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Speranza Scappucci Searches for Puccini’s Truth in La Bohème

Speranza Scappucci; Photo: Dario Acosta

Speranza Scappucci; Photo: Silvia Lelli

Speranza Scappucci is one of opera’s rising conducting stars. Since making her debut in 2012 conducting Mozart’s Così fan tutte at the Yale Opera, Scappucci has conducted around the world, including at Finnish National Opera, Washington National Opera and Scottish Opera. She did not always know that her destiny was to conduct.

Speranza Scappucci conducting a gala concert, starring soprano Marina Rebeka to celebrate the opening of Great Amber, the new concert hall in Liepāja, Latvia.

Speranza Scappucci conducting a gala concert, starring soprano Marina Rebeka to celebrate the
opening of Great Amber, the new concert hall in Liepāja, Latvia.

This month, Scappucci makes her LA Opera debut conducting six performances of Puccini’s La Bohème. It’s a piece that Scappucci knows really well (she coached the piece for 20 years), but that does not stop her from finding new things in Puccini’s masterpiece. Scappucci discovers these new things by extensively revisiting the score, as if it’s the first time she’s approaching it.

Born and raised in Rome, Scappucci moved to New York at age 20 to study piano at The Juilliard School. She received a master’s at Juilliard in collaborative piano and went on to brilliant career as a coach and assistant conductor. For 15 years, Scappucci was a familiar face in the world’s top opera houses, coaching both rising stars and famous opera singers, and also working as an assistant conductor for some of the world’s most renowned conductors – Riccardo Muti, Zubin Mehta, Seiji Ozawa, Daniele Gatti, and James Levine.

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