Tag Archives: Voices
For more than 20 years, members of the prestigious Los Angeles Children’s Chorus (LACC) have starred in productions at LA Opera. From playing precocious characters in the world premiere of Tobias Picker’s Fantastic Mr. Fox (1998) to singing alongside the pros in Benjamin Britten’s Billy Budd, LACC children have shared their enthusiasm and vocal gifts with artists, staff and audiences. The latest collaboration between LA Opera and LACC is Puccini’s La Bohème.
In this opera, 14 singers make up the children’s chorus. Some of these children have been in other productions and others are new to the world of opera. What they all share is an excitement about singing and opera that is infectious and wonderful to see.
Today, the kids are gathered in the lobby, chatting excitedly, because they will soon be on stage rehearsing with the pros. When asked what their favorite parts of rehearsals and being in the opera are, several hands shoot up. “I love hearing the power of their voices and knowing that all these people are watching us,” says Soren Ryssdal (12). His fellow choir members nod their heads in agreement. Of staging, Sydney Brakeley (10) says, “I like being able to know where I am going just by hearing the music.” With a big grin on her face, Anika Erickson (13) age adds, “We also have fake siblings.” All the kids laugh.
Norma is the go-to opera to hear what the masterful, operatic voice can do. Yet, there’s so much more to this show than the voices. There’s an interesting directorial vision thanks to Anne Bogart, a classic take on the bel canto movement, and cast members that truly define what it means to be a great opera singer. In case you’ve missed the Norma love these past few weeks, we’ve collected a bunch of articles and videos for you to check out and see why Norma is so captivating.
Get To Know Norma
Norma is more than just a love story. It’s also an opera about the cross between the political and the personal , all showcased in the title character’s struggles.
Norma is arguably Vincenzo Bellini’s masterpiece. It’s a vocal fireworks of an opera, where singers utilize every tactic in their vocal range to express the deepest of emotions: love. Director Anne Bogart and designer Neil Patel understand this implicitly. Their Norma is a version that removes the frippery, “the spectacle of the mis en scene” and in turn fuels the vocal energy at the core of Bellini’s storytelling.
Vincenzo Bellini’s Norma is arguably the ultimate girl power opera, with a fiery and dramatic plot that’s sure to be a crowd pleaser. To help everyone get in an empowering mood, we’ve put together a list of our top 10 girl-power anthems for you to listen to until the opening night of Norma this Saturday. Here’s a list of 10 stellar girl power songs.
As I write this, Angela Meade, Jamie Barton, and Russell Thomas are on-stage rehearsing a scene from our upcoming production of Bellini’s Norma. It’s the end of Act I and Norma (Meade) has just discovered the affair between the man she loves, Pollione (Thomas), and Adalgisa (Barton), a younger priestess. If you think the story’s dramatic, you should hear their voices! Unbelievable voices – let’s call them vocal fireworks because of their equally explosive and yet restrained nature – are at the center of Norma. It’s compelling to witness.