As I write this, Angela Meade, Jamie Barton, and Russell Thomas are on-stage rehearsing a scene from our upcoming production of Bellini’s Norma. It’s the end of Act I and Norma (Meade) has just discovered the affair between the man she loves, Pollione (Thomas), and Adalgisa (Barton), a younger priestess. If you think the story’s dramatic, you should hear their voices! Unbelievable voices – let’s call them vocal fireworks because of their equally explosive and yet restrained nature – are at the center of Norma. It’s compelling to witness.
You can literally feel their voices vibrate through the space, giving you goosebumps. It’s a heroic vocal energy that only opera singers possess and share with the world. While Norma is known as an opera lover’s opera, for the opera novice it showcases the beauty of the operatic voice. It reminds you that this art form is built on its power, and this cast’s voices are beyond. The combination of Meade’s soprano, Barton’s mezzo-soprano, and Thomas’ tenor voices surround you lovingly throughout this bel canto opera (learn more about bel canto here).
As I was reminded during last week’s Piano Dress Rehearsal, opera singers aren’t amplified. In other words, there are no microphones like you’d find at a rock concert. It’s these powerful voices that are blowing the Dorothy Chandler Pavilion roof off. (Oh, and it’s not an El Niño either…I checked.)
Check out this short clip of Angela Meade discussing how demanding Norma is vocally:
Don’t believe me? Come see for yourself starting this Saturday.
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