Tag Archives: Robert Osborne
Last week, David Lang’s anatomy theater had its world premiere at REDCAT as part of LA Opera’s Off Grand series. The grisly and intense work has garnered a great deal of acclaim not only for the edginess of the production (with a staged public execution followed by a dissection), but also for the questions it raises about the nature of evil and where evil truly lives within each of us. If you’ve missed the anatomy theater love these past couple weeks, we’ve collected a bunch of articles and videos for you to get a sense of what makes the show so visceral.
Get To Know anatomy theater
Based on actual 18th-century texts, anatomy theater follows the story of Sarah Osborne, an English murderess, who is tried, executed, and publicly dissected before a paying audience of fascinated onlookers. Gritty, emotional, and inventive, the opera features several villainous characters, but none more vulnerable than Osborne, who is masterfully brought to life (and death) by mezzo-soprano Peabody Southwell.
Bass-baritone Robert Osborne is a veteran performer of contemporary opera, known for tackling challenging roles from the title character in Harry Partch’s Oedipus to François Mignon in the Robert Wilson-directed Zinnias. Currently, he performs the role of Baron Peel, the anatomist, in the world premiere of David Lang’s anatomy theater. During rehearsals, we sat down with Osborne to discuss his work in anatomy theater and what makes Baron Peel tick.
Bass-baritone Robert Osborne is a veteran performer of contemporary opera, known for tackling challenging roles from the title character in Harry Partch’s Oedipus to François Mignon in the Robert Wilson-directed Zinnias. Currently, he will debut the role of Baron Peel in the world premiere of David Lang’s anatomy theater. During rehearsals, we sat down with Osborne to discuss his work in anatomy theater and what makes Baron Peel tick.
How did you get involved with anatomy theater?
I joined the cast of anatomy theater in 2006 for a workshop of the piece at MASS MOCA. I am the only cast member from that early workshop, which was also directed by Bob McGrath and Ridge Theater. In the decade since the workshop, I have also done some other work with David Lang, and have been a fan and follower of his music all these years.
To be honest, I am not quite sure why David approached me for the original workshop, except that we were colleagues at the Yale School of Music. I’ve known David since 1980. When this project came around, I knew that he was writing the role of Sarah Osborne, the female character in the show, for a mutual friend of ours (this was before Peabody took on the role this year), and she and I were extremely good friends and performed a lot together. I also have a reputation for being someone who can do and does do a lot of contemporary work and new music, and I know that David has seen me in other productions.