Monthly Archives: October 2017
Interested in going out this Halloween weekend but can’t figure out what to do? Join us at the Theatre at ACE Hotel for Cocteau/Glass’ La Belle et la Bête! Our Saturday and Tuesday shows include after-parties at the venue directly following the performance, including a special Costume Contest on the 31st.
Before you go, check out composer Philip Glass’ program notes on re-scoring the Cocteau classic, his relationship with the piece and more.
Soprano Lauren Michelle did not have an easy road to success. In fact, for many years she struggled to even be heard. But out of all the things this California native has proven, it’s that she’s a hard worker. And her perseverance has finally paid off. She’s not only sung on domestic stages in St. Louis and Washington, D.C., but has traveled all over the world — from Italy to Austria to Wales — singing for the some of the top names in the business.
Her triumphs have now led her to LA Opera, where she is currently covering Leïla in Bizet’s The Pearl Fishers. For the inaugural post for our Cover Story series, which features profiles on the principal covers (or understudies) for our mainstage productions, Michelle had a chance to sit down with the company to discuss the long, winding road that has landed her back on her home turf, and how Maestro Plácido Domingo proved to be her biggest advocate.
Continuing their family tradition of encouraging support for LA Opera during the holidays, Paul and Marybelle Musco have announced a matching gift challenge. Any donation received by December 31 will be matched $2 for every $1 donated up to $500,000.
For Paul and Marybelle Musco, supporting opera is an integral part of their lives. As a boy growing up in Rhode Island, Paul’s Italian immigrant parents were opera lovers and insisted that their children gather around the radio for the Metropolitan Opera broadcasts. “I guess it was osmosis, because I came to love opera and it has stayed with me personally ever since,” he recalls.
Share If you ever dreamt of meeting Plácido Domingo and James Conlon, your wish is our command! LA Opera will host a special signing of our Macbeth DVD with its star and conductor (who are also the star and conductor … Continue reading
Nabucco is the first manifestation of Giuseppe Verdi’s genius. It was his third opera, and its immense success established him at 28 years of age as a powerful force in Italian theater and music. He was never, even posthumously, to lose that status. Even with rocky moments and the inevitable ups and downs of an artistic life, he was to become and remain Italy’s preeminent composer of the 19th century and arguably of its entire history. Though thoroughly Italian (sometimes obstinately so in the face of the foreign influences from the north of Europe), his music transcended its native land and its composer’s humble origins to install itself throughout the world.
When your teacher tells you that an internationally-renowned opera singer is coming for a visit, you many not even know who they are or even imagine what they could possibly have in common with you. For students whose schools are part of LA Opera’s Cast to Class program, that preconceived notion is quickly erased when someone like Javier Camarena steps through the door.
This Halloween, don’t settle for a costume that’s stale or subpar. Using LA Opera as your inspiration, find the perfect get-up that’ll both wow the crowd and allow you to stand out!
On October 7, Angelenos experienced a rare treat. We opened George Bizet’s The Pearl Fishers – lesser known than his famous Carmen, but no less stunning for both opera aficionados and newbies. Critics have already been raving about the production, calling it “stunning” (LA Times), “enthralling” (Broadway World) and “eye-dazzling” (LA Daily News).
If the critics’ response isn’t enough, here’s a list of more reasons why The Pearl Fishers is a must-see this fall:
A formative part of my training as an opera director and designer was spent at the Accademia Teatro alla Scala. This “temple of opera”—as both a building and a company of artists—has existed largely unchanged since 1776 and has produced hundreds of world premieres, including many of Verdi’s operas.
Soprano Nino Machaidze is no stranger to LA Opera. With six productions already under her belt, she considers the stage of the Dorothy Chandler Pavilion as her “second home.” This Saturday, Machaidze returns to LA Opera to sing Leïla in Bizet’s seldom-performed The Pearl Fishers (Les pêcheurs de perles) under the baton of Maestro Plácido Domingo, alongside tenor Javier Camarena and baritone Alfredo Daza.
It is sometimes said among theatergoers that a bad final dress makes for a great opening night. If this is true, does less-than-perfect inaugural performance indicate success for the company as a whole?
When LA Opera opened the 1986/87 season with its first performance of Verdi’s Otello on October 7, 1986, nervous excitement and anticipation clung in the air—and apparently on the curtain as well. As the lights dimmed and conductor Lawrence Foster took his place at the podium, the curtain began to rise, only to malfunction and stick at its halfway point. The show went on and the curtain finally rose upward an instant later. Though many in the audience or behind the scenes must have been shocked, this proved to be only a small glitch in the overall evening. LA Opera has certainly clung to a standard of excellence in the 31 years since then. We’ve experienced ups and downs, but what has remained most constant is Plácido Domingo’s invaluable involvement with the company.
LA Opera has several education and community programs offering teachers and students, offering them a taste of the many careers students can pursue in the future. Opera Prep is one of those programs. It offers teachers the opportunity to bring their students to the opera, as well as introduce them to some of the most talented professionals in the arts world. … Continue reading