Tag Archives: William Friedkin

#LAO30Images: Film Meets Opera

Woody Allen directing the 2008 cast of <em>Gianni Schicchi</em>

Woody Allen directing the 2008 cast of Gianni Schicchi

Like the Force, our opera and film connection is strong. In celebration of tonight’s 88th Academy Awards, we are dedicating our #LAO30Images to showcasing the amazing productions that tie opera and film together. This includes everything from filmmakers, who have directed operas here, to our recent silent film inspired production of The Magic Flute. Los Angeles is a cinematic city and LA Opera – being LA’s resident opera company – has always tapped into the special relationship between the two great art forms: film and opera. Below are a few of our film/opera collaborative productions.

Woody Allen and William Friedkin Take On Il Trittico (2008)

The 2008 season opened with Puccini’s Il Trittico, composed of three operas, Gianni Schicchi, Suor Angelica, and Il Tabarro. Oscar-winning film titan, Woody Allen (Midnight in Paris, Match Point, Annie Hall) made his opera directing debut with Gianni Schicchi (which recently returned to open our current season) and William Friedkin (The Exorcist) masterfully tackled Il Tabarro and Suor Angelica.

Herbert Ross Stages La Boheme (1993)

“Having worked in many art forms, I find opera is the most challenging of all, because it is a fusion of all the arts.” – Herbert Ross

Herbert Ross (Footloose, Steel Magnolias) directed a production of La Boheme in 1993 that significantly explores the deeper motivations behind Mimi, Musetta and Rodolfo’s actions. The story follows a series of bohemians in Paris (Ross updates the era to 1890s Paris) and centers on the love between Rodolfo and the dying Mimi. In Ross’ vision, Mimi and Musetta have more dimensions than are usually allowed – Musetta is characterized as a woman who demands independence, rather than a shrew, while Mimi is given greater agency and played as if she is not “innocent of experience.” Ross’ iconic 1993 production of Puccini’s La Boheme has been a crowd favorite for over 20 years and returns this June with the final two performances conducted by Gustavo Dudamel (who recently worked on Star Wars: The Force Awakens and conducted a Super Bowl 50 Half-Time performance).

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Three Operas, Two Film Directors, One Iconic Opening Night

“As long as people feel emotion, fall in and out of love, experience joy and pain, this music will live on because no other composer combines truth and beauty or makes you laugh and cry, like Puccini.” – William Friedkin

Suor Angelica (2008); Photo: Robert Millard

Suor Angelica (2008); Photo: Robert Millard

From its inception, LA Opera has cultivated a strong bond with film. This is a partnership that continues to prove successful. Herbert Ross, Peter Sellars, Gary Marshall, Maximilian Schell, Franco Zeffirelli, and even Julie Taymor have produced productions for the company. (Ross’ iconic 1993 production of Puccini’s La Boheme has been a crowd favorite for over 20 years and returns this June with the final two performances conducted by Gustavo Dudamel.) Yet, the 2008 season opener, a presentation of Puccini’s three one-act Operas, Il Tritico was a truly cinematic experience. Oscar-winning film titan, Woody Allen (Midnight in Paris, Match Point, Annie Hall) made his opera directing debut with Gianni Schicchi (which recently returned to open our current season) and William Friedkin (The Exorcist) masterfully tackled Il Tabarro and Suor Angelica.

<em>Il Tabarro</em> (2008); Photo: Robert Millard

Il Tabarro (2008); Photo: Robert Millard

Il Tabarro follows the love triangle of Giorgetta, her much older husband, Michele, and her lover, Luigi, while Suor Angelia is the story of Sister Angelia, a nun, longing for word of her illegitimate son. Gianni Schicchi is the story of a family’s squabble over the inheritance of their dead patriarch.

Can’t get enough of Puccini or Gianni Schicchi? We’ve collected a few articles below for you to check out.

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