Tag Archives: Roaring Twenties
It’s time to dig out those flapper costumes and dapper suits! To celebrate our 1920s set production of Mozart’s The Abduction from the Seraglio, we’re inviting you to come to the February 16 performance dressed in your Roaring Twenties best.
Wear A 1920s Costume, Get Free Champagne – Here’s How It Works
- Arrive at the Dorothy Chandler Pavilion in your costume at least 20 minutes prior to the start of the show
- Get your picture taken on our red carpet by our Social Media Team
- Allow us to post on LA Opera social media and/or post on your Social Media accounts and tag us
- Receive a champagne voucher redeemable at any of the bars inside the Dorothy Chandler Pavilion.
- Only one free champagne voucher per person in costume.
- Must be 21 and over to receive a voucher. While supplies last. Valid only on Thur. Feb 16, 2017.
Barrie Kosky, Susanne Andrade, and Paul Barritt’s production of The Magic Flute is heavily inspired by the silent film era and the spirit of the roaring twenties. In Kosky’s words, “Papageno is suggestive of Buster Keaton, while Monostatos is a bit Nosferatu, and Pamina perhaps a bit reminiscent of Louise Brooks.” There are a plethora of silent films to check out before seeing The Magic Flute, as the silent film era was a rich time for the industry. Filmmakers explored the artistry of the cinematic medium, creating new stories and adapting classic – even operatic – works for a new audience (King Vidor’s excellent 1926 La Boheme film is definitely worth a movie night). Before you step into the world of The Magic Flute, here are a few silent films to watch to get you in the 1920s spirit.
Why Worry (1923)
Director Fred Newmeyer’s adventure comedy centers on hypochondriac Harold Lloyd, who escapes his rich, business focused life to the tropics, only to find himself in the middle of a revolution.
In our Magic Flute, Papageno is basically Buster Keaton with a Harold Lloyd Twist. Similar fashions, similar comedic impulses.
The Gold Rush (1925)
Charlie Chaplin is the king of silent film comedies and The Gold Rush is arguably one of his best pictures. Chaplin stars as a lone prospector, who ventures to Alaska in search of gold, and falls in love with a woman named Georgia. Chaplin’s brand of slapstick comedy permeates the fantasy world of this Magic Flute.
If you’re a Monostatos fan, you’ll love that his character is heavily inspired by Nosferatu. F.W. Murnau’s classic horror film, based on Bram Stoker’s Dracula, tells the story of Count Orlok and his interest in his real estate agent’s wife. The film has a subtle German Expressionist (the style of cinematography that later inspired film noir) feel that helps it retain its rightful place as one of the greatest classic horror films – a must-see for horror junkies everywhere. (LA Opera is presenting Nosferatu this Halloween at The Theatre at Ace Hotel.)
The Magic Flute is a roaring-twenties set vision. It has the beauty of a classic Louise Brooks film (like Pandora’s Box) , but live. Here, the production team – Suzanne Andrade, Barrie Kosky, and Paul Barritt – talk about the concept behind their vision for Mozart’s fantasy opera.
How did you come up with the idea of staging The Magic Flute with 1927?
Barrie Kosky (stage director; Intendent of the Komische Oper Berlin): The Magic Flute is the most frequently performed German-language opera, one of the top ten operas in the world. Everyone knows the story; everybody knows the music; everyone knows the characters. On top of that, it is an “ageless” opera, meaning that an eight-year-old can enjoy it as much as an octogenarian can. So you start out with some pressure when you undertake a staging of this opera. I think the challenge is to embrace the heterogeneous nature of this opera. Any attempt to interpret the piece in only one way is bound to fail. You almost have to celebrate the contradictions and inconsistencies of the plot and the characters, as well as the mix of fantasy, surrealism, magic and deeply touching human emotions.