic Flute opens this Saturday and that means you’ll be able to hear one of the most famous – and extravagant – arias in opera history, “Der Hölle Rache” (aka the “Queen of the Night Aria”).
For Ben Bliss, playing Tamino in Mozart’s The Magic Flute is like coming home. Not only is he back at LA Opera (he was part of the Young Artist program from 2011-2013), but Tamino was also the first opera role Bliss ever sang. Get to know Ben.
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