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Everything You’ve Ever Wanted To Know About Song from the Uproar

https://www.youtube.com/watch?v=sBSv5z9rZaA

Bold. Dreamlike. Visionary. These are all words that describe Missy Mazzoli’s Song from the Uproar. They also describe the opera’s real life protagonist, Isabelle Eberhardt. Have you missed some of our Song from the Uproar love this past month? Have no fear! We’ve collected a bunch of articles and videos that truly show how captivating Song from the Uproar is.

Get To Know Song from the Uproar

LA Opera and Beth Morrison Bring New York’s Indie Opera Scene West

LA Opera and Beth Morrison have joined forces again to present two of Beth Morrison Projects’ (BMP) operas this season at REDCAT: Song from the Uproar and Anatomy Theater. Combining live musical performance and original film, Song from the Uproar (October 8-11), tells the incredible story of Isabelle Eberhardt (1877-1904), a young woman who left her life in Switzerland behind for an unfettered existence in the North African desert. Anatomy Theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers. Through the miracle of opera, she sings through it all.

Abigail Fischer Explores The Mind of Isabelle Eberhardt

Opera is a place where all other art forms – art, film, even dance – meet to create a spectacular production. This is a convergence that’s very familiar to mezzo-soprano Abigail Fischer, who plays Isabelle Eberhardt in Missy Mazzoli’s Song from the Uproar. Fischer utilizes various artistic talents in the multimedia opera now showing at REDCAT. It is her haunting singing, however, that mesmerizes throughout the 75-minute opera.

Missy’s Song from the Uproar

“I hope that Song from the Uproar will provide audience members with an immersive theatrical experience and that they will be interested in learning more about Isabelle,” Mazzoli says. Judging from the passion of the artists involved, it is likely her hopes will prove fruitful.

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Missy’s Song from the Uproar

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo Credit: James Matthew Daniel

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo Credit: James Matthew Daniel

“A nomad I will remain for life, in love with distant and unchartered places.” – Isabelle Eberhardt

In May 1897, an adventurous Swiss woman named Isabelle Eberhardt relocated to North Africa. There she went down a path of self-discovery very atypical for a woman of her time. Eberhardt lived her life to the fullest. She reveled in her time alone experiencing the desert just as much as she adored discussing Islam with members of the Sufi order she joined called Qadiriyaa.

Missy Mazzoli (right) with Director Gia Forakis (center) and singer Abigail Fischer (left)

Missy Mazzoli (right) with Director Gia Forakis (center) and singer Abigail Fischer (left)

Eberhardt also romanced and eventually married an Algerian soldier with whom she had a sometimes tender, sometimes tumultuous relationship. Tragically, her extraordinary life ended at the age of 27 when a flash flood roared through the Algerian province of Aïn Séfra. Yet, elements of Isabelle’s life have been immortalized in the words of her journals, which were published posthumously.

Eleven years ago, composer Missy Mazzoli picked up a copy of Isabelle’s journals in a Boston bookstore and read the following passage:

“On days when I have no money, I am a vagabond on the road, enjoying the reflections of gold and scarlet sunset on the white dunes. The grave alone can rob me of such wealth, not man. If I am allowed the time it takes to write the odd fragment of a description, it may even survive the minds of some.”

Eberhardt’s words stopped Mazzoli in her tracks and “haunted her for years.” This Thursday, Mazzoli’s Song from the Uproar has its west coast premiere, brought to Los Angeles through a partnership between LA Opera and producer Beth Morrison Projects.

https://www.youtube.com/watch?v=4P2pH3qhYpM

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LA Opera and Beth Morrison Bring New York’s Indie Opera Scene West

Anatomy Theater (2016)

Anatomy Theater (2016)

In the aftermath of a war that ravaged America, a family clings to their existence; teenaged Lisa holds onto the hope of a better world as her family spirals into the depths of starvation and despair. When a stranger – a man who acts like and thinks of himself as a dog – arrives on her doorstep, they are forced to confront what it means to be human and what they will do to survive.

The above summary may sound like the logline of a post-apocalyptic thriller, but it is not a film.

It’s a multi-media opera.

Yes, opera.

LA Opera presented Dog Days in June at REDCAT as part of the Off Grand initiative, which brings thrilling contemporary chamber opera to LAO audiences. It was the west coast premiere of the opera, developed and produced by Beth Morrison Projects in New York. Inventive, thrillingly evocative of the human condition, and visceral, Dog Days has garnered a great deal of interest in the burgeoning indie opera scene.

Now, LA Opera and Beth Morrison have joined forces again to present two of Beth Morrison Projects’ (BMP) operas this season at REDCAT: Song from the Uproar and Anatomy Theater. Combining live musical performance and original film, Song from the Uproar (October 8-11), tells the incredible story of Isabelle Eberhardt (1877-1904), a young woman who left her life in Switzerland behind for an unfettered existence in the North African desert. Anatomy Theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers. Through the miracle of opera, she sings through it all.

Abigal Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

Abigal Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

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