Search Results for: Placido Domingo
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On Nov. 17, LA Opera honors Plácido Domingo 50th Anniversary in Los Angeles with a special concert conducted by Maestro James Conlon. The performance will feature appearances from veterans of both the operatic stage and the big screen, with our very own LA Opera Orchestra in the pit.
Fifty years ago to the day— on November 17, 1967 — the fast-rising Spanish tenor on tour with the New York City Opera took to the stage of the new Dorothy Chandler Pavilion, to sing the title role in Alberto Ginastera’s Don Rodrigo. By the time the curtain came down, it was clear that Plácido Domingo was destined for stardom. But few could have predicted the profound and lasting impact that the young singer would make on the city’s cultural life.
On November 17 2017, LA Opera will celebrate its General Director with a star studded concert featuring artists from across the musical spectrum.
If you ever dreamt of meeting Plácido Domingo and James Conlon, your wish is our command! LA Opera will host a special signing of our Macbeth DVD with its star and conductor (who are also the star and conductor of … Continue reading
LA Opera is hosting a special concert on April 1 and here are some reasons why this concert is not-to-be-missed.
Domingo, Domingo, Domingo
When Plácido Domingo is your general director, you get the benefits of his artistic vision, his influence and his talent. For this one-night only concert, Maestro Domingo has brought together some of the worlds most acclaimed opera singers – Sondra Radvanovsky, Diana Damrau and Nicolas Testé. He’s also invited back many celebrated alumni of the Domingo-Colburn-Stein Young Artist program, including Joshua Guerrero, So Young Park and Brenton Ryan. They’ll sing together and alongside the very talented artists currently in the distinguished program. And as if singing weren’t enough, when he’s not singing, he’ll conduct the LA Opera Orchestra. (When he is singing, Resident Conductor Grant Gershon will take the reins.)
The world of opera is filled with famous duets – some romantic, some reflective, some heroic. Here’s what we’re excited about: Plácido Domingo and Sondra Radvanovsky singing the recognition scene from Simon Boccanegra and the beloved Merry Widow duet (“Lippen schweigen”); Domingo joining with tenor Joshua Guerrero for the gorgeous Pearl Fishers duet; as well as Diana Damrau and Nicolas Testé performing the seductive “Là ci darem la mano” from Don Giovanni. … Continue reading
Today is Plácido Domingo’s birthday. To celebrate, here are some articles and images that showcase his work at LA Opera over the years.
Get to know Maestro Domingo by reading the articles below and check out images of Maestro Domingo on our Domingo at LA Opera Pinterest Board.
LA Opera ushered in the new millennium with astounding vitality. Now led by Plácido Domingo as artistic director, the young company was poised to build upon the remarkable growth that had marked its first 14 years under the direction of Peter Hemmings. While the 2000/01 season had largely been planned in advance by the now-retired Hemmings, Domingo’s impact was big, bold and immediate.
To open the 2000/01 season, Plácido Domingo conducted the company premiere of Aida, Verdi’s grandest opera, featuring a high-powered cast: soprano Deborah Voigt as Aida, tenor Johan Botha as Radames and bass-baritone Simon Estes as Amonasro, all making their LA Opera debuts. Just days later, Domingo held a press conference to announce his ambitious future plans, which represented nothing less than a radical rethinking of what LA Opera could be. He envisioned fashioning LA Opera into an opera company that would push the artistic boundaries of the medium, bringing it squarely into the popular culture of Los Angeles in the new millennium. His plans included a multi-season collaboration with the dynamic leader of the Kirov Opera, conductor Valery Gergiev; an enormous expansion of the company’s repertoire to emphasize new operas and works not previously presented in Los Angeles; and even a new production of Wagner’s epic Ring cycle, the first ever created in Los Angeles. Domingo’s star power would not only attract the most prominent singers, directors and designers of the time, it would also inspire a new wave of funding, through initiatives such as the Domingo’s Angels, essential to realize his plans. At Domingo’s side was a man who shared his artistic ambition: Kent Nagano, newly announced as LA Opera’s first-ever principal conductor, a position he would take up the following summer.
LA Opera’s partnership with Valery Gergiev had begun on the evening before that remarkable press conference. To expand upon the repertoire planned by Hemmings, Domingo had added a remarkable series of Wagner concerts, showcasing the Kirov Orchestra and its celebrated conductor in their first performances in Los Angeles. It was also the first time for L.A. audiences to experience Domingo singing Wagner, as the concert featured Act One of Die Walküre and Act Three of Parsifal. The soloists included Linda Watson, who would become the company’s Wagnerian soprano of choice for the next decade, and a young soprano on the verge of superstardom, Anna Netrebko.
Plácido Domingo has announced LA Opera’s 2015/16 season, which is dedicated to you, the audience, and our community! This exciting 30th Anniversary Season is filled with audience favorites, with plenty of LA Opera flair thrown in for good measure. The season … Continue reading
LA Opera is hosting an exclusive signing event featuring Plácido Domingo and James Conlon, conductor of Don Carlo, immediately following the October 11 performance.
Forty young singers representing 24 nations competed at this year’s edition of Operalia, the international vocal competition founded by Plácido Domingo and sponsored by Rolex. The winners were announced after the Sept. 1 finals, which took place at the Teatro Nacional de São Carlos in Lisbon.
No singer’s path to stardom is a straight line — some experience twists and turns in life that eventually lead them to the stage. They may even have their sights set on a completely different career, but possess a natural talent that is so potent they’ll have no choice but to pursue for a career in opera. This was exactly the case for tenor Ben Bliss.
