Monthly Archives: September 2017

The “Chill” Diva: Ana Maria Martinez Leads Master Class At USC

Martinez, currently starring in Carmen, worked with four singers from University of Southern California’s Thornton School of Music on Friday afternoon.

An operatic diva is constantly on the go. From rehearsals to coachings to performances, it  can be difficult to balance a professional life with the personal.  Though it is certainly a skill one can stabilize, it’s important not to burn out or to wear all hats at the same time. That’s the message soprano Ana Maria Martinez conveyed to a group of university students on Friday afternoon.

Ana Maria Martinez works with soprano Bianca Orsi and pianist Sky Haneul Lee

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Penny Woolcock on Directing Opera

Penny Woolcock directing a scene from The Pearl Fishers at LA Opera

Penny Woolcock directing a scene from The Pearl Fishers at LA Opera

Over the past 17 years, British filmmaker Penny Woolcock has made a name for herself in the opera world. After directing a film adaptation of John Adams’s The Death of Klinghoffer (which won the Jury Prize at the Brussels European Film Festival and the Prix Italia), Woolcock staged John Adams’ Doctor Atomic at the Metropolitan Opera and the English National Opera. She followed Doctor Atomic with a production of The Pearl Fishers at the English National Opera (ENO) in 2010, which ENO revived last year and which also had a successful run at the Metropolitan Opera. Now, Woolcock has brought The Pearl Fishers to Los Angeles. Before a rehearsal, we sat down with Woolcock to discuss her entry into the opera world and how she brings The Pearl Fishers to life.

You’ve had a successful career in film and television especially with the Tina trilogy, Tina Goes Shopping, Tina Takes a Break and One Mile Away. What drew you to opera?

I love music. When I was a teenager, I lived in Buenos Aires and I used to go the Teatro Colón with a friend. We were so high up, you couldn’t see the stage unless you held the other person’s legs while leaning over the balcony. [laughter] It’s been something I’ve always had a feeling for but I never imagined I would get a chance to direct it.

I’d also really loved John Adams’s music. I remember going into a record shop in Newcastle in 1988 and they were playing Nixon in China. I asked the guy in the store and asked, “What is this? I must have it!” Then, in the late ‘90s, I went to a concert performance of the The Death of Klinghoffer choruses. I was really moved by the way the first two heartbreaking choruses express the claims of two traumatized, dispossessed people over the same piece of land. It brought me to tears and the friend I was with saw that and said, ‘You should make a film of it,’ and I thought, ‘Yes, I should.’ I emailed the head of Channel 4 Music and to my surprise my phone rang immediately and she said, ‘What a fantastic idea!’ I was sort of known for making films about tough inner-city communities, not opera, but she thought that I might invent something different than just filming a staged performance. Then, obviously, I had to see if John Adams would approve. Again, it was one of those right place, right time moments, because he said that he’d always wanted someone to make a movie of one of his operas.

So, I made The Death of Klinghoffer.

We filmed John conducting the London Symphony Orchestra and we recorded the singers in isolation booths at Abbey Road Studios (where The Beatles famously recorded).

Once we had that, we hired a cruise line and sailed across the Mediterranean. We shot the film on location. John’s assistant conductor came with us and was running around behind the camera, conducting the singers as we shot them with a handheld camera. It was quite a magical experience and funnily enough we ended up using over 80% of the live sound in the final mix.
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One Day. One Opera. Across the County.

Share   Opera under the stars Yes, it’s fall, but only in Los Angeles can you take advantage of the Southern California weather, grab a blanket and a picnic and experience opera under the stars. This Saturday, you can do just … Continue reading

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Susan Graham – A Dream Mentor Arrives at LA Opera

Susan Graham (center) with LA Opera's Domingo-Colburn-Stein Young Artists (from left: Taylor Raven, Joshua Wheeker, Juan Carlos Heredia, Carlos Enrique Santelli, Theo Hoffmann, Milena Gligic, Aurelia Andrews, Brian Michael Moore, Liv Redpath, Elizabeth Zharoff, and Michelle Siemens)

Susan Graham (center) with LA Opera’s Domingo-Colburn-Stein Young Artists (from left: Taylor Raven, Joshua Wheeker, Juan Carlos Heredia, Carlos Enrique Santelli, Theo Hoffman, Milena Gligic, Aurelia Andrews, Brian Michael Moore, Liv Redpath, Elizabeth Zharoff, and Michelle Siemens)

Grammy Award-winner Susan Graham is a legend.

