Tag Archives: Supernumerary

Feed This Girl

Amelia Hemmings as a Scottish Refugee in Macbeth (2016); Photo: Karen Almond

Amelia Hemmings as a Scottish Refugee in Macbeth (2016); Photo: Karen Almond

Thirty years after its founding, the opera legacy first established by Peter Hemmings lives on – literally.

Amelia Hemmings

Amelia Hemmings

That sweet, albeit heartbreaking and starved face you’ll see at the center of the Scottish Refugee’s chorus in Act IV is Amelia Hemmings, granddaughter of the late Hemmings.

By day, Amelia is your regular 7th grader. Besides singing, dancing and performing, she loves baking mini cupcakes (plain vanilla especially) and crafts (she even has her own glue gun). But then again, she might not be so regular after all. In LA Opera’s last two seasons, she’s been in several productions, carrying on the family’s opera tradition. (Her older brother Rory made his LA Opera solo debut as the Cabin Boy in Billy Budd in 2014 and has also appeared in several other productions.)

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Jill Michnick’s secret identity – revealed

Jill Michnick

Jill Michnick

By day, Jill Michnick leads the team at LA Opera that produces its signature events. From glamorous galas to vision-setting board meetings, town halls to salon gatherings, Jill spends her time overseeing the details of award winning festivities.

While Jill is used to directing a team of producers and vendors and dealing with all the surprises that she encounters in her role, little did she know that after ten years at one of the country’s most prestigious opera companies, she too would catch the acting bug. Jill’s not one to shy away from a challenge, so when the idea of being in one of LA Opera’s iconic production arose, she didn’t hesitate to explore it.

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#WordWednesday: Supernumerary

supernumerary

SUPERNUMERARY (20 Scrabble points) – Latin – A supernumerary is opera’s version of an extra. Supernumeraries have no dialogue and are directed to create a believable scene, when the environment calls for large groups of people. But they’re actors or artists in their own right. What would Gianni Schicchi have been like without the lively corpse played by Momo Casablanca? What would the Pagliacci circus be like without dozens of attentive audience members? Can you imagine the cinematic beauty of Paris in La Boheme without several spirited supernumeraries showcasing the quintessential Parisian “joie de vivre?”

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