Tag Archives: Song from the Uproar

2015: A Year in Review

It has been a milestone season at LA Opera. During the latter half of our 29th season, we presented some of the most engaging and successful productions in the company’s history: a masterful west coast premiere of The Ghosts of Versailles, an engaging cinematic cross-over opera, Hercules vs. Vampires, and an epic avant-garde opera in Dog Days. Our 30th Anniversary Season has started off with a bang. Plácido Domingo’s 147th role debut as the title character in Gianni Schicchi, double-billed with Pagliacci, a contemporary classic, Moby-Dick, a sold-out run of Song from the Uproar, and a beloved bel canto masterpiece, Norma have all wowed Los Angeles audiences since September. Throughout the year, we’ve also had continued success with various initiatives that promote the arts in the greater Los Angeles Community, including our Cathedral Project and Opera Camp.

Below we’ve gathered a few articles and videos we’ve created throughout the year and additional photos are featured in our 2015: A Year in Review Pinterest gallery.

The Ghosts of Versailles

Take a sneak peek behind-the-scenes at The Ghosts of Versailles set and costumes as well as a preview from the show.

https://www.youtube.com/watch?v=YnoNmpWl4S4

https://www.youtube.com/watch?v=RtwEwuLJ5Y8

https://www.youtube.com/watch?v=97lpIpYVQBU

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The Month of the American Composer

Composer of Operas

Jake Heggie

When most people think of October, visions of fall and Halloween come to mind. Here at LA Opera, this October has been “The Month of the American Composer.” Three of our events involved some of the most important American composers of our age – Missy Mazzoli, Philip Glass, and Jake Heggie – working at the height of their powers. To celebrate how vital opera is to our nation culturally, we’ve curated a few articles below where you can learn more about each composer and listen to some of their masterful music.

Jake Heggie, The Man Behind Moby-Dick

Composer Jake Heggie Brings Moby-Dick to the Dorothy Chandler Pavilion – via Los Angeles Magazine

Herman Melville’s Moby-Dick, the classic tale of one man’s pursuit of an elusive white whale, has over the years been turned into films and television miniseries. Now, it has been turned into an opera. Jake Heggie, whose Dead Man Walking was performed earlier this year at the Broad Stage, is the composer of the show, which opens Saturday night at the Dorothy Chandler Pavilion.

Jake Heggie On Why Opera Is Here To Stay – via Los Angeles Times

Don’t tell Jake Heggie that opera is a dying art form. The composer of the opera Dead Man Walking “thinks it’s alive and kicking — he even uses an unprintable term to describe a recent batch of articles declaring that “Opera is dead.” And while his passionate words in defense of the operatic form are convincing, the trajectory of his own career is perhaps his best argument.

Music Monday: Moby-Dick Overture – via LA Opera Blog

This weekend, Moby-Dick opens at LA Opera. Melville’s tale of obsession, the nature of good and evil, and the search for the elusive, titular, white whale is set to an evocative score by famed American composer, Jake Heggie (Dead Man Walking). When Heggie describes tackling the mammoth tale, he speaks of finally finding the music of Moby’s universe in four simple chords. These chords capture the spirit and yearning inherent in Melville’s story and resurface throughout the rest of the score, in a haunting fashion.

https://www.youtube.com/watch?v=cd-Z4-3Ip_Q

 For tickets to Moby-Dick, click here.  … Continue reading

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Everything You’ve Ever Wanted To Know About Song from the Uproar

https://www.youtube.com/watch?v=sBSv5z9rZaA

Bold. Dreamlike. Visionary. These are all words that describe Missy Mazzoli’s Song from the Uproar. They also describe the opera’s real life protagonist, Isabelle Eberhardt. Have you missed some of our Song from the Uproar love this past month? Have no fear! We’ve collected a bunch of articles and videos that truly show how captivating Song from the Uproar is.

Get To Know Song from the Uproar

LA Opera and Beth Morrison Bring New York’s Indie Opera Scene West

LA Opera and Beth Morrison have joined forces again to present two of Beth Morrison Projects’ (BMP) operas this season at REDCAT: Song from the Uproar and Anatomy Theater. Combining live musical performance and original film, Song from the Uproar (October 8-11), tells the incredible story of Isabelle Eberhardt (1877-1904), a young woman who left her life in Switzerland behind for an unfettered existence in the North African desert. Anatomy Theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers. Through the miracle of opera, she sings through it all.

Abigail Fischer Explores The Mind of Isabelle Eberhardt

Opera is a place where all other art forms – art, film, even dance – meet to create a spectacular production. This is a convergence that’s very familiar to mezzo-soprano Abigail Fischer, who plays Isabelle Eberhardt in Missy Mazzoli’s Song from the Uproar. Fischer utilizes various artistic talents in the multimedia opera now showing at REDCAT. It is her haunting singing, however, that mesmerizes throughout the 75-minute opera.

Missy’s Song from the Uproar

“I hope that Song from the Uproar will provide audience members with an immersive theatrical experience and that they will be interested in learning more about Isabelle,” Mazzoli says. Judging from the passion of the artists involved, it is likely her hopes will prove fruitful.

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Abigail Fischer Explores the Mind of Isabelle Eberhardt

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

“An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I’ve left the opera house.”

