Monthly Archives: October 2017

La Belle et la Bête: Notes from Composer Philip Glass

Interested in going out this Halloween weekend but can’t figure out what to do? Join us at the Theatre at ACE Hotel for Cocteau/Glass’ La Belle et la Bête! Our Saturday and Tuesday shows include after-parties at the venue directly following the performance, including a special Costume Contest on the 31st.

Before you go, check out composer Philip Glass’ program notes on re-scoring the Cocteau classic, his relationship with the piece and more.

Philip Glass composed a new operatic soundtrack for Jean Cocteau’s 1946 film La Belle et la Bête.

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Cover Story: Lauren Michelle Recalls Her Tough Road to Success

Soprano Lauren Michelle did not have an easy road to success. In fact, for many years she struggled to even be heard. But out of all the things this California native has proven, it’s that she’s a hard worker. And her perseverance has finally paid off. She’s not only sung on domestic stages in St. Louis and Washington, D.C., but has traveled all over the world from Italy to Austria to Wales singing for the some of the top names in the business.

Her triumphs have now led her to LA Opera, where she is currently covering Leïla in Bizet’s The Pearl Fishers. For the inaugural post for our Cover Story series, which features profiles on the principal covers (or understudies) for our mainstage productions, Michelle had a chance to sit down with the company to discuss the long, winding road that has landed her back on her home turf, and how Maestro Plácido Domingo proved to be her biggest advocate.

Soprano Lauren Michelle

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Paul and Marybelle Musco Matching Gift Challenge

Paul and Marybelle Musco; Photo: Steve Cohn

Paul and Marybelle Musco; Photo: Steve Cohn

Continuing their family tradition of encouraging support for LA Opera during the holidays, Paul and Marybelle Musco have announced a matching gift challenge.  Any donation received by December 31 will be matched $2 for every $1 donated up to $500,000.

For Paul and Marybelle Musco, supporting opera is an integral part of their lives. As a boy growing up in Rhode Island, Paul’s Italian immigrant parents were opera lovers and insisted that their children gather around the radio for the Metropolitan Opera broadcasts. “I guess it was osmosis, because I came to love opera and it has stayed with me personally ever since,” he recalls.

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Meet Plácido Domingo and James Conlon — Macbeth DVD Signing

Share If you ever dreamt of meeting Plácido Domingo and James Conlon, your wish is our command! LA Opera will host a special signing of our Macbeth DVD with its star and conductor (who are also the star and conductor … Continue reading

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Nabucco: A Note from Music Director James Conlon

Nabucco is the first manifestation of Giuseppe Verdi’s genius. It was his third opera, and its immense success established him at 28 years of age as a powerful force in Italian theater and music. He was never, even posthumously, to lose that status. Even with rocky moments and the inevitable ups and downs of an artistic life, he was to become and remain Italy’s preeminent composer of the 19th century and arguably of its entire history. Though thoroughly Italian (sometimes obstinately so in the face of the foreign influences from the north of Europe), his music transcended its native land and its composer’s humble origins to install itself throughout the world.

LOS ANGELES, CA. Sep. 6, 2016. LA Opera’s production of ‘Macbeth’ at Dorothy Chandler Pavilion. (Photo Credit: Lawrence K. Ho)

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Cast to Class Program Brings Javier Camarena to LA County School

When your teacher tells you that an internationally-renowned opera singer is coming for a visit, you many not even know who they are or even imagine what they could possibly have in common with you. For students whose schools are part of LA Opera’s Cast to Class program, that preconceived notion is quickly erased when someone like Javier Camarena steps through the door.

Tenor Javier Camarena visits a group of students at the Los Angeles Center for Enriched Studies

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Movement Director Andrew Dawson Explains ‘Pearl Fishers’ Opening Sequence

Perhaps the most arresting moment in our latest production of Bizet’s The Pearl Fishers is the opening sequence. Upon Maestro Domingo’s downbeat, three aerialists appear one by one from above, appearing to audiences as if they’re swimming through water.

