Tag Archives: Student’s Corner

Student’s Corner: My Opera Experience

Clemence Yi during Opera Camp

Clemence Yi during Opera Camp

When I was five, my parents bought me a classical kids CD about Mozart’s The Magic Flute. I listened to it all the time and I started to be interested in opera. Then, I saw the full opera on DVD and I have loved opera ever since. I even saw my first live production at LA Opera when I was only seven years old: Gioacchino Rossini’s The Barber of Seville.

Watching all this opera at home and at LA Opera was great, but I really wanted to learn more.

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Student’s Corner: The Magic Flute

The Magic Flute (2014); Photo: Robert Millard

The Magic Flute (2014); Photo: Robert Millard

Being part of LA Opera 90012 means finding the musician within each of us and experiencing opera. As participants in LA Opera 90012, we all learn to love opera – and that means we know about The Magic Flute. (How can we not?) This Mozart masterpiece is quintessential opera that has it all: beautiful music and a creative, fantasy plot. As audience members, we follow Tamino and Papageno on their quest to find Pamina. We’re left to wonder what Mozart was thinking when he composed such a fantastic opera.

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Student’s Corner: Norma Opera Dreams

Elyse Johnson (right) and her mother, Julie Johnson, at a performance of Norma (2015)

Elyse Johnson (right) and her mother, Julie Johnson, at a performance of Norma (2015)

Sitting in an uncomfortable, red chair, I check LA Opera 90012 participants in for the evening’s performance – Norma. Two fellow Ambassadors and I hand out tickets, but I find myself distracted. I glance at my phone and hope this will make the time go by faster. I’m anxious to see the show.

As soon as we’re dismissed, I seize my black purse and rush to my assigned seat in the theater. I love opera (can you tell?). But this time is different, because I know three of the ensemble members. Two were my teachers and the third is a very dear friend of mine. I can barely suppress the butterflies of excitement in my stomach. I’m thrilled to watch them.

As soon as Norma starts, I’m mesmerized. It’s such a special show. I search for the members I know and manage to pinpoint two of them. It’s at this moment that I start daydreaming, fantasizing about all the rehearsals that go into creating this production. I have been in several smaller opera productions, particularly at Opera Camp, so I have some idea how the process should do. It’s long, grueling, and wickedly fast-paced from the moment a singer receives the score up until the final dress rehearsal. Yet, those rehearsal experiences have been some of the happiest moments of my life. Watching Norma, I think about my own experiences interacting with other campers – teenagers who harbor the same affection I have towards opera – and creating a whole production. We sing together, eat together, and create together.

I find myself missing those days terribly.

Russell Thomas as Pollione and Angela Meade as the title character in Norma (2015); Photo: Ken Howard

Russell Thomas as Pollione and Angela Meade as the title character in Norma (2015); Photo: Ken Howard

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Student’s Corner: LA Opera 90012 – 2015 Season Begins

Katie Lee, Marita Bos- Villalobos, Elizabeth Surman, and Antonia Sterns at LA 90012 2015 Orientation on October 27

Katie Lee, Marita Bos- Villalobos, Elizabeth Surman, and Antonia Sterns at LA 90012 2015 Orientation on October 27

Word is spreading among Los Angeles teens that opera is not what they think it is. The productions are not dusty and dull, but instead are gloriously alive – full of passionate drama that’s sure to entertain even the most skeptical audience member. When LA Opera 90012 kicked off the new season with an orientation this past October, the room was buzzing with anticipation.

Don’t know about LA 90012? It’s one of the coolest contests in town. Students in grades 7 – 12 are invited to enter a competition for the chance to win a mini subscription, for themselves and a chaperone, to see four operas, absolutely free. It’s a great program made possible by a donation by Fred Rheinstein, who knew how opera is a great way for teens and parents to connect. While Rheinstein passed away two years ago, we are so grateful for his contribution and his legacy lives on.

As a Student Ambassador, I arrived early to help set up for the orientation. Once everything was ready, we split up to do our different jobs. Along with my fellow Ambassador Marita Bos, I stood outside at the backstage entrance to welcome participants.

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