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The Staging of an Opera Company: The Ring and Beyond

Sieglinde (Anja Kampe) and Siegmund (Placido Domingo) in Die Walkure (2009); Photo: Monika Rittershaus

Sieglinde (Anja Kampe) and Siegmund (Placido Domingo) in Die Walkure (2009); Photo: Monika Rittershaus

LA Opera’s last decade has been marked by multi-season initiatives—celebrating influential composers, exploring special repertoire, or presenting works in innovative ways—and it all started with a ring.

By 2006, LA Opera had established itself as a force of nature in the opera world. The company staged highly regarded productions each season, remaining true to the original tenets of its founders: pushing the boundaries of the medium, nurturing young talent, building a relationship with Hollywood, and producing opera infused with the pioneering spirit of Los Angeles. It was time for the company’s next bold move: a staging of Richard Wagner’s four-part Ring cycle, Der Ring des Nibelungen. It would be a game changing project, to be sure, but nobody could have predicted how enormously this monumental project would affect the entire course of the company’s future.

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