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What happens when you cross a love triangle, a noblewoman hungry for power, and the city of Rome in flames? LA Opera’s first-ever production of The Clemency of Titus, that’s what. Combine that with a stellar cast of fast-rising singers, some of whom who already have long histories with the company, and you have a show that’s well-worth the wait. Take a peek at The Clemency of Titus below with the five most exciting highlights from the show.
LA Opera may be a young company—but that doesn’t mean we don’t have some legends lurking around the Dorothy Chandler Pavilion halls. where an LA Opera staff member doesn’t just tell them all the best parts of LA Opera’s past, present, and future—they show them, too (you can join at anytime). But this story was too good not to share. So, cast your mind back to a long, long time ago—the year 2001.
Oscars winners, Nobel Prize recipients and Olympic champions…it’s usually the heroes that influence us to write our stories. Not David Lang, composer of “the loser.” He was inspired by the ones who didn’t win.
Have you heard the news yet? LA Opera has officially announced its 2019/20 season. And boy is it a good one. From world premieres to company favorites — not to mention the 154th role debut for Plácido Domingo — the 34th season has something for everyone. Don’t believe us? Scroll down for some of the most exciting highlights from LA Opera’s 19/20 season!
After a brief pause for the holidays, LA Opera is back for 2019! We have a busy few weeks until we officially return for our 2018/19 season, but there is already plenty to look forward to. From the return of Maestro Plácido Domingo to operas gracing the stage of the Dorothy Chandler Pavilion for the first time, it will be a season to remember.
Take a look at some highlights we have in store for the next few months!
The winter holidays are all about spending time with family and friends. Activities like decorating the Christmas tree, lighting the menorah and binging holiday movies pretty much sum up the season. To avoid holiday cabin fever, we’ve rounded up five events around LA that are perfect for the family.
Joby Talbot is a composer for concert, stage and screen. His re-scoring of Carl Theodor Dreyer’s Vampyr makes its world premiere on Saturday, Oct. 27 at 8 p.m. at the Theatre at ACE Hotel. Below are his notes and thoughts on Dreyer’s thrilling masterpiece.
The following post was written by Bénédicte Hertz, librarian and musicologist of Les Talens Lyriques, in anticipation for the ensemble’s performance of the music of François Couperin on Thursday, Oct. 11 at Zipper Concert Hall.
Maestro James Conlon returns to the orchestra pit at LA Opera for Verdi’s Don Carlo on Sept. 22. Read his notes and thoughts on Verdi’s masterpiece as he prepares for the performance!
In less than two weeks, Angelenos will enjoy the epic tale of Don Carlo live as we take the magic of LA Opera from the stage at the Dorothy Chandler Pavilion to audiences at the Santa Monica Pier and El Cariso Community Park in Sylmar.
Though there’s nothing on our main stage, the summer months provide our team the crucial time for planning and prep that the season simply doesn’t always allow. Over the last few weeks, we’ve shared about each department’s summer prep activities in anticipation of our season opening with Verdi’s Don Carlo on Sept. 22. We’ve already gone to almost every department at LA Opera asking what each team does while the stage is dark during the summer. In this final installment of our series, learn about what our Costume and Development departments worked on over the summer!
A few weeks ago, we talked about what our staff is up to during the breezy summer months at LA Opera. With the stage dark until September, the team is hard at work getting things in order for the 2018/19 season.
Summer is a peaceful time on the LA Opera stage — but though the stage is quiet, the offices remain abuzz! With the house empty for the next two and a half months, we use this time wisely to prepare for next season’s productions.
Mark Your Calendars. We’re presenting a free, live simulcast of Verdi’s Don Carlo starring Plácido Domingo and conducted by James Conlon, will be broadcast live in high-definition from the Dorothy Chandler Pavilion to the big screen at El Cariso Community Regional Park in Sylmar and at Santa Monica Pier on Saturday, Sept. 22, 2018.
LA Opera’s Simulcast is one of our newest and most expansive programs, sharing the first opera of the season with thousands of Angelenos — in three diverse geographic locations and all at the same time.
Through the generous commitment of Los Angeles County and the Board of Supervisors, LA Opera will continue its simulcasts on Sept. 22, 2018 with Verdi’s Don Carlo, live at the Dorothy Chandler Pavilion, and live broadcasts at El Cariso Community Regional Park in Sylmar and at the Santa Monica Pier.
Opera and literature have long been paired together. The early operas of Monteverdi, Vivaldi and Handel were primarily, if not exclusively, based on tales derived from Greek mythology. As opera expanded outside of the royal court and into the public following the classical period in the mid-18th century, so did the story lines — librettists and composers began finding inspiration outside of mythology, but still within the written word.
On June 22, LA Opera stages the LA premiere of Gordon Getty’s double-bill Usher House and The Canterville Ghost. Labelled quirkily as the “Scare Pair,” both operas take inspiration from 19th century works of literature.
LA Opera is just a few days from the Los Angeles premiere of Gordon Getty’s Scare Pair: Usher House/The Canterville Ghost. This Off Grand presentation is the last production of the 2017/18 season. In anticipation for the performances, here are five things you may not already know about the production!
Vengeance. Betrayal. Love. And mercy. These are all ingredients that make for a tantalizing storyline.
Opera is known to possess all of these qualities, not to mention impeccable music that matches the fervor of the drama. Mozart’s The Clemency of Titus is no exception — since it’s 1791 premiere in Prague, the opera has since been staged all over the world at nearly all of the top opera houses. It’s not hard to see why — this exciting production deals with how far one person is willing to go for power. And that’s what attracted Arya Roshanian, Press & Content Specialist at LA Opera, to it in the first place.