In a production that’s been called a “treat for the eyes and the ears” (LA Daily News), the opening sequence has garnered buzz regarding whether the sequence was a projection or used real people to create the illusion. The “swimmers” are very much real, thanks to the wonderful choreography from movement director Andrew Dawson.

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Seven Opera-Themed Halloween Costumes for 2017

This Halloween, don’t settle for a costume that’s stale or subpar. Using LA Opera as your inspiration, find the perfect get-up that’ll both wow the crowd and allow you to stand out!

La Belle et La Bete

La Belle et La Bête

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5 Reasons to See The Pearl Fishers

On October 7, Angelenos experienced a rare treat. We opened George Bizet’s The Pearl Fishers – lesser known than his famous Carmen, but no less stunning for both opera aficionados and newbies. Critics have already been raving about the production, calling it “stunning” (LA Times), “enthralling” (Broadway World) and “eye-dazzling” (LA Daily News).

A scene from Penny Woolcock's production of The Pearl Fishers at the Metropolitan Opera (2015); Photo: Ken Howard

A scene from Penny Woolcock’s production of The Pearl Fishers at the Metropolitan Opera (2015); Photo: Ken Howard

If the critics’ response isn’t enough, here’s a list of more reasons why The Pearl Fishers is a must-see this fall:

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Notes on the ‘Nabucco’ Scenic Design from Director Thaddeus Strassberger

A formative part of my training as an opera director and designer was spent at the Accademia Teatro alla Scala. This “temple of opera”—as both a building and a company of artists—has existed largely unchanged since 1776 and has produced hundreds of world premieres, including many of Verdi’s operas.

Scenic artist Paolino Libralato works on the Nabucco set (Photo: Thaddeus Strassberger)

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Nino Machaidze Discusses Her Role in ‘Pearl Fishers’

Soprano Nino Machaidze is no stranger to LA Opera. With six productions already under her belt, she considers the stage of the Dorothy Chandler Pavilion as her “second home.” This Saturday, Machaidze returns to LA Opera to sing Leïla in Bizet’s seldom-performed The Pearl Fishers (Les pêcheurs de perles) under the baton of Maestro Plácido Domingo, alongside tenor Javier Camarena and baritone Alfredo Daza.

Nino Machaidze as Leila in LA Opera’s 2017 production of “The Pearl Fishers” (photo: Ken Howard)

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Domingo Is Still Number One in 30 Years

It is sometimes said among theatergoers that a bad final dress makes for a great opening night. If this is true, does less-than-perfect inaugural performance indicate success for the company as a whole?

When LA Opera opened the 1986/87 season with its first performance of Verdi’s Otello on October 7, 1986, nervous excitement and anticipation clung in the air—and apparently on the curtain as well. As the lights dimmed and conductor Lawrence Foster took his place at the podium, the curtain began to rise, only to malfunction and stick at its halfway point. The show went on and the curtain finally rose upward an instant later. Though many in the audience or behind the scenes must have been shocked, this proved to be only a small glitch in the overall evening. LA Opera has certainly clung to a standard of excellence in the 31 years since then. We’ve experienced ups and downs, but what has remained most constant is Plácido Domingo’s invaluable involvement with the company.

September 1, 2002; Los Angeles, California: USA
Los Angeles Opera
‘The Girl of the Golden West’ Dress Rehearsal
Copyright 2002 Robert Millard/LA Opera
www.MillardPhotos.com

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Singers, Students and Science: The Hubble Cantata Hits LA

LA Opera has several education and community programs offering teachers and students, offering them a taste of the many careers students can pursue in the future. Opera Prep is one of those programs. It offers teachers the opportunity to bring their students to the opera, as well as introduce them to some of the most talented professionals in the arts world. … Continue reading

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Nabucco and Verdi’s Creative Identity

A scene from Washington National Opera's Nabucco (2012); Photo: Scott Suchman

A scene from Washington National Opera’s Nabucco (2012); Photo: Scott Suchman

Giuseppe Verdi regarded Nabucco, his third work to reach the stage, as the catalyst that set the rest of his career in motion.

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