Search Results for: gianni schicchi

Gianni Schicchi Cast Shout Outs – Opera at the Beach

https://youtu.be/k8sXsz_zIz0

The cast of Gianni Schicchi Says “Hello,’ to Audience Members at Santa Monica Pier

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Everything You’ve Ever Wanted To Know About Gianni Schicchi/Pagliacci

https://www.youtube.com/watch?v=p5dq7UzG8gs

Gianni Schicchi and Pagliacci make a fabulous pair for this year’s Season Opening. Blending comedy with tragedy from two wonderful composers, these operas have made an impact both at the Dorothy Chandler Pavilion and at Santa Monica Pier. Have you missed some of the Gianni Schicchi/Pagliacci magic? Have no fear! We’ve collected a bunch of articles and videos for you to check out and see why so many Angelenos (and non-Angelenos alike) are flocking to see this double-bill.

Get To Know Gianni Schicchi/Pagliacci

All Is Bustling On The Opera Front

Weeks before opening night, Dorothy Chandler Pavilion bustles with preparations for the upcoming opera season. As summer draws to a close, props are unpacked and organized, costume fittings occur, large sets are unloaded, and rehearsals are in full swing for Gianni Schicchi and Pagliacci.

A Donkey Named Sue

Making his operatic debut in this month’s upcoming production of Pagliacci is none other than a donkey named Sue (aptly named after the Johnny Cash song, “A Boy Named Sue”). This tough leading animal arrived this week with his handler in tow, who will be a supernumerary in the show.

Music Monday: Pagliacci Prologue

Pagliacci opens not with a love triangle scene between Canio, Nedda, and Silvio, but instead with a clown. This is Tonio, the fool of Canio’s troupe. He emerges and addresses the audience directly—“Si puo, si puo,” asking for indulgence.

5 Favorite Things From This Week’s Gianni Schicchi/Pagliacci Rehearsals

There’s a lot to be said about LA Opera’s opening show, a double bill of Gianni Schicchi and Pagliacci. We’ve been watching rehearsals all week and have compiled a list of a few of our favorite things.

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“o mio babbino caro” from Gianni Schicchi

https://youtu.be/ZE1UPfRu4Es

Hear Andriana Chuchman sing the classic aria

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Gianni Schicchi Sneak Peek

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Get a Sneak Peek of the hysterical Gianni Schicchi above

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Momo Casablanca: Gianni Schicchi’s Character Star

Momo Casablanca as Buoso Donati in <em>Gianni Schicchi</em> (2015)

Momo Casablanca as Buoso Donati in Gianni Schicchi (2015)

Of the many stars hustling around the stage in Gianni Schicchi – the frenetic first half of a double bill with Pagliacci – there’s only one cast member who remains on stage the whole time. That’s character actor Momo Casablanca, who portrays the significant role of Buoso Donati in Puccini’s comedic opera. The opera centers on Buoso’s greedy relatives, waiting to see what he has left them in his will. That’s right – Buoso Donati is already deceased when the curtain rises.

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4 Questions with Gianni Schicchi’s Youngest Star

LA Opera - Schicchi Final Dress Rehearsal  Photo by Craig T. Mathew/Mathew Imaging

Isaiah Morgan as Gherardino and Plácido Domingo as the title character in Gianni Schicchi (2015)

One of the busiest stars currently gracing the LA Opera stage in Gianni Schicchi is only 10. The triple-threat (actor, singer, dancer) plays Gherardino, the son of one of the scheming Donati family members. Besides being in his debut at the opera this season, Isaiah is also an avid YouTuber with his own channel and he’s been featured in several commercials, including ABC Mouse. Check out his latest cover of Justin Bieber’s “What Do You Mean?”

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From Allen to Zeffirelli: Gianni Schicchi & Pagliacci on the Silver and Small Screens

Since the July release of Mission: Impossible Rogue Nation, the internet has been ablaze with stories about opera in film. In the movie, Tom Cruise plays spy Ethan Hunt, who thwarts an assassination attempt during a performance of Giacomo Puccini’s Turandot. Rogue Nation is the latest in a long line of films that feature opera performances – utilizing arias to tell a story or illustrate elements of a character’s psyche. Franco Zeffirelli (whose production of Pagliacci returns to LA Opera this Saturday) specialized in making cinematic adaptations of operas in the 1980s, often collaborating with Plácido Domingo and Teresa Stratas. His 1982 adaptations of Cavalleria Rusticana and Pagliacci are particularly stunning.