– Maria Callas

Opera is a place where all other art forms – art, film, even dance – meet to create a spectacular production. This is a convergence that’s very familiar to mezzo-soprano Abigail Fischer, who plays Isabelle Eberhardt in Missy Mazzoli’s Song from the Uproar. Fischer utilizes various artistic talents in the multimedia opera now showing at REDCAT. It is her haunting singing, however, that mesmerizes throughout the 75-minute opera.

“Singing is a very intimate art form. It’s very connected to the deepest parts of you. You really have to know yourself,” says Fischer. The intimacy of singing – and truly all performance – is heightened in Song from the Uproar, because of its abstractness. Fischer plays Isabelle Eberhardt solely, but there is also a “Chorus of Isabelles” that alternatively showcases Eberhardt’s emotions. There’s a strong synergy between the chorus members and Fischer to the point where they repeat each other’s dance moves and lyrics. Together, they illustrate the evolving psyche of a complicated woman, her many lives, and her many deaths.

https://www.youtube.com/watch?v=4P2pH3qhYpM

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Missy’s Song from the Uproar

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo Credit: James Matthew Daniel

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo Credit: James Matthew Daniel

“A nomad I will remain for life, in love with distant and unchartered places.” – Isabelle Eberhardt

In May 1897, an adventurous Swiss woman named Isabelle Eberhardt relocated to North Africa. There she went down a path of self-discovery very atypical for a woman of her time. Eberhardt lived her life to the fullest. She reveled in her time alone experiencing the desert just as much as she adored discussing Islam with members of the Sufi order she joined called Qadiriyaa.

Missy Mazzoli (right) with Director Gia Forakis (center) and singer Abigail Fischer (left)

Missy Mazzoli (right) with Director Gia Forakis (center) and singer Abigail Fischer (left)

Eberhardt also romanced and eventually married an Algerian soldier with whom she had a sometimes tender, sometimes tumultuous relationship. Tragically, her extraordinary life ended at the age of 27 when a flash flood roared through the Algerian province of Aïn Séfra. Yet, elements of Isabelle’s life have been immortalized in the words of her journals, which were published posthumously.

Eleven years ago, composer Missy Mazzoli picked up a copy of Isabelle’s journals in a Boston bookstore and read the following passage:

“On days when I have no money, I am a vagabond on the road, enjoying the reflections of gold and scarlet sunset on the white dunes. The grave alone can rob me of such wealth, not man. If I am allowed the time it takes to write the odd fragment of a description, it may even survive the minds of some.”

Eberhardt’s words stopped Mazzoli in her tracks and “haunted her for years.” This Thursday, Mazzoli’s Song from the Uproar has its west coast premiere, brought to Los Angeles through a partnership between LA Opera and producer Beth Morrison Projects.

https://www.youtube.com/watch?v=4P2pH3qhYpM

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Opera at the Beach: Bringing Music to the Masses

Santa Monica Pier is one of Los Angeles’ largest tourist attractions. Groups of people flock west to experience the beach, ride the ferris wheel, and pose in front of the sign signaling the end of Route 66. This past Saturday, tourists and Angelenos alike came to Santa Monica for one reason: opera.

LA Opera at the Pier Photo by Craig T. Mathew/Mathew ImagingLA Opera hosted its second annual, live HD simulcast called Opera at the Beach on Saturday. This year, an estimated 4,000 people were treated to performances of Giacomo Puccini’s Gianni Schicchi and Ruggero Leoncavallo’s Pagliacci. People arrived early to claim their spot in front of the large screen, participate in opera trivia, and listen to music from LA Opera’s upcoming season, including Beth Morrison Projects’ Song from the Uproar and Jake Heggie’s Moby-Dick. Guests who purchased tickets to the Wine Terrace, sponsored by Los Angeles magazine enjoyed tasting various wines and meeting the wineries responsible for creating some of the best drinks southern California has to offer.

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“You Are The Dust” from Song from the Uproar

https://youtu.be/cjhuxMwXreU

Watch “You Are The Dust” from Song from the Uproar above

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Song from the Uproar: About Isabelle Eberhardt

https://youtu.be/sBSv5z9rZaA

Learn about Isabelle Eberhardt and Song from the Uproar above

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LA Opera and Beth Morrison Bring New York’s Indie Opera Scene West

Anatomy Theater (2016)

Anatomy Theater (2016)

In the aftermath of a war that ravaged America, a family clings to their existence; teenaged Lisa holds onto the hope of a better world as her family spirals into the depths of starvation and despair. When a stranger – a man who acts like and thinks of himself as a dog – arrives on her doorstep, they are forced to confront what it means to be human and what they will do to survive.

The above summary may sound like the logline of a post-apocalyptic thriller, but it is not a film.

It’s a multi-media opera.

Yes, opera.

LA Opera presented Dog Days in June at REDCAT as part of the Off Grand initiative, which brings thrilling contemporary chamber opera to LAO audiences. It was the west coast premiere of the opera, developed and produced by Beth Morrison Projects in New York. Inventive, thrillingly evocative of the human condition, and visceral, Dog Days has garnered a great deal of interest in the burgeoning indie opera scene.

Now, LA Opera and Beth Morrison have joined forces again to present two of Beth Morrison Projects’ (BMP) operas this season at REDCAT: Song from the Uproar and Anatomy Theater. Combining live musical performance and original film, Song from the Uproar (October 8-11), tells the incredible story of Isabelle Eberhardt (1877-1904), a young woman who left her life in Switzerland behind for an unfettered existence in the North African desert. Anatomy Theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers. Through the miracle of opera, she sings through it all.

Abigal Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

Abigal Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

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