Faces of the Opera
Mezzo-soprano Elizabeth DeShong sings her first Mozart role in LA Opera’s The Clemency of Titus. She gave us her thoughts on the character Sesto, a Roman patrician who is caught between his love love for another and his loyalty to Emperor Titus (you know, the ultimate “pals before gals” dilemma).
We’re all about bookends here at LA Opera. And since we kicked off Black History Month with seven Black opera singers who are currently dominating the game, we thought we’d end in that way as well. The response to the original post was –in short—overwhelming (in a good way of, course.) And rightly so, because the amount of Black talent in opera is awe-inspiring and endless. So here’s another round of Black individuals who are dominating the game because there is no such thing as too much of a good thing.
Russell Thomas has dazzled LA Opera audiences as Mario Cavaradossi in Tosca and Pollione in Norma. And now the superstar tenor is back to headline The Clemency of Titus. We caught up with Russell just in time for opening night (on March 2) — our own Titus gave us the skinny on this opera and why tenors have a bone to pick with Mozart.
February is Black History Month and you better believe there is no shortage of Black individuals who have changed opera for the better. Last year, we rounded up six Black opera singers that changed the landscape of the art itself, so this year we’re spotlighting Black singers that are currently killing the opera game. And did we mention that they’ve all sang at LAO before? You can even catch a few of them in our upcoming production of The Clemency of Titus. Take a closer look below.