Author Archives: LA Opera Staff
One of the aspects that make LA Opera productions so grand is the hardworking staff at our costume shop. Located in between the Fashion District and Boyle Heights in Los Angeles, LA Opera’s Costume Shop not only houses pieces from our current productions, but also contains archived garments from shows throughout our 32-year history.
In anticipation of Candide, here is an exclusive look at what our costumers are working on as we prepare to open on Jan. 27.
When tenor Nathan Granner and mezzo-soprano Joanna Lynn-Jacobs step on stage for Saturday Mornings at the Opera it will be their first time performing with LA Opera. But it won’t be their first time performing together. They have spent the last couple of years performing together as classmates at the Herb Alpert School of Music at UCLA. Both are excited to use their skills and training to share their love of opera with young audiences.
One of the greatest works in Western literature, Voltaire’s 1759 satirical novel Candide, or Optimism follows its eponymous hero on a whirlwind tour throughout much of the known world. Bernstein’s 1956 musicalization of the novel followed almost as many twists and turns on its journey from Broadway to the opera house.
On Jan. 27, we resume our 2017-18 season with Bernstein’s masterpiece. Before you go, here is everything you need to know about Candide.
On Jan. 27, LA Opera returns for the second half of its 2017-18 season with Leonard Bernstein’s classic operetta Candide. With the premiere only weeks away, here are five highlights to look forward to in the lavish production.
When the nurses at Harbor-UCLA Medical Center had their morning huddle in preparation for another day in the ICU, they knew it was going to be a special day. While their normal days involve treating patients in crisis, this day would include the annual visit from LA Opera’s Holiday Music Tour.
The holidays are right around the corner and LA Opera wants to help you celebrate! In anticipation for the upcoming festivities, here is a list of five opera-themed cocktails to serve at your next holiday party!
Prior to every performance, LA Opera’s acclaimed Music Director Maestro James Conlon and other scholars of note hold an engaging and informative talk about the opera our audience is about to see. Generously sponsored by The Flora L. Thornton Foundation and The Opera League of Los Angeles, these talks are free of charge to those attending the performance and take place in the Eva and Marc Stern Grand Hall inside the Dorothy Chandler Pavilion.
As LA Opera looks forward to the new year, here’s a recap of our Pre-Show Talks for the beginning of our 2017-18 season!
For Alma Guzman, Los Angeles would be a difficult city to live in were it not for LA Opera. She expresses, “It does something to you…it’s very healing…it just enriches my life.”Alma has loved opera from the time she was a child living in Vienna, where she was able to stand in the back of the theater for performances at the Staatsoper for five cents apiece. Her parents encouraged her passion for opera, her father himself having participated in a “Claque,” where he was granted free admission to operas so long as he applauded especially loudly for particular singers only.
Opera not only offers transcendence and expands imaginations, but can also educate the public on social issues. LA Opera’s Elementary and Secondary In-School Operas do just that. Students from all over Los Angeles County learned this themselves just a few weeks ago when they performed alongside LA Opera artists in the Secondary In-School Opera (SISO), The White Bird of Poston, composed by Eli Villanueva with libretto by Leslie Stevens. This opera explores themes of service and citizenship, as well as the issues of prejudice, racism and cultural differences.
What can be said about composer and conductor Leonard Bernstein that hasn’t already been said before? As one of the most prolific figures of the 20th century, the virtuoso has been deemed as “one of the most prodigiously talented and successful musicians in American history” by The New York Times. However, for those deeply familiar with his life and work, he’s affectionately known simply as “Lenny.”
On Nov. 19, we wrapped up our last production of the year with Verdi’s Nabucco. Though we’ll be taking a brief hiatus from the stage until the new year, there is still much to be excited about in the second half of our season! With both company premieres and established revivals underway, there is something for everyone — especially if you have folks to shop for.
Can’t wait until January to get your opera fix? We can’t either. Here are five reasons to look forward to the rest of our season!
Fifty years ago to the day— on November 17, 1967 — the fast-rising Spanish tenor on tour with the New York City Opera took to the stage of the new Dorothy Chandler Pavilion, to sing the title role in Alberto Ginastera’s Don Rodrigo. By the time the curtain came down, it was clear that Plácido Domingo was destined for stardom. But few could have predicted the profound and lasting impact that the young singer would make on the city’s cultural life.
On November 17 2017, LA Opera will celebrate its General Director with a star studded concert featuring artists from across the musical spectrum.
With Hollywood as LA Opera’s backyard, there is always something to do. In a place so saturated with both art and entertainment, you could live in the city for a lifetime and always find a new adventure. For children and adults, Los Angeles is a wonderland of entertainment opportunities, and world-class opera is one of them. At LA Opera, parents can expose their kids to unforgettable mainstage productions, as well as programs created especially for children.
How do movies and opera relate? To some, a conclusive answer may not be obvious — each art differs exponentially in many aspects. But when you take away the blatant differences, such as the respective emphases on music and the spoken word, there are commonalities that bring the two together. What opera and film share, along with most all performing arts, is the attention to human emotion.
Interested in going out this Halloween weekend but can’t figure out what to do? Join us at the Theatre at ACE Hotel for Cocteau/Glass’ La Belle et la Bête! Our Saturday and Tuesday shows include after-parties at the venue directly following the performance, including a special Costume Contest on the 31st.
Before you go, check out composer Philip Glass’ program notes on re-scoring the Cocteau classic, his relationship with the piece and more.
Continuing their family tradition of encouraging support for LA Opera during the holidays, Paul and Marybelle Musco have announced a matching gift challenge. Any donation received by December 31 will be matched $2 for every $1 donated up to $500,000.
For Paul and Marybelle Musco, supporting opera is an integral part of their lives. As a boy growing up in Rhode Island, Paul’s Italian immigrant parents were opera lovers and insisted that their children gather around the radio for the Metropolitan Opera broadcasts. “I guess it was osmosis, because I came to love opera and it has stayed with me personally ever since,” he recalls.
Share If you ever dreamt of meeting Plácido Domingo and James Conlon, your wish is our command! LA Opera will host a special signing of our Macbeth DVD with its star and conductor (who are also the star and conductor … Continue reading