Monthly Archives: January 2018

Call for Entries – Artists and Designers – You’re Invited!

*DEADLINE EXTENDED* TO MARCH 25 AT 11:59 P.M.

LA Opera is hosting a contest for currently enrolled college students in Southern California!

You are invited to submit artwork for LA Opera’s spring production of Verdi’s Rigoletto! The winning submission will be featured on the cover of the show’s performance program and displayed at the home of LA Opera, the Dorothy Chandler Pavilion.

"Rigoletto" returns to LA Opera in the Mark Lamos staging previously presented in Los Angeles in 2010. (Photo: Robert Millard)

Rigoletto returns to LA Opera in the Mark Lamos staging previously presented in Los Angeles in 2010. (Photo: Robert Millard)

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Highlights From LA Opera’s 2018/19 Season

Last week, LA Opera announced its 2018-19 season! The exciting lineup includes both world and company premieres, as well as works regularly seen on the stage of the Dorothy Chandler Pavilion. Can’t wait until next season? Here are five highlights to look forward to next fall!

Artwork by Keith Rainville (LA Opera)

Artwork by Keith Rainville (LA Opera)

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Helping Children Find Their Voice at Saturday Mornings at the Opera

Saturday Mornings at the Opera are special days. Young audiences walk into a Dorothy Chandler Pavilion that has been transformed into a creative play-land.  The downstairs lobby is full of art, music, and dance workshops. Stern Grand Hall upstairs has been filled with comfy pillows, perfect seats for little opera fans. And today, the children are in for a special treat: singing lessons from an LA Opera artist.

LA Opera artists perform at Saturday Mornings at the Opera (Photo: Taso Papadakis)

LA Opera artists perform at Saturday Mornings at the Opera (Photo: Taso Papadakis)

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Four Questions with ‘Candide’ Director Francesca Zambello

Renowned director Francesca Zambello brings her fanciful production of Candide to Los Angeles for the first time. First seen at the Glimmerglass Festival in 2015, with subsequent performances in Bordeaux and Toulouse, Zambello’s staging has been praised by Opera Today as “likely the best of all possible Candides.” And though the production is new to the company, Zambello is no stranger to Los Angeles: this is her seventh production with LA Opera.

American director Francesca Zambello

American director Francesca Zambello

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Candide: A Note from Music Director James Conlon

“I am thrice homeless, as a native of Bohemia in Austria, as an Austrian among Germans, and as a Jew throughout the world. Everywhere an intruder, never welcomed.”—Gustav Mahler

What does that famous quote have to do with Candide, Voltaire and Leonard Bernstein? This year the world celebrates the Bernstein centenary. For those of us who grew up in New York in the fifties and sixties, he was our inspiration. Looking back at this giant, who seemed to be the embodiment of music—classical, jazz and popular—it is hard to believe that one man could be and do all he was and did: conductor, composer, pianist, lecturer and educator all rolled into one.

Jack Swanson (Candide) in a rehearsal with Music Director James Conlon for LA Opera's 2018 production of "Candide." (Photo: Ken Howard)

Jack Swanson (Candide) in a rehearsal with Music Director James Conlon for LA Opera’s 2018 production of “Candide.” (Photo: Ken Howard)

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Inside the Costume Shop: Candide

One of the aspects that make LA Opera productions so grand is the hardworking staff at our costume shop. Located in between the Fashion District and Boyle Heights in Los Angeles, LA Opera’s Costume Shop not only houses pieces from our current productions, but also contains archived garments from shows throughout our 32-year history.

In anticipation of Candide, here is an exclusive look at what our costumers are working on as we prepare to open on Jan. 27.

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

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This Isn’t a Lesson, It’s Entertainment!: Introducing Young Audiences to Opera

When tenor Nathan Granner and mezzo-soprano Joanna Lynn-Jacobs step on stage for Saturday Mornings at the Opera it will be their first time performing with LA Opera. But it won’t be their first time performing together.  They have spent the last couple of years performing together as classmates at the Herb Alpert School of Music at UCLA. Both are excited to use their skills and training to share their love of opera with young audiences.

Tenor Nathan Granner and mezzo-soprano Joanna Lynn-Jacobs in Who Wants To Be an Opera Singer?

Tenor Nathan Granner and mezzo-soprano Joanna Lynn-Jacobs in Who Wants To Be an Opera Singer?

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Behind the Masterpiece: Everything You Need to Know About Candide

One of the greatest works in Western literature, Voltaire’s 1759 satirical novel Candide, or Optimism follows its eponymous hero on a whirlwind tour throughout much of the known world. Bernstein’s 1956 musicalization of the novel followed almost as many twists and turns on its journey from Broadway to the opera house.

On Jan. 27, we resume our 2017-18 season with Bernstein’s masterpiece. Before you go, here is everything you need to know about Candide.

A still from the original 1956 production of Bernstein's Candide. (From left to right: Max Adrian, Louis Edmonds, Barbara Cook and Robert Rounseville).

A still from the original 1956 production of Bernstein’s Candide. (From left to right: Max Adrian, Louis Edmonds, Barbara Cook and Robert Rounseville).

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Five Highlights from LA Opera’s Candide to Look Forward To

On Jan. 27, LA Opera returns for the second half of its 2017-18 season with Leonard Bernstein’s classic operetta Candide. With the premiere only weeks away, here are five highlights to look forward to in the lavish production.

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

A scene from Candide (2015); Photo: Karli Cadel / Glimmerglass Festival

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