Two of the most famous arias to be used in film are “O mio babbino caro” from Puccini’s Gianni Schicchi and “Vesti la giubba” from Leoncavallo’s Pagliacci. The former is a persuasive aria, which Lauretta uses to convince her father Gianni Schicchi to stop fighting with the family of Rinuccio, the man she loves, while the latter is sung by Canio in Pagliacci after he discovers his wife’s infidelity. Both arias have been included in a plethora of films and television shows for decades.

Here are a few examples:

“O mio babbino caro” – Gianni Schicchi

A Room with a View (1985) – In the film, Lucy Honeychurch (Helena Bonham Carter) is torn between her fiancé Cecil Vyse (Daniel Day-Lewis) and the free-spirited George Emerson (Julian Sands), after meeting the latter in Florence. “O mio babbino caro” (performed by Kiri Te Kanawa) is the film’s main theme, expressing Lucy’s choice between a light-hearted romance and a passionate romance.

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Making the Case for Gianni Schicchi and Pagliacci: Breaking the Barrier

Schicchi 2008 Image

Gianni Schicchi (2008)

One of the most compelling aspects of these two operas is that each breaks the barrier of the fourth wall, that imaginary boundary between the actors and the audience. With Gianni Schicchi, we make it through the entire opera before this disturbing postscript annuls the cumulative comic impulse. In Pagliacci, the fourth wall is broken at the beginning and at the end of the opera, creating an instability that runs as an undercurrent through the whole piece.

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5 Favorite Things from This Week’s Gianni Schicchi/Pagliacci Rehearsals

Pag Rehearsal

George Gagnidze as Tonio in Pagliacci (2015)

There’s a lot to be said about LA Opera’s opening show, a double bill of Gianni Schicchi and Pagliacci. We’ve been watching rehearsals all week and have compiled a list of a few of our favorite things:

1. You’ll laugh a lot. Gianni Schicchi is hysterical and it’s clear that Plácido Domingo and the whole cast are having a ton of fun playing these characters.

2. If you’re on a low carb diet, stay off the set. There’s spaghetti in both of the one-act shows, and it’s real! Of course we make accommodations for our actors if they have dietary restrictions, but those aren’t rubber prop noodles!

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Making the Case for Gianni Schicchi and Pagliacci: Double Trouble

Alagna as Canio (2005)

Roberto Alagna as Canio in 2005’s Pagliacci

Canio serves as a sort of moral barometer in Pagliacci. Although the tragic clown—smiling on the outside, crying on the inside—is now the stuff of endless parody, we can’t help but sympathize with Canio’s valiant attempts to go on with the show in spite of the devastating realization that Nedda is unfaithful. “Vesti la giubba e la faccia infarina,” laments Canio, “put on the costume and make up your face.” In his naivete, he denied his suspicions about his wife and lashed out at Tonio. We might feel a fleeting sympathy for Tonio were it not for the fact that he is a scheming troublemaker. From his first appearance—“I am the Prologue”—Tonio seems mysterious and intriguing, but he soon proves duplicitous and manipulative. A man who claims to be a literary device cannot be trusted.

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Making the Case for Gianni Schicchi and Pagliacci: Crime and Punishment

Schicchi6p

Gianni Schicchi 2008

Pagliacci is fueled by the crime of passion while Gianni Schicchi is powered by the sin of greed. Pagliacci’s origins were of the most mundane sort, but Gianni Schicchi sprang from a more literary source, one that also had roots in real life. In Canto XXX of The Divine Comedy, Dante and his guide Virgil arrive at the Eighth Circle of Hell, the place of falsifiers and forgers.

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Music Monday: Gianni Schicchi Orchestra

Orchestra Rehearsal“We are starting in the middle of a huge family fight,” conductor Grant Gershon says as he directs the orchestra during a rehearsal for Gianni Schicchi. They are reviewing the overture and the opening scene of the opera, where family members gather at the deathbed of Buoso Donati. There are moments when Gershon perfectly describes how the music changes to reflect the action on the stage. A section they rehearse contains a large crescendo reminiscent of classic Hollywood-era films (very fitting connection for a Woody Allen production) that lightens towards the end. Gershon says this is the moment where the music “switches to decaff.” Orchestra members laugh at this and play the music accordingly, completely understanding the charming analogy.

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Making the Case for Gianni Schicchi and Pagliacci: Heartache and Heroics

2005 PAGLIACCI

Pagliacci (2005)

Just how much can one man take? Imagine having to don a clown costume while the woman you love poses as a virgin even while she’s having an affair with a local villager. Or how about using nothing but your wits to save a family from losing its legacy—only to be cast into hell? Where is the gratitude? The understanding? Given the extenuating circumstances, can’t we all learn a little about forgiveness?