Plácido Domingo, LA Opera’s Eli and Edythe Broad General Director, announced today that he has chosen the performers who will join LA Opera’s Domingo-Colburn-Stein Young Artist Program in the 2018/19 season. The artists were chosen from 650 applicants, 200 live auditions and, ultimately, 28 final candidates.
It is sometimes said among theatergoers that a bad final dress makes for a great opening night. If this is true, does less-than-perfect inaugural performance indicate success for the company as a whole?
When LA Opera opened the 1986/87 season with its first performance of Verdi’s Otello on October 7, 1986, nervous excitement and anticipation clung in the air—and apparently on the curtain as well. As the lights dimmed and conductor Lawrence Foster took his place at the podium, the curtain began to rise, only to malfunction and stick at its halfway point. The show went on and the curtain finally rose upward an instant later. Though many in the audience or behind the scenes must have been shocked, this proved to be only a small glitch in the overall evening. LA Opera has certainly clung to a standard of excellence in the 31 years since then. We’ve experienced ups and downs, but what has remained most constant is Plácido Domingo’s invaluable involvement with the company.
Since 1997, Hispanics for LA Opera (HLAO) has hosted the Plácido Domingo Awards. The awards ceremony – which honors distinguished Hispanic opera artists and others who have contributed to the success of HLAO – was held last night at the home of the LA Opera, the Dorothy Chandler Pavilion in the Eva and Marc Stern Grand Hall. In addition to honoring this year’s winners – Rafa Sardina and Joshua Guerrero – the awards also celebrated the 25th Anniversary of HLAO.
To celebrate Plácido Domingo’s upcoming concert with Renée Fleming on March 18, we are throwing it back to 2002, when Domingo sang in “A Night of Zarzuela & Operetta with Plácido Domingo & Friends.” The concert also included singers Julia Migenes, Charles Castronovo, and Virginia Tola, and featured highlights from the Zarzuela and operetta repertory. Zarzuela, in particular, is very dear to Domingo’s heart as his parents were both Zarzuela singers. (Learn more about LA Opera’s Zarzuela Project here.)
Can’t get enough Plácido Domingo? Check out a few articles below before seeing him in concert.
To celebrate Maestro Domingo’s birthday, we dedicated this edition of our #LAO30Images series to him. Check out our #LAO30Images: Domingo at LA Opera Pinterest Board to see all 30 images of Domingo on the LA Opera stage.
Today, Plácido Domingo turns 75. The legendary singer has wowed audiences onstage for more than fifty years, with his emotionally connected acting talent and the remarkable timbre of his voice. He’s been described as “the King of Opera,” “a true renaissance man in music” and “the greatest operatic artist of modern times.” Domingo has also dedicated his life to sharing his passion for opera with the world. He does so greatly through his work as LA Opera’s Eli and Edythe Broad General Director. His love of the art form shows every time he’s in town and walks around the offices, greeting employees, before singing in and/or conducting an opera here. Domingo was also instrumental to the founding of LA Opera in 1986. (Check out my first installment of The Staging of an Opera Company to learn more.)
In September of last year, I was busy writing an article about opera in film, when I heard the news that Plácido Domingo had arrived on-site. I had yet to meet the famous opera legend, who was about to grace the stage in Gianni Schicchi and conduct Pagliacci, opening our current season. Wondering when I would get to speak to the General Director (who has helmed the company since 2001), I began to listen to my favorite Domingo tunes, including his spectacular Turiddu in Pietro Mascagni’s Cavalleria Rusticana. In a moment that can only be described as operatic, Maestro Domingo walked into our office right as his voice sounded through my headphones in a duet from Act I, “Turiddu, ascolta!” That’s when I met Plácido Domingo.
A lot of people at LA Opera – and I’m sure around the world – have similarly wonderful Plácido Domingo stories. He’s just that awesome.
To celebrate Maestro Domingo’s birthday, we have dedicated this edition of our #LAO30Images series to him. Check out our #LAO30Images: Domingo at LA Opera Pinterest Board to see all 30 images of Domingo on the LA Opera stage.
In 1986, LA Opera’s inaugural season opened with Giuseppe Verdi’s Otello, starring Plácido Domingo. Of the opera, director Götz Friedrich said, “The theme [of Otello] is eternal and current: The Soldier, shoved into peacetime, proves to be defenseless and helpless in the face of the attacks of everyday life, the persecutions of injured vanity. In ancient tragedy, the heroes fell because of the gods. With Shakespeare and Verdi, it is the envy of men which destroys the outsider.” This would become one of the company’s iconic productions.
Since its successful premiere in 1887, Otello has catapulted audiences to the Shakespeare of Verdi. This is a world where all the essentials of storytelling meet the heightened emotions of an operatic score. Take, for example, the below duet between Otello (Domingo) and Iago (Sherrill Milnes), “Si, pel ciel.”
Have you heard the news yet? LA Opera has officially announced its 2019/20 season. And boy is it a good one. From world premieres to company favorites — not to mention the 154th role debut for Plácido Domingo — the 34th season has something for everyone. Don’t believe us? Scroll down for some of the most exciting highlights from LA Opera’s 19/20 season!
After a brief pause for the holidays, LA Opera is back for 2019! We have a busy few weeks until we officially return for our 2018/19 season, but there is already plenty to look forward to. From the return of Maestro Plácido Domingo to operas gracing the stage of the Dorothy Chandler Pavilion for the first time, it will be a season to remember.
Take a look at some highlights we have in store for the next few months!
LA Opera experienced many firsts in 2018. From Emmy Award-winning artists making their debuts to stunningly powerful world premieres on our Off Grand stage, we are proud of our accomplishments over the last 12 months.
The LA Opera family thanks you for making our 2018 so successful. As we wind down for the holidays, take a look at some highlights throughout this monumental year.