Monthly Archives: March 2017
Brian Michael Moore has lived a fuller life in 24 years than most people do in a lifetime — in barely a quarter of a century, the young tenor has beaten cancer twice, lived in multiple states and has shared the stage with some of the world’s most esteemed musicians. Currently in his first season as a Domingo-Colburn-Stein Young Artist, Moore has already been seen in the company’s productions of Wonderful Town and Salome. This month and next, he’s playing Nathanaël in Offenbach’s The Tales of Hoffmann and sharing the stage with opera superstars Vittorio Grigolo and Diana Damrau.
Prior to his time in Los Angeles, the Cincinnati native attributes his musical beginnings to his parents, who enrolled him in piano lessons as a small child. Though neither of them “were that musical,” as Moore states, classical music was a big part of his childhood development. While balancing school and sports, his first taste of the limelight came in the seventh grade, after he was cast in the ensemble of his school’s production of Oliver! — however, the opportunity was over for him before it even began.
“I was never told when rehearsals would start or where they were, so I just never showed up,” Moore laughs. “And then they performed it and I thought ‘Well, I guess I could have been in that.’”
Though his stage career began rocky, Moore eventually became serious about pursuing singing professionally. He participated in his school’s musical the following year, singing in the Barbershop Quartet in “The Music Man.” And after taking the advice from his middle school musical director, he began taking formal voice lessons the summer before he entered high school, where he was first exposed to classical singing.
Carmen. Manon. Pagliacci. Name almost any opera and George Sterne has probably performed in it. The current production of The Tales of Hoffmann marks the LA Opera Chorus member’s 150th production with the company – a milestone that no other chorister has yet to achieve. … Continue reading
LA Opera is a non-profit organization dedicated to the greater good. We rely on generous contributions to produce the world-class opera you see on the stage, around the county and through our many education and community engagement programs. By becoming a member of the Friends of LA Opera with a tax-deductible contribution, you’re helping us share opera with the Los Angeles community – and receiving several benefits along the way, such as the ones listed below.
The Dorothy Chandler Pavilion is not the only place in Los Angeles where you can experience an LA Opera production. You can see our productions at REDCAT, inside the Cathedral of Our Lady of the Angels, and even at Santa Monica Pier. LA Opera has many programs and initiatives that bring opera to various locations in the county and make sure everyone has access to opera.
In partnership with the County of Los Angeles Public Library and with generous support provided by former Los Angeles County Supervisor Don Knabe (4th district) and Supervisor Hilda Solis (1st district), LA Opera brings professional opera singers to libraries around Los Angeles to perform musical moments from the most celebrated operas for families. Next month’s Puccini Opera Tales has the singers recounting tales from The Girl of the Golden West, Gianni Schicchi, and Turandot, as told by Giacomo Puccini himself.
Brian Kellow wasn’t always an opera lover. One fateful performance of The Tales of Hoffmann changed his mind. He shares his story below.
A favorite topic among opera lovers is the Great Conversion Moment—the performance at which the key mysteriously turned, and opera became something more than an outpouring of beautiful melody and instead became something we began to understand on a gut level, something we began to crave.
LA Opera is hosting a special concert on April 1 and here are some reasons why this concert is not-to-be-missed.
Domingo, Domingo, Domingo
When Plácido Domingo is your general director, you get the benefits of his artistic vision, his influence and his talent. For this one-night only concert, Maestro Domingo has brought together some of the worlds most acclaimed opera singers – Sondra Radvanovsky, Diana Damrau and Nicolas Testé. He’s also invited back many celebrated alumni of the Domingo-Colburn-Stein Young Artist program, including Joshua Guerrero, So Young Park and Brenton Ryan. They’ll sing together and alongside the very talented artists currently in the distinguished program. And as if singing weren’t enough, when he’s not singing, he’ll conduct the LA Opera Orchestra. (When he is singing, Resident Conductor Grant Gershon will take the reins.)
The world of opera is filled with famous duets – some romantic, some reflective, some heroic. Here’s what we’re excited about: Plácido Domingo and Sondra Radvanovsky singing the recognition scene from Simon Boccanegra and the beloved Merry Widow duet (“Lippen schweigen”); Domingo joining with tenor Joshua Guerrero for the gorgeous Pearl Fishers duet; as well as Diana Damrau and Nicolas Testé performing the seductive “Là ci darem la mano” from Don Giovanni. … Continue reading
Every company has an oracle. He/she is the person who has been at the company a while, knows just about everything and is willing to share it with you. They know a lot yet don’t make you feel bad that you might not; and, they have a way of educating while entertaining and guiding you to be as passionate about something as they are.
