LA Opera’s gritty production of Macbeth, directed by Darko Tresjnak will be staged one more time – this afternoon. In case you’ve missed the Macbeth love these past few months, we’ve collected a bunch of articles and videos for you to check out.
Get to Know Macbeth
In this guest post, Maestro James Conlon discusses why he loves Macbeth.
In this guest post, Maestro James Conlon discusses why Macbeth is important.
The dancing witches in Macbeth are not your pointy hat, black-wearing, broom-flying witches. As the agents that drive the story, they are onstage virtually the entire time, lurking during every sinister choice that Macbeth and Lady Macbeth make in the opera. They move props. They haunt all of the characters and bring them to the darkest moments of their lives. We spoke with the nine women who play the witches about how they bring their hellish characters to life.
Witches. Cauldrons. Prophesies. Runes. Our production of Macbeth is the stuff nightmares are made of – in the very best and haunting way. When it comes to props, director Darko Tresjnak wanted objects capable of truly terrifying and also intriguing an audience. Here’s our list of 5 Macbeth props that will keep you up at night.
Costumes are one of the best ways to express character – be it on screen or on stage. In Macbeth, costumes tell a tale of humble beginnings to unbridled horror, but it’s not just fabric and jewels that bring a character to life. It is how all the costume elements come together to showcase each character’s evolution. With its complex characters and designed by Suttirat Larlarb, LA Opera’s upcoming production of Verdi’s Macbeth perfectly illustrates how costumes and character meet.
Before he ever conceived of a career in opera, renowned tenor Arturo Chacón-Cruz still spent most of his week singing. While studying engineering in his hometown of Hermosillo, Mexico, Chacón-Cruz sang with local trios, mariachis, and even as the lead singer serenading women for other men who were proposing. He was so passionate about singing that his mother signed him up for a voice lesson with an opera coach. At first, Chacón-Cruz protested, but the 15 minutes he spent with his first coach changed the course of his entire life.
Thirty years after its founding, the opera legacy first established by Peter Hemmings lives on – literally. That sweet, albeit heartbreaking and starved face you’ll see at the center of the Scottish Refugee’s chorus in Act IV is Amelia Hemmings, granddaughter of the late Hemmings.
A Little Taste of Macbeth
A Recipe for Witches Brew
What Inspired This Production of Macbeth?
Macbeth vs. Breaking Bad
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