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Schicchi To Pagliacci Changeover

https://youtu.be/1PjdueCs68k

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Five Highlights from LA Opera’s Satyagraha!

On Oct. 20, LA Opera completes Glass’ ‘Portrait Trilogy’ with SatyagrahaSince 2013, the company has staged Einstein on the Beach, Dracula: The Music and Film and, most recently, Akhnaten. In anticipation for opening night, here are five highlights to look forward to from the production!

A scene from the Metropolitan Opera's 2011 production of Satyagraha, directed by Phelim McDermott. (Photo credit: Ken Howard / Metropolitan Opera)

A scene from the Metropolitan Opera’s 2011 production of Satyagraha, directed by Phelim McDermott. (Photo credit: Ken Howard / Metropolitan Opera)

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Love Our Annual Simulcast? Thank LA County.

LA Opera’s Simulcast is one of our newest and most expansive programs, sharing the first opera of the season with thousands of Angelenos — in three diverse geographic locations and all at the same time.

Through the generous commitment of Los Angeles County and the Board of Supervisors, LA Opera will continue its simulcasts on Sept. 22, 2018 with Verdi’s Don Carlo, live at the Dorothy Chandler Pavilion, and live broadcasts at El Cariso Community Regional Park in Sylmar and at the Santa Monica Pier.

Opera at the Park in Exposition Park (2017)

Opera at the Park in Exposition Park (2017)

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Where Will Your Favorite LA Opera Artists Be This Summer?

Ever wonder where your favorite LA Opera artists go when the season is over? Well, they travel the world! From Santa Fe to Salzburg, these singers have a busy summer ahead performing on stages around the globe. Read below to see where some of them are traveling before returning to Los Angeles!

Placido Domingo (left) and James Conlon (third from left) confer at a rehearsal for "Nabucco," joined by assistant conductor Louis Loraseb and Mr. Conlon's musical assistant, Ignazio Terrasi (photo: Ken Howard)

Placido Domingo (left) and James Conlon (third from left) confer at a rehearsal for “Nabucco,” joined by assistant conductor Louis Loraseb and Mr. Conlon’s musical assistant, Ignazio Terrasi (photo: Ken Howard)

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Five Things To Expect At The Plácido Domingo 50th Anniversary Concert

On Nov. 17, LA Opera honors Plácido Domingo 50th Anniversary in Los Angeles with a special concert conducted by Maestro James Conlon. The performance will feature appearances from veterans of both the operatic stage and the big screen, with our very own  LA Opera Orchestra in the pit.

Placido Domingo on the stage of the Dorothy Chandler Pavilion. (Photo: Art Streiber)

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Attention Campers – Arias That Make the Bears Go Away

Shawnet Sweets, our resident opera junkie is at it again.

So Young Park as Olympia in The Tales of Hoffmann (2017); Photo: Ken Howard

In addition to work and all her other adventures, Shawnet is a camper. During a recent critter-interrupted camping trip, Shawnet discovered that some of her favorite arias startled and shooed her uninvited visitors away. Those visitors were bears.

Just in time for the final weekend of summer, she’s shared her “Bear-Scare Aria Playlist” with us.

Forget the traditional banging of pots and pans. If you’re headed to the wilderness to cap off the summer this Labor Day Weekend, be sure to take these tunes along. You’ll enjoy them and it might keep those pesky bears away.
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Living the Suit Life

Head Tailor Laina Babb posing with suits she's made for LA Opera productions

Head Tailor Laina Babb posing with suits she’s made for LA Opera productions

When Laina Babb learned to sew at age six, she never imagined it would lead her to the opera. She’s made her love of sewing into a career, first training and then apprenticing as a tailor. Now, as LA Opera’s Head Tailor, Babb manages a team of up to six tailors (depending on the show). Together they craft all the men’s suits used in the company’s productions. That means she’s had a hand in making pretty much every suit you can imagine – elaborate French Revolution-style suits for The Ghosts of Versailles, 1960s Italian suits for the Woody Allen directed Gianni Schicchi, and even a flashy, taffeta suit worn in Porgy and Bess.

From Learning to Sew To Working at LA Opera

Long before Babb worked at LA Opera, she was just a little girl learning to sew as part of the 4-H program in her hometown of Lockwood, California. In this program, children complete hands-on projects that will serve their communities, as part of a larger goal to empower young people and teach them leadership.

Babb took her sewing skills with her to high school, where she made costumes in the theater department. Working in costumes in high school spawned her desire to turn a love of sewing and costumes into a career in theater.

Babb enrolled at Chapman University to study technical theater. During her four years at Chapman, she took multiple costume classes, but the technical side of costuming – of building them and solving all a director’s staging challenges – kept calling.
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