At LA Opera – that’s Mark Lyons. Mark is the Associate Director of Communications and Publications. Mark has been with LA Opera since 2003 and when we say he knows just about everything there is to know about opera, it’s because he’s been in it and around it his entire adult life.
Together again – LA Opera Music Director, James Conlon and Patricia Racette (Salome) will host a special CD signing.
When: Thursday, March 16, 2017 – immediately following the performance
Where: Dorothy Chandler Pavilion – Grand Avenue Lobby
When James Conlon became LA Opera’s Richard Seaver Music Director in 2006, one of the first initiatives he brought to the company was the Cathedral Project. A partnership between LA Opera and the Cathedral of Our Lady of the Angels, the Cathedral Project brings community singers and musicians together with LA Opera artists to present an opera to the public. For over a decade, it has been a key feature of the company’s community engagement and an opera that performers, teaching artists, and audience members look forward to each year. Conlon, who conducts these performances every year, is “thrilled that Los Angeles families have responded to community productions with so much enthusiasm and appreciation.” … Continue reading
E.T.A. Hoffmann (1776-1822), who in homage to Mozart changed his third name to that of Amadeus, was a writer, music critic, painter, graphic artist and lawyer—a man of many talents who lacked the most important gift of all: how to find happiness.
When Hoffmann was two years old, his father abandoned his mother, who returned to live with her parents. He was surrounded by a depressed mother who was always sick, an unmarried aunt and a retired uncle—this was hardly an ideal environment for a happy childhood. A restless boy, he grew up rebellious and nonconformist. To escape this oppressive reality, Hoffmann developed an enormous fantasy life, from which he fashioned his own surreal world. He became an extraordinary exponent of supernatural, bizarre and almost diabolical tales.
Though very successful as a writer, he never overcame the frustration of not being the musician he had dreamed of becoming. Nor was he ever successful in finding the stability he searched so much for in his private life. A very unstable man, he always fell in love with the wrong woman at the wrong time, knocking on the forbidden doors of madness, alcohol or artificial paradises.
If E.T.A. Hoffmann were alive today, he’d be on The Bachelor. He’d be meeting the wrong women, falling for them, and ultimately having his heart broken. EVERY TIME.
While it sounds like he’s a brooding artist with a dark soul – he’s really just a drunk guy at a tavern tripping out on his lost loves.
Over the course of his short life, Hoffmann falls for three women…and each failed love story he shares transports you to a world of whimsy, deception or magic spells.
(Check out The Tales of Hoffmann movie below to get a taste of the magic the opera inspires.)
Rather than three sheets to the wind – Hoffmann tells three tales.
The tradition of opening one’s home up to visitors, welcoming them in to explore and discover and become a part of the intimate environment, has been an evolving part of community living for centuries. Open house history dates back at least as far as biblical times and exists in many cultural and religious customs. From weddings to wakes, royalty to presidents, realtors to school teachers, these communal celebrations are an opportunity to welcome guests into your space and share something—knowledge, experience, camaraderie.
In honor of this grandest and oldest of traditions, LA Opera is opening its home and welcoming all to join us in a day of fun and function. On Sunday, March 26, we are offering free activities for all ages and all levels of opera awareness. Come visit the Dorothy Chandler Pavilion between 10 am and 6 pm for interactive experiences, creative workshops, professional performances, behind the scenes tours and unique presentations. Discover the glamorous décor and rich history of this house. You’re invited to come meet the opera and get to know the great people who inhabit this space.
James Conlon’s remarkable work with the LA Opera Orchestra has elevated LA Opera’s artistry to a new level of excellence. He has also brought lost works to life through the Recovered Voices project and, working closely with Plácido Domingo, has contributed enormously to developing a love for opera in our city.
From convening, citywide festivals to packing the Eva and Marc Stern Grand Hall during his pre-performance talks, Mr. Conlon has become one of the most visible advocates for classical music in Los Angeles.
This season, Maestro Conlon celebrates his tenth anniversary as LA Opera’s Richard Seaver Music Director, and he recently extended his contract to the 2020/2021 season.
LA Opera invites you to celebrate Maestro Conlon’s achievements by supporting the James Conlon Tenth Anniversary Initiative, which will provide critical funds to support new programing and further enhance our acclaimed orchestra.
Additionally, we’ve curated some articles, videos, and a podcast below to help you get to know Maestro Conlon and illustrate why he has become a beloved figure in the cultural life of Los Angeles.
Salome is one of the most challenging operas to play. Musicians are tasked with a score that pushes the limits of what’s considered playable for an orchestra. LA Opera Orchestra Principal Bassoonist William May had a further challenge. In less than a year, May learned a rare instrument to play in Salome – the heckelphone.