Author Archives: LA Opera Staff
Three Southern California college students were selected as the winners of LA Opera’s Rigoletto art contest.
Thanks to the generous support of GRoW @ Annenberg, a philanthropic initiative of the Annenberg Foundation, local college students were invited to create original artwork inspired by the company’s upcoming production of Giuseppe Verdi’s Rigoletto, which opens on May 12. Students from 18 different southern California colleges submitted a total of 53 entries in a competition to see their artwork appear on the Rigoletto program cover and displayed at the Dorothy Chandler Pavilion.
Fifty plus children are lined up onstage, holding hands and singing a victory march at the end of the children’s opera Brundibár as part of LA Opera’s Opera Camp. At the center, holding hands and singing with the same energy as the children, is Holocaust survivor Ela Weissberger. Before her passing last month, she traveled around the world to attend nearly every performance of Brundibár. Her story has been an inspiration and a driving force behind Opera Camp.
One of the aspects that make LA Opera productions so grand is the hardworking staff at our costume shop. Located between the Fashion District and Boyle Heights in Los Angeles, LA Opera’s Costume Shop not only houses pieces from our current productions, but also contains archived garments from shows throughout our 32-year history.
Mark Lamos’ opulent production of Verdi’s Rigoletto contains intricate and vividly colored costumes designed by Constance Hoffman. In anticipation for LA Opera’s upcoming production of this Verdi masterpiece, here is an exclusive look at what our costumers are working on as we prepare to open on May 12!
LA Opera is no stranger to the impassioned operas of Giuseppe Verdi. In the last six seasons alone, the company has staged five operas written by the Italian composer, from popular favorites including La Traviata, Falstaff and Macbeth, to lesser-known works like The Two Foscari and Nabucco.
Another classic – Rigoletto – returns to the stage on May 12. Here are five things you may not know about LA Opera’s upcoming production of Rigoletto!
LA Opera has a long history of presenting new and unfamiliar contemporary opera on its stage. It is within the company’s mission to “produce world-class opera that preserves, promotes, and advances the art form while embodying the diversity, pioneering spirit, and artistic sensibility unique to Los Angeles”. Under the umbrella of the Contemporary Opera Initiative is Off Grand, a series of performances that take place in venues beyond the mainstage with a focus on experimental chamber work.
Modern and contemporary work is not new to LA Opera audiences. Since its inception, the new and innovative have been an integral part of LA Opera’s history.
The New Yorker‘s Alex Ross recently said of LA Opera, “No American company of LA Opera’s size…is more committed to new and unusual work.”
As a non-profit dedicated to the greater good, LA Opera relies on the generous contributions of our donors to produce world-class opera.
When you make a charitable donation to LA Opera, you become a member of the Friends of LA Opera. Members enjoy exclusive benefits that help make their opera-going experience that much more memorable.
Ever wondered how children get the “opera bug”? For 10 year-old Jesse McBride, it all started with a visit to his school by LA Opera. In 2017, LA Opera brought their Elementary In-School Opera program to Rockdale Elementary, where Jesse attended 4th grade. For 5 weeks, he and his classmates worked to learn their roles as the chorus in The Legend of Cannery Row, culminating in a performance for their fellow students and families.
Timed to coincide with LA Opera’s production of Verdi’s classic Rigoletto, this concert program focuses on the emergence of Verdi, Italy’s quintessential composer, out of the bel canto greats that preceded him. This concert features LA Opera’s Domingo-Colburn-Stein Young Artists, with music and program arranged by LA Opera Artist-In-Residence Matthew Aucoin.
John Neumeier’s haunting new production of Gluck’s Orpheus and Eurydice has been been called “exquisite” (LA Times) and “an achingly beautiful dream of a show” (Chicago Tribune). But what does the public think? Check out what audiences are saying about LA Opera’s Orpheus and Eurydice!
Have you ever wondered what it would be like to sing Carmen? LA Opera is presenting a free concert called Great Opera Choruses on Saturday, April 28th, where you can do just that!
Stephen Fry — English actor, screenwriter, author, playwright, journalist, poet, comedian, television presenter, and film director — will join Maestro James Conlon for a conversation about the Orpheus & Eurydice myth throughout literature and music.
The conversation is free to anyone who attends the matinee performance on Sunday, March 25 and will take place directly after the performance.
If you need tickets for the performance, click here.