For decades, the mezzo-soprano has been one of opera’s greatest stars. She’s shared her voice with audiences worldwide and mastered an astonishing range of repertoire from classics like the title character in Monteverdi’s The Coronation of Poppea (unforgettable at LA Opera in 2006) to Sister Helen Prejean in Jake Heggie’s Dead Man Walking (a role written for her). This season, she adds another great role to her expanding resume: Artistic Advisor to LA Opera’s Domingo-Colburn-Stein young artists.
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Pittance Is Back!

Members of Pittance Chamber Music

Members of Pittance Chamber Music

This Saturday afternoon, Pittance Chamber Music returns!

Pittance is comprised of LA Opera Orchestra Principals and for this concert, in particular, Steven Becknell and Stuart Clark are performing chamber works featuring their instruments.

The concert will also feature Domingo-Colburn-Stein Young Artists Elizabeth Zharoff and Milena Gligic.
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Amanda Woodbury Returns To LA Opera

Amanda Woodbury

Amanda Woodbury

Since “graduating” from our Domingo-Colburn-Stein Young Artist Program in 2014, soprano Amanda Woodbury has become one of opera’s rising stars. She’s sung Musetta in La bohème here at LA Opera, Konstanze in The Abduction from the Seraglio at Dayton Opera and Des Moines Metro Opera, and multiple roles at the Metropolitan Opera, including a star turn as Juliette in Roméo et Juliette and Leïla in The Pearl Fishers. Now, Woodbury returns to sing Micaëla in Carmen, the role with which she made her professional here in 2013.

Before our last orchestra tech, we caught up with Woodbury to discuss how she fell into opera and how her performance of Micaëla has evolved.
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Sir Peter Hall – An Incredible Talent

Share The peerless stage director Sir Peter Hall (November 22, 1930 – September 11, 2017) was the founder of the Royal Shakespeare Company, a former director of the National Theatre in London, and had a thriving career in the world’s … Continue reading

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Falling in Love with Opera Helped Change Ting Perlis’s Life

Ting (left) and Deborah (right) Perlis at a performance of The Abduction from the Seraglio (2017)

Ting (left) and Deborah (right) Perlis at a performance of The Abduction from the Seraglio (2017)

A few months ago, we received an extraordinary letter from Deborah Perlis.

Perlis’s daughter, Ting, took part in two of our education and community engagement programs, and Deborah was eager to share with us just how much Ting’s opera experience helped change her life.

When Ting was diagnosed with autism at the age of 10, she and her mother Deborah didn’t know what do. For the next few years, all they heard from professionals was a laundry list of things that Ting would never do or have. Ting struggled in school, had low self-esteem and rarely spoke of her future, except to ask what would become of her.

Despite all the challenges Ting faces every day, she has always had a love of singing.

On a whim, Deborah reached out to our Education and Community Engagement team to discuss some options for Ting. With their help, Ting began her journey at LA Opera.
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In the Pit: Olivia Tsui

Olivia Tsui; Photo: Gary Eisenberg

Olivia Tsui; Photo: Gary Eisenberg

A proud member of the first violin section in Los Angeles Opera Orchestra for a quarter century, Olivia Tsui has been successfully pursuing her career ever since completing her violin studies at the Central Conservatory of Music in Beijing.

Her westward journey began in 1986, when Olivia arrived in the U.S. to continue her studies at the Cleveland Institute of Music, followed by USC where she studied under Alice Schönfeld. Quickly becoming active in the Los Angeles music scene, she joined the LA Opera (LAO) Orchestra in 1992, followed by appearances with other local orchestras and chamber groups.
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Carmen is in its final week of rehearsal

Share On September 9, we open the 17/18 season with Carmen. If you’ve been following along on Snapchat and Instagram Stories, you’ve seen some of our behind-the-scenes fun: rehearsals, set building, and even flamenco dancing. As we wrap up rehearsals … Continue reading

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