Monthly Archives: February 2019
We’re all about bookends here at LA Opera. And since we kicked off Black History Month with seven Black opera singers who are currently dominating the game, we thought we’d end in that way as well. The response to the original post was –in short—overwhelming (in a good way of, course.) And rightly so, because the amount of Black talent in opera is awe-inspiring and endless. So here’s another round of Black individuals who are dominating the game because there is no such thing as too much of a good thing.
Are you between the ages of 9-17 years old, and looking to get on stage and have fun this summer? We have a spot for you at Opera Camp just for you! The three-week intensive is back, where you rehearse and perform an opera at the Dorothy Chandler Pavilion. Whether you’ve mastered your first Mozart piece, or you’ve never sung a note, you’ll find your voice here.
Why should you join Opera Camp? We could tell you…But instead we asked the experts. Keep reading to find out what former Opera Campers have to say about why they love Opera Camp.
What happens when you cross a love triangle, a noblewoman hungry for power, and the city of Rome in flames? LA Opera’s first-ever production of The Clemency of Titus, that’s what. Combine that with a stellar cast of fast-rising singers, some of whom who already have long histories with the company, and you have a show that’s well-worth the wait. Take a peek at The Clemency of Titus below with the five most exciting highlights from the show.
Russell Thomas has dazzled LA Opera audiences as Mario Cavaradossi in Tosca and Pollione in Norma. And now the superstar tenor is back to headline The Clemency of Titus. We caught up with Russell just in time for opening night (on March 2) — our own Titus gave us the skinny on this opera and why tenors have a bone to pick with Mozart.
LA Opera may be a young company—but that doesn’t mean we don’t have some legends lurking around the Dorothy Chandler Pavilion halls. where an LA Opera staff member doesn’t just tell them all the best parts of LA Opera’s past, present, and future—they show them, too (you can join at anytime). But this story was too good not to share. So, cast your mind back to a long, long time ago—the year 2001.
Oscars winners, Nobel Prize recipients and Olympic champions…it’s usually the heroes that influence us to write our stories. Not David Lang, composer of “the loser.” He was inspired by the ones who didn’t win.
February is Black History Month and you better believe there is no shortage of Black individuals who have changed opera for the better. Last year, we rounded up six Black opera singers that changed the landscape of the art itself, so this year we’re spotlighting Black singers that are currently killing the opera game. And did we mention that they’ve all sang at LAO before? You can even catch a few of them in our upcoming production of The Clemency of Titus. Take a closer look below.