No singer’s path to stardom is a straight line — some experience twists and turns in life that eventually lead them to the stage. They may even have their sights set on a completely different career, but possess a natural talent that is so potent they’ll have no choice but to pursue for a career in opera. This was exactly the case for tenor Ben Bliss.
Giving Opera “Campers” the tools to engage in their communities is one of the important missions of LA Opera’s Opera Camp, an annual three-week intensive where youth from all around Los Angeles gather to sing, dance and learn how to tackle deeper social issues using the power of music and acting. Last week, we enjoyed the culminating performances of our 2018 session with The White Bird of Poston and The Prospector. Though we spent ample time teaching the kids about opera, we also took the time to teach our LA Opera Teaching Artists as well.
Though there’s nothing on our main stage, the summer months provide our team the crucial time for planning and prep that the season simply doesn’t always allow. Over the last few weeks, we’ve shared about each department’s summer prep activities in anticipation of our season opening with Verdi’s Don Carlo on Sept. 22. We’ve already gone to almost every department at LA Opera asking what each team does while the stage is dark during the summer. In this final installment of our series, learn about what our Costume and Development departments worked on over the summer!